ruudtes - 60s stereo remixes & wide mono

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ruudtes - 60s stereo remixes & wide mono

ruudtes - 2

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Edit for headphones, September 2013. The phase (or flanging) effect can only be heard on stereo loudspeakers.
Recorded May, 1968. Released on "Beggars Banquet" in 1968.

FACTORY GIRL
(Jagger/Richards)

Waiting for a girl who's got curlers in her hair
Waiting for a girl she has no money anywhere
We get buses everywhere
Waiting for a factory girl

Waiting for a girl and her knees are much too fat
Waiting for a girl who wears scarves instead of hats
Her zipper's broken down the back
Waiting for a factory girl

Waiting for a girl and she gets me into fights
Waiting for a girl we get drunk on Friday night
She's a sight for sore eyes
Waiting for a factory girl

Waiting for a girl and she's got stains all down her dress
Waiting for a girl and my feet are getting wet
She ain't come out yet
Waiting for a factory girl

®© UMG

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Edit 2 for headphones. "Theme From Burnt Weeny Sandwich" is a song by the "Mothers of Invention" of the album "Burnt Weeny Sandwich", released in 1970. Further more I can add this: it was a dirty rotten trick played on the original members of Mothers of Invention, a great bunch of true musicians, loving their band and their music... and one day they were sent away, no, thrown away, like a pair of old brown shoes... a big shame ! They sure would have made it !

®© UMG
®© PRS CS

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Edit 3c for headphones, August 2020/February 2024. Dubbed video.
Recorded June 11, 1964, never released officially.
Brian Jones does not play on this song, he was out sick on the day it was recorded, hence the song's subtitle.
Guitar: Keith Richards. Piano: Ian Stewart. Bass: Bill Wyman. Drums: Charlie Watts.

The source file of this edit is the version on the bootleg cd "Around And Around" by Invasion Unlimited (IU9531-1), a 1995 German compilation album, an unofficial release. Hey, a Rolling Stones compilation album! now that doesn't happen often! wow, unique!

If you're interested in bootlegs then here is an extensive list
(COPY and PASTE this into your browser's address bar & hit enter):

iorr.org/talk/read.php?2,1718165

When it comes to downloading at Filefactory.com: FIRST sign up for a (free) account.
For downloads at Filefactory.com go much faster after you are signed in.
You can download without signing up for an account too, but that is much slower.

STEWED AND KEEFED (aka BRIAN'S BLUES)
(Nanker-Phelge)

®© Dick Clark Productions Inc
®© ruudtes rolling stones

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit 1c (single) for headphones of the mono single, November 2014/March 2024. Real deep bass here & there, and the flanging effect left undiluted... and a decent start and end to the video. "Itchycoo Park" was released by Small Faces in August 1967. The song charted 1 in Canada and New Zealand, 2 in Australia, 3 in Holland and the UK, 4 in Norway, 8 in Ireland, 16 in the USA.

"Itchycoo Park" climbed the charts again when it was re-released on 13 December 1975, it reached 8 in Ireland and 9 in the UK.

The song was one of the first pop singles to use flanging, an effect that can be heard in the bridge section after each chorus.Most sources credit the use of the effect to Olympic Studios engineer George Chkiantz who showed it to the Small Faces' regular engineer Glyn Johns (also the Rolling Stones' recording engineer).

Although many devices were soon created that could produce the same effect by purely electronic means, the effect as used on "Itchycoo Park" was at that time an electro-mechanical studio process. Two synchronised tape copies of a finished recording were played simultaneously into a third master recorder, and by manually retarding the rotation of one of the two tape reels (flanges) using the fingers, a skilled engineer could subtly manipulate the phase difference between the two sources, creating the lush 'swooshing' phase effect that sweeps up and down the frequency range. Because the original single version was mixed and mastered in mono, the flanging effect in "Itchycoo Park" is more pronounced in its original mono mix, and is noticeably diluted in the subsequent stereo mix.

As a teenager in the sixties I - ruudtes - accidentally found out I could do the the same with a mono turntable with variable speed control: first I recorded a song on track one of a mono two track tape recorder, and then I rerecorded the song on the second track while listening to the first track. By varying the speed of the turntable I could get the flanging effect anywhere I liked it to be.

®© The Source
®© ruudtes rock & rolling sixties

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit 2b for headphones. To create a full frequency Rolling range recording... Recorded March 11, 1963, never released on official albums until the album "Grrr!". Dubbed video. DUBBED VIDEOOO!!!
At first for many years abundantly available on many many bootlegs. And now available on the umpteenth - yet very interesting - Rolling Stones compilation album "Grrr!" This edit's source is from the bootleg "Around And Around" by Invasion Unlimited (IU9531-1).

Brian Jones plays all the lead breaks and the main riff on this song. (Thanks Sheldon!)

ROAD RUNNER
(Ellas Otha Bates aka Ellas McDaniel, known by his stage name Bo Diddley)

well I'm a roadrunner honey...
Well I'm a roadrunner honey I bet you can't keep up with me
well I'm a roadrunning man and I bet you can't keep up with me
ah, you'll never gonna catch me baby
baby, baby, you will see

that I'm a roadrunning man and I'm gonna keep ahead of you
that I'm a roadrunning man and I'm gonna keep ahead of you
ah, you'll never gonna catch me baby,
doing the things that you do

ah, here I comes now, watch me!

take my hand baby, gonna show you that I'm a rrroadrunning man
I'm gonna show you something that I'm the, fffastest still alive
now lean you back hear I come

well I'm a roadrunner honey and I bet you can't keep up with me
yeah I'm a roadrunning man and I bet you can't keep up with me
well you'll never gonna catch me baby
baby, baby, you will see

that I'm a roadrunner honey and I'm gonna keep ahead of you
yeah I'm a roadrunner honey and I'm gonna keep ahead of you
ah you'll never gonna catch me baby
doing the things that you do

here, take my hand baby, if you think you're fast
you ain't goona last
I'm going put you down
yeah but I'll see you someday
someday baby hanging 'round
ah yeah!

®© ruudtes

Edit 1d (delogoed etc.) for headphones, March 2015. A January 31, 1978 live performance in "The Old Grey Whistle Test", a British television music show on BBC2 that ran from 1971 to 1988.*
The song is shorter, a verse was left out to have the performance fit in the program.

* About the name of this show: in the musical industry many years ago a first pressing of a record was played to people they called the old greys-doormen in grey suits; the songs they could remember and whistle, having heard it just once or twice, had passed the old grey whistle test.

This backward attitude still exists widely in England: a so called British king - who in real is a descendant of the German family Sachsen-Coburg-Gotha that changed their German name to "Windsor" after World War I - is sort of idolized in that "King"dom. In real it is just a billions of British pounds consuming (= wasting) puppet show, with no meaning at all but nostalia... just a reminder of something that used to be but no longer exists... What DOES exist is rows of ambulances in front of hospitals, waiting to deliver their patients. Patients that sometimes die in the ambulance because the row is too long. True story from an ambulance chauffeur...

SULTANS OF SWING
(Mark Knopfler)

you get a shiver in the dark, it's rainin' in the park but meantime
south of the river you stop and you hold everything
a band is blowing Dixie double four time
you feel alright when you hear the music ring

and now you step inside but you don't see too many faces
comin' in out of the rain to hear the jazz go down
competition in other places, but the horns, they're blowing that sound
way on down south, way on down south in London town

you check out Guitar George he knows all the chords
but it's strictly rhythm he doesn't wanna make it cry or sing
it's an old guitar is all he can afford, when he gets up under the lights to play his thing

and Harry doesn't mind if he doesn't make the scene
he's got a daytime job, he's doin' alright
he can play the honky tonk like anything, savin' it up for Friday night
with the Sultans... with the Sultans of Swing

x this verse was omitted in this live BBC show:
x and a crowd of young boys, they're foolin' around in the corner
x drunk and dressed in their best brown baggies and their platform soles
x they don't give a damn about any trumpet playin' band, it ain't what they call rock and roll
x and the Sultans... yeah the Sultans played Creole... Creole

and then the man, he steps right up to the microphone
and says at last just as the time bell rings: "Goodnight, now it's time to go home!"
and he makes it fast with one more thing: "We are the Sultans... we are the Sultans of Swing."

®© ruudtes rock & rolling sixties

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.

Edit 1b for headphones, June 2012/March 2024. Marianne Faithfull on the tv show "Hullabaloo" London, 1965. The performance was lip sync, so why not add a beautiful stereo version of the song. It was a #4 hit in the UK in 1965. #14 in Australia. #26 in the US. #43 France, but yeah, the French didn't have a clue what is was about... no hit in Holland, an entire nation was sleeping... Written by singer/songwriter Jackie DeShannon in 1965.

COME AND STAY WITH ME
(Jackie DeShannon)

I'll send away all my false pride
and I'll forsake all of my lies
yes I'll be as true as true can be
if you'll come and stay with me

lovers of the past I leave behind
there'll never be another on my mind
I'll do all I can so you feel free
if you'll come and stay with me

the promises I made most faithfully
I'll keep still should you decide to leave
I'll try and see that you have all you need
if you'll come and stay with me

we'll live a life no one has ever known
but I know you're thinking that I'm hardly grown
but oh thank God at last and finally
I could see you're gonna stay with me

but oh thank God at last and finally
I could see you're gonna stay with me

®© Music Video Distributors, UMG on behalf of ABKCO Music and Records, Inc.
®© ruudtes rock & rolling sixties

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit 1b (version 3) for headphones, June 2020/March 2024. Dubbed video. This is the "crisp" version 1, but WITHOUT güïro (ratchet-like sound). The official first version was on a single, together with "Fortune Teller", but the single was withdrawn, so only a few hundred copies exist. Released January 1964 on an EP that also had "Bye Bye Johnny", "Money" and "You Better Move On" on it. Pity it was withdrawn, for this "Brian's" version sure is the best. This version 3 however is the take of the first version, but WITHOUT güïro, and it is on the bootleg "No Stone Unturned + 7 bonus". Label: CD-Maximum. Catalogue number: CDM 1202-1063/28.

I don't know which one was on the withdrawn single. This version 3 or version 1.

I have a feeling that this 2.33 version was too long for the British dj's in those backward British dj days... (version 2 is a 2.05 thing)(and 28 seconds is life threatening too long, we (British moron dj's) all know that!).

First recorded on August 18, 1963, this take was suppose to be released as the follow-up single to "Come On", but it never happened. It was released in the UK on the album "Saturday Club" in Jan, 1964. Re-recorded November 14, 1963 and released in the UK on the EP "The Rolling Stones", on Jan 10, 1964. Released in the US on "More Hot Rocks 2", in 1972.

Electric guitars: Brian Jones & Keith Richards. Background vocals: Brian Jones (also vocal harmony), Mick Jagger & Bill Wyman. Lead vocals & güïro: Mick Jagger. Bass: Bill Wyman. Drums: Charlie Watts.

In this video Brian is playing one of the two brand new edition Gibson guitars he and Keith were given while in Chicago at the Chess studio in 1964. Brian seemed to like it but Keith stayed with the Les Pauls. (Sorry, I forgot who told me this.)

POISON IVY
(Jerry Leiber and Mike Stoller)

she comes on like a rose, and everybody knows
she'll get you in Dutch*, you can look but you'd better not touch

poison ivy, poison ivy
well late at night when you're sleeping
poison ivy comes a creeping all around

she's pretty as a daisy, but look out man she's crazy
she'll really do you in, if you let her get under your skin

poison ivy, poison ivy
well late at night when you're sleeping
poison ivy comes a creeping all around

measles make you bumpy and mumps'll make you lumpy
and chicken pox'll make you jump and twitch
a common cold'll cool you but whooping cough'll fool you
but poison ivy's gonna make you itch

you're gonna need an ocean, of calamine lotion
you'll be scratching like a hound, the minute you start to mess around

poison ivy, poison ivy
well late at night when you're sleeping
poison ivy comes a creeping all around

measles make you bumpy and mumps'll make you lumpy
and chicken pox'll make you jump and twitch
a common cold'll cool you and whooping cough'll fool you
but poison ivy's gonna make you itch

you're gonna need an ocean, of calamine lotion
you'll be scratching like a hound, the minute you start to mess around

poison ivy, poison ivy
well late at night when you're sleeping
poison ivy comes a creeping all around

la la la la, la la la la
la la la la, la la la la

* "she'll get you in Dutch" means: she'll get you in trouble

®© UMG on behalf of ABKCO Music and Records, Inc.
®© ruudtes rolling stones

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit 2 for headphones, December 2020.
"Theme from Lumpy Gravy" is a song from the album "The Lumpy Money Project/Object" (cd 3), however, it is much slower than on its original album, "Lumpy Gravy", so I made it sound as it "should" (14% faster). Mono on both albums, so this is an attempt to "enhance" its sound.

®© UMG

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Edit 3b for headphones, October 2021/February 2024. Recorded December 3-8, 1965 in Los Angeles, RCA Studios, Hollywood, released first in the US as a B side to "19th Nervous Breakdown" on February 11, 1966. Released October 1973 in the UK on the album "No Stone Unturned". In the US in 1989 on the album "Singles Collection, The London Years". Further on, as usual, on some fifteen thousand other compilation albums... It even was released as B side to "You Can't Always Get What You Want" in 1969. Source cd of this edit: 1989 - Singles Collection - The London Years (abkco-london 844 481-2).

Guitars: Brian Jones, Keith Richards. Vocals: Mick Jagger. Bass: Bill Wyman. Drums: Charlie Watts. Piano: Jack Nitzsche.

(There is a glitch at exactly 0.47 where the guitar skips a note.)
This song has a special bass part, though I think it is two bass parts:
the first one is the one which the song begins with (sounds like the bass strings of a rhythm guitar);
then at 0:09 Bill Wyman comes in playing his bass guitar in a very peculiar way, carrying this song along so wonderfully. Or is it the bass pedals section of an electric piano?

By the end of 1965 the Stones had recorded a set of brand new songs and wanted them to be released under the title of "Could You Walk On The Water". However Decca refused to release the album because of its title. After some conflict and negociations it was agreed that the new album would be titled "Aftermath". However the band had recorded new songs in March 1966, and the original track list was changed to what became the regular track list of "Aftermath".

The original tracklist was supposed to go like this:
Side One:
19th Nervous Breakdown
Sad Day
Take It Or Leave It
Think
Mother's Little Helper

Side Two:
Goin' Home (short version)
Sittin' On A Fence
Don't You Follow Me (Doncha Bother original title)
Ride On, Baby
Looking Tired

All tracks in stereo. (Except for "Sad Day" which seems to be an "enhanced" mono version.)

* The above is the exact track list of the bootleg album "Could You Walk On Water" (Sister Morphine - morph14 - remastered by Cool Cool Hand). With one exception: the Sister Morphine album has "Goin' Home" in full lenght.

Issued as the American non-LP B-side to "19th Nervous Breakdown" in 1966, "Sad Day" is one of the least-known early Stones songs. It was never even issued in their native UK until 1973, and it didn't make it onto an American album until it appeared on the 1989 box set Singles Collection: The London Years. This composition is very much in the jeering, sarcastic style they were mining heavily in the "Aftermath" era. Some of the "Aftermath" elements are there: a sort of pop-R&B fusion, a dash of folk-rock influence (particularly in the sound of the acoustic guitars in the brief opening instrumental section), the sad decorous piano (by Jack Nitzsche), and the gnarly, high-pitched guitar. It has a repetitious lilting chorus that verges on both the boring and the wimpy. There are some interesting violin-like guitar textures (particularly near the end), perhaps produced by the tone-pedal guitar effect that was enjoying a brief vogue in British rock at the time.

SAD DAY
(Jagger/Richards)

someone woke me up this mornin' and I lit a cigarette
found myself when I stopped yawnin' started getting myself dressed
then I felt that I had a dream I remembered the things that I'd seen
I could still hear the things you said with that bad dream in my head
it was a sad day, bad day, sad day, bad day

so I called you on the phone and your friend said she's not home
so I told her where I'd be at and that you should call me back
then I looked at the morning mail I was not even expecting a bill
your letter a-started "Dear" and it left me with these tears
it was a sad day, bad day, sad day, bad day

think of the times that we had rows but we patched them up somehow
think of the times I tried to go but you screamed and told me no
there is only one thing in this world that I can't understand that's a girl
I keep a-readin' the things you said like a bad dream in my head
it was a sad day, bad day, sad day, bad day

oh what a sad sad old day, a sad old day it was a sad old day
sad old day it was a bad old day, sad old day, a bad old day
if there is one awful thing in this world that I can't understand that's a girl
it was a sad sad old day, sad old day it was a sad old day

®© UMG on behalf of ABKCO Music and Records, Inc.
®© ruudtes rolling stones

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit 1b for headphones, June 2012/February 2024. Fleetwood Mac during a live performance, November 3, 1969 in Norway in the Oslo sports hall 'Njardhallen'. Finally a useful use of a sports hall, named after a pagan god. To me, sports are nothing but idolatry.* Therefore I consider all sports as useless wasting one's time. Don't use your car, use your bicycle instead, then you don't need any sporting activities. You don't need a car to do your shopping, your parents didn't need one, why should you? Buy proper & big panniers for your bicycle and wake up! How on earth do you think we can ever get a clean environment when you go on living like this? A Dutch research: Todays traffic jams are mainly caused by people who live within ten kilometers from their travel destination!

"I'm worried", says this song, well, aren't YOU ?

Do you really think this world can go on like this? Do you really think this earth was meant to be treated this way? Do you really think that all people from all over the globe can travel where ever they want, without destroying this world? Wake up! Or do you think you're just the happy few who have a license to pollute this planet ?

* And then there's the olympic games foolery: it has absolutely nothing to do with ancient Greek events, it is purely a revenue model for cunning profiteers; they just use ignorant athletes for but one goal: their own profit. The olympic games deception is nothing but a cover up for businessmen.
And as for you athletes: if you think you mean something good to this world - for instance - by running hundred meters another millionth of a second faster than the previous olympic athlete, wow man, how much can one fool himself? That isn't any good for this world! It's pure uselessness, only meant for the glory of yourself. You are pathetic... get a life!

I'M WORRIED
(Elmore James/Morris Levy/Clarence L. Lewis)

I'm worried
worried as a man can be

I'm worried
worried as a man can be

well I'm worried 'bout my baby
she gone away from me

well I'm worried about my baby
and I wonder why's she gone

well I'm worried about my baby
and I wonder why's she gone

well I hope someday
my baby love will return

well I hope someday
my baby love will return

I hope someday
my baby love will return

if she don't come back to me
my whole life will go into ruin

I'm worried
worried as a man can be

I'm worried
worried as a man can be

I'm worried about my baby
she gone away from me

®© Abramus Digital, MINT_BMG, BMG Rights Management (US), LLC, LatinAutorPerf, ARESA
®© ruudtes rock & rolling sixties

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit (instr.) for headphones, November 2020. Source file of this edit is song nr.2 on the bootleg "ABKCO Copyright Preservation YouTube Uploads" (Frankenstein FP 058).
The original release of "Stray Cat Blues" is about 4½ minutes, so most likely this is a different recording take. Yet interesting enough. Mono on the bootleg, "stereo-ish" here on my channel. Enjoy.

Here ↓ is some info that is on the forementioned bootleg.

It already became a good tradition for fans to check YouTube at the end of the year for Abkco's annual copyright preservation uploads. This time the files have only been available for less than a day... luckily some fans were attentive and saved these files in time and shared them with us. A big thank you to Honestman in particular… but also to Axl79 for explaining how to get rid of the awful beep noise present on many of the uploads, and to Blakeeik who reworked these files.
In this version I re-used the files posted by Blakeeik, I tried to brighten the sound a bit and improve the start and end of the songs. I also kept the bonus (6 songs which already circulated), e.g. the « Hot Rocks early Shelley Mixes » but I deleted the Gimme Shelter 1978 tour rehearsal that has nothing to do with 1969 copyright preservation (and was uploaded by Abkco by mistake). I chose to place the sequence with the choir (YCAGWYW) at the end, because I am sure that many won't listen to it more than once!
For the details concerning the origin of these pieces, I advise you to refer to:
- The Rolling Stones Complete Works Database by Nico Zentgraf (entry 191231C): http://www.nzentgraf.de/books/tcw/works1.htm
- The review made by Riccardo99 in "Hotwax"
http://www.hotwacks.com/database/publish/ROLLING_STONES_66_RS69TRX.php

01 - Sympathy for the devil (Rock And Roll Circus-rehearsal)
02 - Stray Cat Blues (instrumental)
03 - Ruby Tuesday (Rock And Roll Circus-rehearsal)
04 - Midnight Rambler (instrumental)
05 - Wild Horses (“with strings and glass harmonica"-mix)
06 - Country Honk (instrumental)
07 - Sister Morphine (longer early version)
08 - Let It Bleed (nearly instrumental)
09 - Love In Vain (blusier version)
10 - You Got The Silver (MJ on lead vocals)
11 - Gimme Shelter (alternate vocals)
12 - Brown Sugar (“Hot Rocks”, early "Shelley"-mix)
13 - Wild Horses (“Hot Rocks”, early "Shelley"-mix)
14 - Honky Tonk Women (some alternate lyrics)
15 - Gimme Shelter (Keith and Mick double tracked vocals)
16 - You Can t Always Get What You Want (choir overdub sessions)

A big thanks to my usual partners in crime nzb and Jaap (Stonesmuziekfan) who gave critics and advise regarding my work.
Posted by StonyRoad in 2020 on IORR: https://www.iorr.org/talk/list.php?2

------------
That was the info that is on the bootleg.
And to conclude:
a big THANK YOU mister Frankenstein, you create beautiful monsters !

®© SUISA_SESAC_CS, MUST_CS, BMI - Broadcast Music Inc
®© therock&rollingsixties

Edit 1b for headphones, June 2021/November 2023. Fleetwood Mac during a live performance, November 3, 1969 in Norway in the Oslo sports hall 'Njardhallen'.
By the way: I wonder what kind of audience this is... and what was in their coffee... could you sit during such a performance?

LIKE IT THIS WAY
(Daniel David Kirwan)

better love me, baby
love me all the time
better love me, baby
let me know you're mine
don't care what you say
you're gonna like it this way

give me all your love
'cause I know you need
give me all your love
'cause I know you need
a little bit of that holdin'
a little bit of that squeeze, yeah

better love me, baby
love me all the time
you better love me, baby
let me know you're mine
I don't care what you say
you're gonna like it this way

®© ruudtes rock & rolling sixties

"Blinded By Love" starts at 6:38
Edit 1d for headphones, February 2015/February 2024.
Usually we take a song's intro * for granted, probably not realizing the intro is one of the major artistic accomplishments in a song; with this edit I try to make that clear. All the Stones intros in this edit are masterpieces. "Blinded By Love" is from the 1989 Rolling Stones album "Steel Wheels" (2009 remaster). I gave it a tender extra bass and some other "extras". A song you wouldn't expect on an album with the title "Steel Wheels"... "Steel Wheels" an album with a sleeve as dull as dull can be, just like the many other albums with that boring tongue logo that keeps coming back, or albums in blue and red. They really need a better artist for that.

This is a song with lyrics warning that love can lead to ruin, mentioning Samson, Marc Anthony and King Edward, all of whom were brought down by the love of a woman. Chris Jagger, Mick's brother, helped with the historical references. He is credited as "literary editor."

This video has 133 photos. Enjoy.

BLINDED BY LOVE
(Jagger/Richards)

the queen of the Nile she lay on her throne
and she was drifting downstream on a barge that was burnished with gold
royal purple the sails so sweetly perfumed
and poor Mark Antony's senses were drowned
and his future was doomed

he was blinded by love

the Philistines paid for Samson's blind rage
the secrets that two lovers share should never have been betrayed

he was blinded by love
he was blinded by love

and it's no use crying or weeping
you better lock up your soul for safe keeping
promise me

the poor prince of Wales he gave up his crown
all for the trivial pursuit of a parvenu second-hand lady
so lovers beware if you lose your heart
careful now don't lose your mind
don't mortgage your soul to a stranger

don't be blinded by love
don't be blinded by love

blinded by love
blinded by love

®© UMG on behalf of ABKCO Music and Records, Inc.
®© UMG on behalf of Polydor Records
®© ruudtes rolling stones

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

* here is the list of the 44 songs the intros are from:
come on
not fade away
route '66
tell me
carol
it's all over now
confessin' the blues
time is on my side
under the boardwalk
little red rooster
off the hook
the last time
play with fire
(I can't get no) satisfaction
I'm free
get off of my cloud
the singer not the song
as tears go by
blue turns to grey
19th nervous breakdown
lady jane
out of time
take it or leave it
paint it, black
backstreet girl
yesterday's papers
my girl
sittin' on a fence
ride on, baby
we love you
in another land
she's a rainbow
2000 light years from home
jumpin' jack flash
child of the moon
street fighting man
honky tonk women
you can't always get what you want
gimme shelter
love in vain
brown sugar
wild horses
start me up
angie

Edit 1c for headphones. Dubbed video. I took a live concert video and added the sound of the mono single, in processed "stereo". I uploaded version 1a of this video some years ago, but that one wasn't synchronised that good, this one is somewhat better.
If you want to actual live concert: https://youtu.be/AhYTb5J2rNc

®© SME on behalf of Legacy Recordings

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Edit 2c for headphones, September 2022/January 2024. Dubbed video, that's obvious: a seventies song in a sixties video... This song is quite loud & massive on the album "Exile On Mainstreet" (this one's from the Japanese mini lp remastered TOCP-66452). Well, this edit shows it can be even massiver, louder, happier...

This was the first Stones song to chart with Keith Richards singing lead. (France #5, Canada #9, USA #22.)

Keith Richards: "That's a strange song, because if you play it you actually become happy, even in the worst of circumstances [...]"; well, in these (and all) times we can use some music to give us happy feelings...

An interesting interview on the album is here:
www.goldminemag.com/article/engineer-andy-johns-discusses-the-making-of-the-rolling-stones-exile-on-main-street
(Copy and paste ↑ into your browser's address bar.)

keith richards: lead vocals, guitar, bass
mick jagger: vocals
mick taylor: slide guitar
jimmy miller: drums
bobby keys: saxophone (alas...), maracas
jim price: trumpet, trombone (hurray, better!)
nicky hopkins: electric piano
paul buckmaster: strings

HAPPY
(jagger/richards)

well I never kept a dollar past sunset
it always burned a hole in my pants
never made a school mama happy
never blew a second chance, oh no

I need a love to keep me happy
I need a love to keep me happy
baby, baby keep me happy
baby, baby keep me happy

always took candy from strangers
didn't wanna get me no trade
never want to be like papa
working for the boss ev'ry night and day

I need a love to keep me happy
I need a love, baby won't ya keep me happy
baby, won't ya keep me happy
baby, please keep me

I need a love to keep me happy
I need a love to keep me happy
baby, baby keep me happy
baby, baby keep me happy

never got a flash out of cocktails
when I got some flesh off the bone
never got a lift out of lear jets
when I can fly way back home

I need a love to keep me happy
I need a love to keep me happy
baby, baby keep me happy
baby, baby keep me happy

®© UMG on behalf of Polydor Records
®© ruudtes rolling stones

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit for headphones. A song from the 1966 album "Them Again".
Review by Bruce Eder: The group's second and, for all intents and purposes, last full album was recorded while "Them" was in a state of imminent collapse. To this day, nobody knows who played on the album, other than Van Morrison and bassist Alan Henderson, though it is probable that Jimmy Page was seldom very far away when "Them" was recording. The 16 songs here are a little less focused than the first LP. The material was cut under siege conditions, with a constantly shifting lineup and a grueling tour schedule; essentially, there was no "group" to provide focus to the sound, only Morrison's voice, so the material bounces from a surprisingly restrained "I Put a Spell on You" to the garage-punkoid "I Can Only Give You Everything." Folk-rock rears its head not only on the moody cover of Dylan's "It's All Over Now, Baby Blue" but also the Morrison-authored "My Lonely Sad Eyes", but the main thrust is soul, which Morrison oozes everywhere -- while there's some filler, his is a voice that could easily have knocked Mick Jagger or Eric Burdon off their respective perches.

COULD YOU, WOULD YOU
(Van Morrison)

Could you, a-would you
Um, hold me in your arms
A-show me all your charms
Or make me sad, or make-a me blue?

Could you love me
Like I love you
Like I love you?

Could you, a-would you
Um, a-squeeze, a-hold me tight
A-love me all through the night
And never ever let me go?

Could you love me
Like I love you so
Like I love you so?

Every time I see you walkin' down my avenue
I say, "Hi, hi, hi, hi, hi, are you all right?"
And you say, "How do ya do?"
Just like ya always do
And if I had ya in my arms tonight

Could you, a-would you
Um, hold, hold me oh-so near
While I whisper in your ear
The sweet words you long to hear?

Could you love me
Like I love you
Like I love you?
Oh

Could you, a-would you
Um, ho-old me oh-so near
While I whisper in your ear
The sweet words you long to hear?

Could you love me
Like I love you
Like I love you?

Jus-jus-jus-just, just like I love you
Just, just, just like I love you, baby
Just, just, just like I love you

®© UMG

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.

NOT an edit (1d), January 2024. This version is on the bootleg album "Bright Lights Big City" (VGP307 from "Vinyl Gang").
There are various "Bright Lights Big City" bootleg albums, but only the Vinyl Gang's VGP307 has the version that comes this close to stereo.
Though this song is often claimed to be stereo, even on various official albums, it never was as near as up to this album. So, a great job by the Vinyl Gang...

"The Singer Not The Song", recorded September 6 & 7, 1965, was the b-side to UK's "Get Off Of My Cloud", released October 22, 1965. It was on the US album "December's Children (And Everybody's)", released December 4, 1965. Also in October 1973 on the album "No Stone Unturned".

12-string acoustic guitar: Brian Jones. Lead vocal: Mick Jagger. 6-string acoustic guitar: Keith Richards. Drums: Charlie Watts. Bass: Bill Wyman. Backing vocals: Keith Richards & Bill Wyman.

Info: www.discogs.com/Rolling-Stones-Bright-Lights-Big-City/release/7256899
More info: www.guitars101.com/forums/f90/bright-lights-big-city-vgp-307-tsp-cd-blbc-146588.html

THE SINGER NOT THE SONG
(Jagger/Richards)

everywhere you want I always go
I always give in because, babe, you know
you just say so cause you give me that
feeling inside that I know must be right
it's the singer not the song

it's not the way you give in willingly
others do it without thrilling me
giving me that same old feeling inside that I
know I must be right
it's the singer not the song

the same old places and the same old songs
we've been going there for much too long
there's something wrong and it gives me that feeling
inside that I know I must be right
it's the singer not the song
it's the singer not the song
it's the singer not the song

®© UMG on behalf of ABKCO Music and Records, Inc.
®© ruudtes rolling stones

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit for headphones, October 2023. Another great song from the 1967 album "Headquarters" (2013 4cd + 1 vinyl single super deluxe edition). There are several releases and different mixes of this song: the official release, this take 15 and a 2022 mix, I think the Monkees liked it. I like this take best. To edit.

YOU TOLD ME
(Mike Nesmith)

you told me you'd always stay you told me
you told me you'd never stray you told me
all these things you said you said sincerely
still I am leaving you in spite of what you told me

I've heard things that did not match what you told me
and of your love that would not last as you told me
forewarned is forearmed it hurts I'm leaving
I may be wrong I can't love what I am just hearing

times have made me shy
of all the things you're saying
times have made me shy
of girls and all the games they are playing

someday I may see the truth of what you told me
I may find I left too soon and that you told me
only things that you were honestly feeling
but I must have more to love than what you told me

yes I must have more to love than what you told me
yes I must have more to love than what you told me

®© WMG on behalf of Rhino (Pure)
®© ruudtes rock & rolling sixties

Edit 1c for headphones, November 2012/January 2024. Recorded January 10, 1964, released in the UK on their first album, "The Rolling Stones", April 17, 1964, and in the US on "England's Newest Hit Makers", May 29, 1964.
Harmonica: Brian Jones. Electric guitars: Brian Jones & Keith Richards. Vocals: Mick Jagger. Drums: Charlie Watts. Bass: Bill Wyman. There was a lot of noise in this song.
Maybe this is the song with the most background noise of 'm all. Compare this edit with the unedited one on the first album "The Rolling Stones" and you'll understand.
Here's a link to an unedited version (especially the harmonica solo suffers from background noise):
(copy & paste ↓ in your browser)
youtu.be/8Z0FmfhEXGQ?feature=shared&t=42

Here is an interesting site that has lots of (technical) information about his album:
www.stonesondecca.com/the-60s-decca/rolling-stones/
(copy & paste ↑ in your browser)

1st UK studio album: THE ROLLING STONES
Release date: April 17, 1964
The UK version doesn't have "Not Fade Away" which is on the US album.

1 - Route 66
2 - I Just Want to Make Love to You
3 - Honest I Do
4 - Mona
5 - Now I've Got a Witness
6 - Little By Little
7 - I'm a King Bee
8 - Carol
9 - Tell Me
10 - Can I Get a Witness
11 - You Can Make It If You Try
12 - Walking the Dog

-----

1st US studio album: ENGLAND'S NEWEST HIT MAKERS
Release date: May 29, 1964
The US version doesn't have "Mona" which is on the UK album.

1 - Not Fade Away
2 - Route 66
3 - I Just Want to Make Love to You
4 - Honest I Do
5 - Now I've Got a Witness
6 - Little By Little
7 - I'm a King Bee
8 - Carol
9 - Tell Me
10 - Can I Get a Witness
11 - You Can Make It If You Try
12 - Walking the Dog

HONEST I DO
(Jimmy Reed)(other versions of the album mention David Hurran/Reginald Calvert)

don't you know that I love you
honest I do
I'll never please
no one but you

please tell me you love me
stop driving me mad
you the sweetest little woman
that I ever had

please tell me you love me
stop driving me mad
when I woke up this morning
never felt so ba

®© UMG on behalf of ABKCO Music and Records, Inc.
®© ruudtes rolling stones

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit 1 for headphones, November 2022. A song from the 1966 album "Autumn '66" (2006 remastered reissue UICY-93175).
This song charted 12 in the UK, 20 in Germany and 49 in Belgium. Steve Winwood (12 May 1948) joined the band at the age of 15, he was 18 when this song was recorded. His brother Muff (bass) was five years older, drummer Pete York was six years older and Spencer Davis (guitar) was nine years older.

WHEN I COME HOME
(Steve Winwood/Jackie Edwards)

I gave you my heart
right from the start yeah yeah
I gave you my heart
now you tear apart

you wrote me a letter
you found someone better yeah yeah
better than me
this I can't believe

when I come home
tell me all about it
when I come home
tell me all about it

I work all day
earning my pay yeah yeah
I work all night
make you feel all right

when I come home
tell me all about it
when I come home
tell me all about it

when I come home
(woh yeah now)
tell me all about it
(tell me all about it)
when I come home
tell me all about it
(make it feel so good)
when I come home
(oooh)
tell me all about it
when I come home

®© UMG on behalf of Universal-Island Records Ltd.
®© therock&rollingsixties

Edit 2 (vs. 1) for headphones, October 2022. Source file of the edit is the song on the 1984 Original Master Recordings box set (Mobile Fidelity Sound Lab ‎– MFSL 1-164)(vinyl 11 lp, digitally transfered to 24-192 kHz with Adobe Audition).
Recorded March 3-8, 1966. Official release April 15, 1966 on the great album "Aftermath".
The album that you need. The album that you want to hold in your hands. Like The Beatles sang...

Electric guitars: Brian Jones & Keith Richards (solo). Lead vocals: Mick Jagger. Drums: Charlie Watts. Bass: Bill Wyman. Background vocals: Keith Richards.

THINK
(Jagger/Richards)

I'm givin' you a piece of my mind
the're no charge of any kind
try a very simple test
you should just retrace your steps
and think back, back, a little bit baby
back, back, alright

think, think, think back baby
think, think, back a bit girl
think, think, think back baby
tell me who's fault was that, babe?
tell me who's fault was that, babe?

think about a year ago
how we lived I'll never know
connin' people for a dime
here's another piece of my mind
think back, back, a little bit baby
back, back, alright

think, think, think back baby
think, think, back a bit girl
think, think, think back baby
tell me who's fault was that, babe?
tell me who's fault was that, babe?

take a look inside yourself
you're not really someone else
still I am the same old me
you say I lack maturity
but think back, back, a little bit baby
back, back, alright!

we're not children anymore
we don't need to play with toys
take a look and you will find
you're gettin' old before your time
but think back, back, a little bit baby
back, back, alright

think, think, think back baby
think, think, I said'a back a bit girl
think, think, think back baby
tell me who's fault was that, babe?
tell me who's fault was that, babe?

I said think, you'd better 'a think back a little bit
I said think, what about last year and the year before?
I said think, you promised me so much
I said think, doncha r'member 'a what you said?

®© ABKCO Music and Records, Inc.
®© UMG

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG/ABKCO Music and Records, Inc. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit for headphones, December 2022. A song from the album "A Golden Hour Of The Searchers". In 1965 "Goodbye My Love" charted 4 in the UK, 7 in Holland and Ireland, 16 in Germany, 25 in Australia and 52 in the USA, in the days when USA for quite some part still meant United States of Apartheid... good thing that's history... not for the thousands of losers who still think they're the upper ten.... proudly publicly showing their idiotic nazi signs... total losers... dumbos... axxholes...

GOODBYE MY LOVE
(Robert Mosely/Leroy Swearingen/Lamar Simington)

goodbye... my love
goodbye... my love

though I love you truly
it was meant to be
that I'd lose your love
goodbye my love goodbye

so long... my love
be strong... my love

you've done nothing wrong
this love can't go on
so take care my love
goodbye my love goodbye

and I know that you're not happy at all
any fool can plainly see
and I know I'm the one you really love
but I can't go on sharing you sharing you

goodbye... my love
don't cry... my love

I love you sincerely
it just had to be
it hurts me so inside
to say goodbye

goodbye... my love
goodbye
goodbye
goodbye
goodbye
goodbye

®© BMG Rights Management (Europe) GmbH
®© therock&rollingsixties

Edit 1f for headphones, September 2023/January 2024. Dubbed video. I changed the lenght of "Everybody Needs Somebody To Love" from 35 seconds to 1 minute 23, just to enjoy it a little longer. This is from the album "Charlie Is My Darling - Live in England '65".

Guitar: Brian Jones (lead) & Keith Richards. Drums: Charlie Watts. Bass: Bill Wyman. Lead vocals: Mick Jagger.

EVERYBODY NEEDS SOMEBODY TO LOVE
(Bert Berns (aka Bert Russell aka Russell Byrd), Solomon Burke and Jerry Wexler)

PAIN IN MY HEART
(Naomi Neville, real name Allen R. Toussaint)

®© UMG on behalf of Universal Music Group International
®© UMG on behalf of ABKCO Music and Records, Inc.
®© ruudtes rolling stones

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Not an edit. A song from the April 200 "Greatest Hits" album by Buddha Records, catalogue number 74465 99716 2. The album reads: "Digitally remastered for the first time from long lost first generation master tapes."

"Younger Generation" was released as a single in 1970, but it didn't chart in Canada, Australia, Canada, New Zealand, UK, USA.

YOUNGER GENERATION
(John Sebastian)

why must every generation think their folks are square
and no matter where their heads are they know mom's aint there
cause I swore when I was small that I'd remember when
I knew what's wrong with them that I was smaller than

determined to remember all the cardinal rules
like sun showers are legal grounds for cutting school
I know I have forgotten maybe one or two
and I hope that I recall them all before the baby's due
and I know he'll have a question or two

like hey pap can I go ride my Zoom?
it goes two hundred miles per hour suspended on balloons
and can I put a droplet of this new stuff on my tongue
and imagine frothing dragons while you sit and wreck your lungs
and I must be permissive understanding of the younger generation

and then I'll know that all I've learned my kid assumes
and all my deepest worries must be his cartoons
and still I'll try to tell him all the things I've done
relating to what he can do when he becomes a man
and still he'll stick his fingers in the fan

and hey pap, my girlfriend's only three
she's got her own videophone and she's a taking LSD
and now that we're best friends she wants to give a bit to me
and what's the matter daddy how come you're turning green
can it be that you can't live up to your dreams

®© SME on behalf of Buddah

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Created 1 year, 10 months ago.

460 videos

Category Music

This channel is about my edits for headphones.
Guarantee: I add no sounds, all you hear is the artists' music. I don't "DES" (digitally extract stereo) either.

With « processed 'stereo' » I mean: fake stereo, just to enjoy the music a bit 'better', a bit 'stereo-ish'.

My edits are here for free, I don't earn money with this (it only COSTS me money), so please don't be offended if I play around with sound, it is just my hobby, I have no intention to be a wise guy or smart ass, it's just what I like to do...

These edits are best experienced via headphones... if you want advice:
Sennheiser HD 520 II - I have one and it sounds nearly perfect
Sennheiser HD 580 (Precision) - my wife has one and it sounds perfect
Sennheiser HD 595
Sennheiser HD 600
Sennheiser HD 650 or even... a Sennheiser HD 800 (very expensive)
less expensive and also nearly perfect: a Shure SRH 940.

The latest Sennheiser with a good review by my local newspaper's music specialist is the Sennheiser HD 560 S.
.
If you're interested: here is my YouTube channel: https://www.youtube.com/@ruudtes-60s-laboratory

Greetings from Holland