ruudtes forbidden YouTube videos (usually get blocked) - 2
videos that usually get blocked on YouTube
Edit for headphones, June 2022. Source file of the edit is the song on the 1969 album "Nashville Skyline" (2003 remastered hybrid sacd).
This song has a real great bass part, just like the album's "Lay Lady Lay" and "Tonight I'll Be Staying Here With You". The rest is - basswise - crap.
About the video: country pie relates to rural photos, so I chose rural photos, but, as a reaction to those videos with just a few photos - repeated over and over - I decided to give this super short song an abundance of 129 photos... good riddance... I don't like those photos anyway.
The final verse of this song says:
shake me up that old peach tree
little Jack Horner’s got nothin’ on me
oh me, oh my, love that country pie
Little Jack Horner appears in English literature from the 18th century onwards. A verse in the song Namby Pamby includes references to Jack. (Jack incidentally is always the name of the strange character in English tales of this time from funny little boys like Jack Horner and Jack Spratt, to characters who have strange adventures – Jack and the Beanstalk – and on to the terrifying Spring Heeled Jack and Jack the Ripper, of the late 19th century.
The most famous version of the rhyme, which certainly in the 20th century all children in England knew, was:
little Jack Horner
sat in the corner
eating a Christmas pie
he put in his thumb
and pulled out a plum
and said "what a good boy am I!"
®© SME on behalf of Columbia
®© therock&rollingsixties
Edit (alt. mix) for headphones. The violin solo from 1.00 to 1.25 is a different take, so the song is not just a different stereo mix, as the album says. (The violin solo is centered, instead of at the left in the official release). This is another one from the (unofficial) album "Beggars Banquet (Diamond Alternate Version)" slk 16570-p. (The album version is too slow, I corrrected the speed by 1,275%.)
Recorded May, 1968. Released on "Beggars Banquet" in 1968.
Vocal: Mick Jagger. Acoustic guitar: Keith Richards. Mandolin: Dave Mason. Violin/fiddle: Rik Grech. Congas: Rocky Dijon. Bass: Bill Wyman. Charlie Watts: tabla.
FACTORY GIRL *
(Jagger/Richards)
Waiting for a girl who's got curlers in her hair
Waiting for a girl she has no money anywhere
We get buses everywhere
Waiting for a factory girl
Waiting for a girl and her knees are much too fat
Waiting for a girl who wears scarves instead of hats
Her zipper's broken down the back
Waiting for a factory girl
Waiting for a girl and she gets me into fights
Waiting for a girl we get drunk on Friday night
She's a sight for sore eyes
Waiting for a factory girl
Waiting for a girl and she's got stains all down her dress
Waiting for a girl and my feet are getting wet
She ain't come out yet
Waiting for a factory girl
®© UMG
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
* songfacts.com says:
This is a song about poverty. It was Mick Jagger's first attempt at a serious song with meaning.
Dave Mason, who played the acoustic guitar for the Jimi Hendrix Experience and sang background on songs such as "Crosstown Traffic" and "Fire," agreed to play mandolin on this song.
Ric Grech was brought in to play fiddle on this. Grech was a violinist and bass player who was a member of the band Family in the '60s and went on to play in Blind Faith with Eric Clapton. He also played on Gram Parsons' solo albums in the '70s, and he appears on Ron Wood and Ronnie Lane's 1976 Mahoney's Last Stand project.
Drummer Charlie Watts: "On Factory Girl, I was doing something you shouldn't do, which is playing the tabla with sticks instead of trying to get that sound using your hand, which Indian tabla players do, though it's an extremely difficult technique and painful if you're not trained."
Guitarist Keith Richards: "To me Factory Girl felt something like Molly Malone, an Irish jig; one of those ancient Celtic things that emerge from time to time, or an Appalachian song. In those days I would just come up and play something, sitting around the room. I still do that today."
Edit for headphones. Don van Vliet & his "Magic Band" (including two members of "The Mothers Of Invention": drummer Arthur Tripp and bass player Roy Estrada (at the right) on the German tv show "Beat-Club" on June 24, 1972. The performance was recorded on film on April 12, 1972 in Radio Bremen’s Funkhaus.
Here is an interesting review on the June 16, 1969 album "Trout Mask Replica", the third (double) studio album by Captain Beefheart and his Magic Band, with tiny bits of music and a lot of interesting facts: https://youtu.be/58nPEe-TU-w
don van vliet (captain beefheart): vocals, harmonica, soprano sax
bill harkleroad (zoot horn rollo): guitar & slide guitar
mark boston (rockette morton): guitar & bass guitar
elliot ingber (winged eel fingerling): guitar
roy estrada (oréjon): bass guitar
art tripp III (ed marimba): drums & marimba
The last two words of "Golden Birdies" are actually, “Webcor, Webcor”. Webcor was a brand name of the Webster Chicago Corporation, who made Don’s tape recorder (or was it Frank Zappa’s?)
®© UMG
®© WMG
®© EMI Music Publishing
®© SOLAR Music Rights Management
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email or comment and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The music/song and photos remain copyright of their respective owners and are strictly used here for educational, comparison and discussion reasons.
Edit for headphones, November 2017. This edit is done by request, I tried a new way of phase editing! Sounds better in my opinion, so, hope you enjoy! Source file is from the 2006 Japanese remastered mini lp "Let it bleed" [uicy-93029]. My truly sincere apologies (sorry sorry sorry) for the zooming in and out photos, it is an old video that I used for this edit, nowadays I find slowly zooming in photos a total disaster, the most stupid video effect ever invented, severe punishment for its inventor! Just a stupid way to wait for the next photo as long as possible, to cover up the fact that the video maker just has not enough photos to fill an entire video... or just pure laziness...
®© UMG on behalf of ABKCO Music and Records, Inc.
®© ruudtes rolling stones
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
Edit for headphones. Don van Vliet & his Magic Band (including "The Mothers Of Invention" drummer Arthur Tripp and bass player Roy Estrada (at the right) on German tv in 1972. mojo4music dot com says: On April 12, 1972, the band entered Radio Bremen’s Funkhaus to film a performance for German TV show "Beat-Club". In this stunningly high-quality upload of one of the the songs recorded that day we witness the group in their full Spotlight Kid/Clear Spot-era glory with the magnificent trio of Zoot Horn Rollo (Bill Harkleroad), Rockette Morton (Mark Boston) and Winged Eel Fingerling (Elliot Ingber) laying freak-blues guitar over Art Tripp and Roy Estrada’s hypnotic backing.
Here's Bill Harkleroad with a few memories:
“I’m Gonna Booglarize You got played an awful lot and was definitely part of our live show. Like Click Clack and Alice In Blunderland, Booglarize You was a staple part of the set on three basic tours – 1971, 1972 and 1973. I can specifically remember the band performing it on a German TV show called Beat Club. Like all TV shows at that time, they weren’t ready for loudly performed music. Our type of music was designed to be played loud, it didn’t have to be earsplitting, but it had to be played with a certain amount of volume just to push enough air to feel the excitement level of it — because we did have energy, no question about it!
I remember how difficult it was, beating the crap out of the instrument and jumping around, when you could hear people whispering over the low volume. ... Back then live TV shows were only one step better than lip-synching. It always felt funny playing to 30-odd people who were clapping politely while the TV producer was trying to make it look like a crowd 500. It was a very sterile environment and of course the Magic Band came over as being totally ‘over-the-top’ with our look - I remember stumbling around on my high heeled green shoes."
®© UMG
®© WMG
®© EMI Music Publishing
®© SOLAR Music Rights Management
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email or comment and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarsh
Edit 1 (vs. 1) for headphones. Australian tv show "Big Beat '65", Melbourne, 29 Januari, 1965 - a live performance, but all dubbed. Usually Mick Jagger would do the singing live and the band was miming, this performance however is all mimed.
I deleted the mono song they used on this broadcast and added the stereo version of the song - with an extra touch... hope you like it. Enjoy!
First recorded in July of 1964 with Jimmy Page, that version was not released until 1975, on the album "Metamorphosis". Re-recorded November 2, 1964 and released two weeks later in the US as a single, and then released in the US on the album "The Rolling Stones Now!" in February of 1965. Released in September of 1965 in the UK on the album "Out Of Our Heads".
Guitars: Brian Jones (bass sounding six string) & Keith Richards. Tambourine: Brian Jones/Mick Jagger. Lead vocals: Mick Jagger. Bass: Bill Wyman. Drums: Charlie Watts. Backing vocals: Mick Jagger & Bill Wyman.
HEART OF STONE
(Jagger/Richards)
there've been so many girls that I've known
I've made so many cry and still I wonder why
here comes the little girl
I see her walking down the street
she's all by herself
I try and knock her off her feet
but, she'll never break, never break, never break, never break
this heart of stone
oh, no, no, this heart of stone
what's different about her? I don't really know
no matter how I try I just can't make her cry
'cause she'll never break, never break, never break, never break
this heart of stone
oh, no, no, no, this heart of stone
don't keep on looking that some old way
if you try acting sad, you'll only make me glad
better listen little girl
you go on walking down the street
I ain't got no love, I ain't the kind to meet
'cause you'll never break, never break, never break, never break
this heart of stone
oh, no, no, you'll never break this heart of stone darlin'
no, no, this heart of stone
you'll never break it darlin'
you won't break this heart of stone
oh no no no
you better go
you better go home
'cause you'll, you'll never break this heart of stone
®© UMG
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
Edit for headphones. New video to bypass copyright issues with studio Hamburg. Don van Vliet & his "Magic Band" (including two members of "The Mothers Of Invention": drummer Arthur Tripp and bass player Roy Estrada (at the right) on the German tv show "Beat-Club" on June 24, 1972. The performance was recorded on film on April 12, 1972 in Radio Bremen’s Funkhaus.
New scrambled upload to avoid copyright issues by the German studio Hamburg, acting like the best boy in the class, fiercely killing free internet, true descendants of wwII killers behaviour... or is that too rude?
don van vliet (captain beefheart): vocals, harmonica, soprano sax
bill harkleroad (zoot horn rollo): guitar & slide guitar
mark boston (rockette morton): guitar & bass guitar
elliot ingber (winged eel fingerling): guitar
roy estrada (oréjon): bass guitar
art tripp III (ed marimba): drums & marimba
®© UMG
®© WMG
®© EMI Music Publishing
®© SOLAR Music Rights Management
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email or comment and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The music/song and photos remain copyright of their respective owners and are strictly used here for educational, comparison and discussion reasons.
Edit (early ver.2) for headphones, April 2021. This is an early studio take of the "Metamorphosis" version of "Heart Of Stone". It has no pedal steel guitar and no additional female backing vocals. The "Metamorphosis" version is 3.47, this version is 4.14, at the end it has 27 seconds of more lyrics: "Heart of stone, heart of stone darling, oh yeah, that's what I told you, yeah, (stand by me?), heart of stone, yeah yeah yeah yeah yeah yeah yeah, oh yeah".
Now that's some lyrics, isn't it? Shakespeare might as well pack it in...
Though the "Metamorphosis" version is often referred to as version 2, it actually was recorded earlier (21–23 July 1964) than version 1, recorded October 1964, that we know as the December 1964 single, released on the albums "The Rolling Stones, Now!", "Big Hits (High Tide And Green Grass)", "Hot Rocks 1964-1971", "30 Greatest Hits", "Singles Collection: The London Years", "GRRR!" and probably another four and a half thousand of other compilation albums. For one may as well state that The Rolling Stones are the Compilation Albums Kings!
Source file of this edit is song nr.15 of cd 3 of the 13 cd limited deluxe edition bootleg set "Collector Treasures 1961-1967" by Wonderland Records, catalogue number SF-6167. The song is listed as "15. Heart Of Stone I (MJ/KR) - J.Page and/or McLaughlin guitar".
If you're interested in bootlegs then here is an extensive list
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®© UMG
®© ABKCO Music and Records, Inc.
®© Decca Music Group Ltd.
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG/ABKCO Music and Records, Inc./Decca Music Group Ltd. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
Edit 1b for headphones. Big July 1970 hit: #1 in Australia, Austria, Canada, Norway, US; #2 in Germany and South Africa; #3 in Sweden; #4 in Belgium and New Zealand. Holland was busy charting the previous CCR single, "Up Around The Bend", which was a #1 hit that month.
This song was not about drugs, it was partly written for John Fogerty's three years old son Josh. Fogerty said: "I knew he would love it if he heard me on the radio singing - doot doot doo, lookin' out my back door." In the song lyrics there is a reference to a parade passing by which John says was inspired by a Dr. Seuss book that he read as a kid titled "To Think (That) I Saw It On Mulberry Street."
Rhythm guitar player Tom Fogerty was the elder brother of John Fogerty. Before they formed CCR, Tom was lead singer in several bands. John took over the main role in CCR, and the lack of vocal and songwriting opportunity, along with festering, long-standing hostility with his brother led Tom to leave the band in early 1971, after finishing the sixth album, "Pendulum".
In the 1980s he underwent surgery for his back. An unscreened blood transfusion caused him to be infected with HIV. It led to his death, officially of tuberculosis, on September 6, 1990. After his death, a music compilation titled "The Very Best Of Tom Fogerty" was released.
LOOKIN' OUT MY BACK DOOR
(John Fogerty)
just got home from Illinois, lock the front door, oh boy!
got to sit down, take a rest on the porch
imagination sets in, pretty soon I'm singin'
doo, doo, doo, lookin' out my back door
giant doin' cartwheels, statue wearin' high heels
look at all the happy creatures dancin' on the lawn
dinosaur Victrola list'nin' to Buck Owens
doo, doo, doo, lookin' out my back door
tambourines and elephants are playin' in the band
won't you take a ride on the flyin' spoon, doo, doo, doo
wond'rous apparition provided by magician
doo, doo, doo, lookin' out my back door
tambourines and elephants are playin' in the band
won't you take a ride on the flyin' spoon, doo, doo, doo
bother me tomorrow, today, I'll buy no sorrow
doo, doo, doo, lookin' out my back door
forward troubles Illinois, lock the front door, oh boy!
look at all the happy creatures dancin' on the lawn
bother me tomorrow, today, I'll buy no sorrow
doo, doo, doo, lookin' out my back door
®© UMG
®© WMG
®© ABKCO Music, Inc.
®© EMI Music Publishing
®© SOLAR Music Rights Management
video:
®© LatinAutor, UMG, Concord Music Publishing, UMPI, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM
®© LatinAutor - PeerMusic, AdRev Publishing, União Brasileira de Compositores
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG/WMG/ABKCO/EMI/SOLAR. No copyright infringement is intended.
Edit for headphones. This video is blocked in Sweden. So this upload is for the Swedish. There was a lot of noise in this song. Maybe this is the song with the most background noise of them all. Compare this edit with the unedited one on the first album "The Rolling Stones" and you'll understand. Here's a link to an unedited version: https://youtu.be/TsDXhJ428wY?t=45 Especially the harmonica solo suffers from terrible background noise.
Recorded on January 10, 1964, released in the UK on the first album "The Rolling Stones", April 17, 1964, and in the US on "England's Newest Hit Makers", May 29, 1964.
Harmonica: Brian Jones. Electric guitars: Brian Jones & Keith Richards. Vocals: Mick Jagger. Drums: Charlie Watts. Bass: Bill Wyman.
* here is an interesting site that has lots of (technical) information about his album: https://www.stonesondecca.com/the-60s-decca/rolling-stones/
1st UK studio album: THE ROLLING STONES
Release date: April 17, 1964
The UK version doesn't have "Not Fade Away" which is on the US album.
1 - Route 66
2 - I Just Want to Make Love to You
3 - Honest I Do
4 - Mona
5 - Now I've Got a Witness
6 - Little By Little
7 - I'm a King Bee
8 - Carol
9 - Tell Me
10 - Can I Get a Witness
11 - You Can Make It If You Try
12 - Walking the Dog
-----
1st US studio album: ENGLAND'S NEWEST HIT MAKERS
Release date: May 29, 1964
The US version doesn't have "Mona" which is on the UK album.
1 - Not Fade Away
2 - Route 66
3 - I Just Want to Make Love to You
4 - Honest I Do
5 - Now I've Got a Witness
6 - Little By Little
7 - I'm a King Bee
8 - Carol
9 - Tell Me
10 - Can I Get a Witness
11 - You Can Make It If You Try
12 - Walking the Dog
HONEST I DO
(Jimmy Reed) other versions of the album * mention: (David Hurran/ Reginald Calvert)
don't you know that I love you
honest I do
I'll never please
no one but you
please tell me you love me
stop driving me mad
you the sweetest little woman
that I ever had
please tell me you love me
stop driving me mad
when I woke up this morning
never felt so bad
®© UMG
®© ABKCO music
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
Edit for headphones. Chris Farlowe with his version of a Rolling Stones song. The single was produced by Mick Jagger. It was a #1 hit for a whole week in the UK Singles Chart in July 1966. It reached #11 in the Dutch Top 40. United States: #122 on the US Billboard Bubbling Under chart. Can anyone provide information about its 'charts' in other countries? Is there a proper international charts site?
In 1975 this Chris Farlowe single's backing track was used to release a single with Mick Jagger on lead vocal, reaching #45 in the UK. #81 in the US.
OUT OF TIME
(Jagger/Richards)
you don't know what's going on
you've been away for far too long
you can't come back and think you are still mine
you're out of touch my baby
my poor old fashioned baby
I said, baby, baby, baby, you're out of time
well, baby, baby, baby, you're out of time
I said, baby, baby, baby, you're out of time
yes you're all left out, yes you are
I said you're, lefta out of there without a doubt
'cause baby, baby, baby, you're out of time
you thought you was a clever girl
giving up your social whirl
you can't come back and be the first in line, oh yeah
you're obsolete my baby
my poor old faded baby
I said baby, baby, baby you're out of time
well, baby, baby, baby, you're out of time
I said, baby, baby, baby, you're out of time
yes, you are left out, yes you are
I said you're, a'lefta out of there without a doubt
'cause baby, baby, baby, you're out of time
oh yeah, yeah, oh, aha yeah!
baby, baby, baby, you're out of time
I said baby, baby, baby, you're out of time
yes you are, you're left out, yes you are
I said you're left out, out of there without love now
'cause baby, baby, baby, you're out of time
is everybody ready?
baby, baby, baby, you're out of time
you thought you was a clever girl
®© UMG
®© The Orchard Music
®© PIAS
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
In 2016 Ipswichstar.co.uk read: Farlow wasn’t a fan at first. “I knew the Stones before they were the Stones, when they were a mixture of young dudes coming around. They liked to listen to my band, we got chatting, became friends and when they made it they offered to write some songs for me. I didn’t like it when I first heard the demo... I didn’t tell them.
“Mick was playing it on his guitar to me so I didn’t want to upset the horse and cart, look a gift horse in the mouth. When they finished the final song with all the orchestra it was great.”
“I made so many singles. Everyone said ‘oh these are going to be a big hit record’ and they never were so I didn’t take a blind bit of notice of anybody after that. Then Out of Time came out and I still didn’t. Everyone said ‘oh it’s going to be a smash’ and I thought well when it happens I’ll be there and it did.”
From the crappy channel of "Reelin' In The Years", the ones who own a lot of good Stones video footage and try to get rich with it by removing all Stones videos on fan based video channels and selling Stones footage PER MINUTE at high costs. And they claim to do it for the benefit of the artists. Well, they won't be able to fool us, the're just a bunch of sanctimonious pocket liners, hypocritical bag fillers. I edited out their watermark on this video. Hurray for me! Some think that the income these creeps gather will benefit musicians... well, don't let them fool you: first income goes to their huge wages, the few cents that remain MAYBE end in the pockets of musicians they "so worry about"... trust me, that will be not even a few dollars per year... thieves they are, plain thieves ! Organized theft !
The reason why I am so upset with what "Reelin’ In The Years Productions" is doing is this: imagine they decide to buy the copyrights to ALL photos of The Rolling Stones; and that you have to pay a copyright tax of a dollar for every photo you want to use in a video. That is the same as a government that calculates how much sunlight your place has had in a year and that you have to pay a sunlight tax, a dollar for every minute.
That is exactly what "Reelin’ In The Years Productions" does: if a tv station wants to broadcast the "Reelin’ In The Years Productions'" Rolling Stones material, then the tv station has to pay a huge amount of money PER MINUTE of the material. It is pure thievery.
What "Reelin’ In The Years Productions" is doing is stealing our history and selling it back to us. Yes, they are true criminals. Real criminals. Thieves. And they do it under the guise of helping the artists to get the income they deserve. My ass. Photos and videos of public performances are public property. Dot.
Edit for headphones. A live performance on the May 27, 1972 broadcast of Beat Club, a German tv show. "Johnny B. Goode" is a 1958 rock-and-roll song written and first recorded by Chuck Berry. The song was a major hit, peaking at number two on Billboard magazine's Hot R&B Sides chart and number eight on its Hot 100 chart.
"Johnny B. Goode" is considered one of the most recognizable songs in the history of popular music. Credited as "the first rock & roll hit about rock & roll stardom", it has been recorded by many other artists and has received several honors and accolades. The song is also ranked seventh on Rolling Stone's list of the "500 Greatest Songs of All Time".
It is such a pleasure to watch these men having fun playing live on tv, especially Chuck Berry's enjoying the show is so catching ! Nice guy !
JOHNNY B. GOODE
(Charles Edward Anderson Berry - October 18, 1926 – March 18, 2017)
deep down in louisiana close to new orleans
way back up in the woods among the evergreens
there stood a log cabin made of earth and wood
where lived a country boy named johnny b. goode
who never ever learned to read or write so well
but he could play a guitar just like a-ringin' a bell
oh go
go johnny go go
go johnny go go
go go go go johnny go
I say go go go johnny b. goode
he used to carry his guitar in a gunny sack
go sit beneath the tree by the railroad track
oh, the engineers would see him, sitting in the shade
strumming with the rhythm that the drivers made
people passing by they would stop and say
"oh my what that little country boy could play"
go go
go go go go go go go
I say go go go go go
his mother told him "someday you will be a man
and you will be the leader of a big old band
many people coming from miles around
to hear you play your music when the sun go down
maybe someday your name will be in lights
«JOHNNY B. GOODE TONIGHT»"
®© UMG
®© WMG
®© EMI Music Publishing
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG/WMG/EMI. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email or comment and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
Not an edit, April 2021. Recorded 24 February 1965 in London. This is the first version, same recording as version 2, but without extra backing vocals and without pedal steel guitar and with one extra "girls like you" at the end, so, faded out later.
Version 2, with pedal steel guitar and extra backing vocals added to create a stereo sound, was released in the UK on the album "Metamorphosis" in June, 1975. Although released as a Stones song, the only Stones believed on it are Mick Jagger and Keith Richards.
Lead vocals: Mick Jagger. Guitars: Keith Richards and John McLaughlin. Bass: Joe Moretti. Drums: Andy White.
Source file of this edit is track 9 of cd 4 of the 13 cd limited deluxe edition bootleg set "Collector Treasures 1961-1967" by Wonderland Records, catalogue number SF-6167.
If you're interested in bootlegs then here is an extensive list
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You can download without signing up for an account too, but that is much slower.
This is the only song credited to Richards/Oldham.
"As Tears Go By" is a Jagger/Richards/Oldham song.
I'D MUCH RATHER BE WITH THE BOYS
(Keith Richards/Andrew Oldham)
here I am
all alone and all dressed up to kill
'cause I'd much rather be with the boys
than be with you
here I am
with the gang I don't care where you are
'cause I'd much rather be with the boys
than be with you
I hold up my head up high when I walk down the street
now I'm a man I'm standing on my own two feet
don't try to call me 'cause now I know the score
and now I know that I don't need you anymore
don't put me on
it's over now, it's no good looking back
'cause I'd much rather be with the boys than be with you
who's fooling who
it's over and you've had all your getting from me
'cause I'd much rather be with the boys
'cause I'd much rather be with the boys
yes I'd much rather be with the boys
and the boys they would much rather be with the boys than with girls like you
girls like you, girls like you, girls like you, girls like you
®© WMG
®© EMI Music Publishing
®© SOLAR Music Rights Management
®© UMG
®© ABKCO Music and Records, Inc.
®© Decca Music Group Ltd.
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.) This sound recording is administered by UMG/ABKCO Music and Records, Inc. and others. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
Edit 1b for headphones.
Some German retarded a$$holes of "Studio Hamburg" keep blocking this video on YouTube. Because they did so, I have uploaded their original videos about 125,000 times to many many file sharing program visitors... that's what you get when acting like an idiot, you backward stupid Studio Hamburg a$$holes !
A live performance on the May 27, 1972 broadcast of Beat Club, a German tv show. Without Chuck Berry's talking part. "Wee Wee Hours" was the b-side to Chuck's first ever hit "Maybellene" on Chess Records in 1955. Yes, one nine five five. "Wee Wee" was on the audition tape that Berry sent to Leonard Chess, but the latter decided "Maybellene" was a better song to start a career...
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®© WMG
®© EMI Music Publishing
®© Studio Hamburg A$$holes
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG/WMG/EMI. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email or comment and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The music/song and video remain copyright of their respective owners and are strictly used here for educational, comparison and discussion reasons.
edit 3 for headphones. a beautiful early stereo Stones song, that only needed drums on both channels (instead of only on the left)(for drums should always be on both channels...) enjoy Brian Jones on the organ, really making the song...
Recorded June 10 & 11, 1964 in the Chess Studios in Chicago, along with four other songs these were the first Rolling Stones stereo recordings. Released in the UK on the EP "Five By Five" August 1964; in the US on "12 x 5" in October 1964. Finally, in April 1971 it was released on an UK album, "Stone Age". Source file of the edit: "12 x 5" Japanese mini lp remastered 2006 [uicy-93014].
Organ: Brian Jones. Bass: Bill Wyman. Drums: Charlie Watts. Lead vocals & tambourine: Mick Jagger. Guitar & backing vocals: Keith Richards.
IF YOU NEED ME
(Wilson Pickett, Robert Bateman and Sonny Sanders) **
if you need me
why don't you call me
said if you need me
why don't you call me
don't wait too long
when things go wrong
I'll be there, yeah
where I belong
said if you want me
why don't you send for me
said if you want, want, want
all you gotta do is send for me
don't wait to long
just a pick up your phone
I'll be there
right there, where I belong
people always told me, darling
that you didn't mean me no good
but I know deep down in my heart
I done the best I could
and one of these days, darling
it won't be long
you're gonna come walking through that door
and I know in my mind these are the very
words you're gonna say to me
I still love you
always thinking of you
I still love, love, love
always thinking of you
don't wait too long
when things go wrong
I'll be there, right there
where I belong
®© UMG
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
** Solomon Burke had a big hit with the song in 1963, but it was stolen from Wilson Pickett by Jerry Wexler, a producer at Atlantic Records, who had received it in 1963 as a demo from Wilson Pickett.
This was Dionne Warwick's first US top ten single in January 1964 (#8), and it was Cilla Black's first #1 single in the UK. George Martin produced the session for Cilla's recording (Abbey Road Studios); the arrangement was by Johnny Pearson and the musicians were guitarists Vic Flick and Big Jim Sullivan and The Breakaways vocal group. These ladies sound amazing, I tried to get them better audible in this edit. Violins more spread overall too. A #5 hit in Holland. Alas, some retarded stupid backward idiots blocked this video on YouTube... when will they ever realize this is a FREE advert for Cilla's music ? ? ? These people act like little kids, screaming: "leave my toy alone!"
ANYONE WHO HAD A HEART
(Burt Bacharach (music) Hal David (lyrics)
Anyone who ever loved, could look at me
And know that I love you
Anyone who ever dreamed, could look at me
And know I dream of you
Knowing I love you so
Anyone who had a heart
Would take me in his arms and love me, too
Who? couldn't be another heart that hurt me,
Like you hurt me and be so untrue
What am I to do
Every time you go away, I always say
This time it's goodbye, dear
Loving you the way I do
I take you back, without you I'd die dear
Knowing I love you so
Anyone who had a heart
Would take me in his arms and love me, too
Who? couldn't be another heart that hurt me,
Like you hurt me and be so untrue
What am I to do
Knowing I love you so
Anyone who had a heart
Would take me in his arms and love me, too
Who? couldn't be another heart that hurt me,
Like you hurt me and be so untrue
Anyone who had a heart would love me too
Anyone who had a heart would surely take me in his arms and always love me
Why won't you
®© UMG
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Edit 3d for headphones. https://www.youtube.com/channel/UC7WtKoUUbElX4Om6eHtSSWQ is the official YouTube channel for this and many other stunning videos! Really visit that channel, the videos there are beautiful! I only uploaded ONE video of that channel as a free fan based advert ! !
When recorded on October 16, 1967, the song was not meant to be released. But after Brian Jones added the mellotron to it, it was added to the album too and became perhaps the best song on the album. Well, we played it on the local jukebox a few thousand times anyway...
Mellotron & piano: Brian Jones. Percussion: Brian Jones & Mick Jagger. Vocals: Mick Jagger. Bass: Bill Wyman. Guitar: Keith Richards. Drums: Charlie Watts.
2000 LIGHT YEARS * FROM HOME
(Jagger/Richards)
sun turnin' 'round with graceful motion
we're setting off with soft explosion
bound for a star with fiery oceans
it's so very lonely, you're a hundred light years from home
freezing red deserts turn to dark
energy here in every part
it's so very lonely, you're six hundred light years from home
it's so very lonely, you're a thousand light years from home
it's so very lonely, you're a thousand light years from home
bell flight fourteen you now can land
see you on Aldebaran, safe on the green desert sand
it's so very lonely, you're two thousand light years from home
it's so very lonely, you're two thousand light years from home
®© UMG
®© ABKCO
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG/ABCKO Music, Inc. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
* two thousand light years is:
eighteen thousand trillion (eighteen thousand million million) kilometres from home
that's
twelve thousand trillion (twelve thousand million million) miles from home
Edit 1b for headphones. A 1966 number one hit in Canada, #2 in Holland, #4 in the US, #5 UK, #5 Australia. The song was released in Holland about the same time that a Dutch band - "The Jets" - released the song. The strange thing that the record industry did was: to pump up the sales figures the selling rates of both singles were COMBINED. Smart a$$es...
Crispian was born Robin Peter Smith in Swanley, England (1939-2010). "The Changin' Times" of Steve Duboff and Artie Kornfeld was the first band that released the song, reaching #87 in the 1965 UK top 100.
THE PIED PIPER
(Steve Duboff en Artie Kornfeld)
you, with your masquerading, and you
always contemplating, What to do
in case heaven has found, you can't you see
that it's all around you, so follow me
hey come on, babe, follow me
I'm the Pied Piper, follow me
I'm the Pied Piper
and I'll show you where it's at
come on, babe, can't you see
I'm the Pied Piper, trust in me
I'm the Pied Piper
and I'll show you where it's at
girl, don't be scared to move, hey, babe
what are you tryin' to prove, it ain't true
that your life has kicked you, it's your mind
and that's all that's trickin' you
so step in line
hey come on, babe, follow me
I'm the Pied Piper, follow me
I'm the Pied Piper
and I'll show you where it's at
come on, babe, can't you see
I'm the Pied Piper, trust in me
I'm the Pied Piper
and I'll show you where it's at
come on, babe, follow me
I'm the Pied Piper, follow me
and I'll show you where it's at
come on, babe, can't you see
I'm the Pied Piper, trust in me
I'm the Pied Piper
and I'll show you where it's at
come on, babe, follow me
come on, babe, trust in me
come on, babe, can't you see
come on, babe, follow me
I'm the Pied Piper
®© UMG
®© BR Music Copyrights
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The music/song and photos remain copyright of their respective owners and are strictly used here for educational, comparison and discussion reasons.
Edit 1a for headphones. "I'm free", recorded september 6 & 7, 1965, RCA Studios, Los Angeles, USA. Released on "Out Of Our Heads" (third UK album) and "December's Children" (fifth US album) in 1965. Dubbed video. *
Organ: Brian Jones. Electric guitars: Brian Jones & Keith Richards. Lead & backing vocals: Mick Jagger. Bass: Bill Wyman. Drums: Charlie Watts. Tambourine: James W. Alexander. **
I'M FREE
(Jagger/Richards)
I'm free to do what I want any old time
I'm free to do what I want any old time
so love me, hold me, love me, hold me
I'm free any old time to get what I want
I'm free to sing my song though it gets out of time
I'm free to sing my song though it gets out of time
so love me, hold me, love me, hold me
and I'm free any old time to get what I want
love me, hold me, love me, hold me
but I'm free any old time to get what I want
I'm free to choose what I please any old time
I'm free to choose what I please any old time
so hold me, love me, love me, hold me
I'm free any old time to get what I want, yes I am
®© UMG
®© Dick_Clark_Productions_Inc
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
* Mick Jagger used the moves he saw James Brown performing
** JAMES W. ALEXANDER (1916-1996)
Mississippi-born Alexander was an all-around session musician (bassist, guitarist, singer, drummer and percussionist) and producer who recorded extensively with 1960s and '70s soul artists, such as Sam Cooke, the Bar-Kays, the Soul Stirrers, Mavis Staples and Isaac Hayes. He contributed percussion on "I'm Free" during the Stones' September 1965 L.A. recordings.
Edit for headphones. Written in 1962 and recorded by the duo Ian & Sylvia for their 1964 album "Northern Journey" this song is covered by various artists. I like this clean, pristine version by CSP, a #2 hit in the UK, #5 in Holland. Barry Mcguire had a hit with his cover in Italy.
YOU WERE ON MY MIND
(Sylvia Fricker)
well I woke up this morning
you were on my mind
I said you were on my mind
oh, I got troubles, oh, oh
I got worries, oh, oh
I got wounds to bind
so I went to the corner
just to ease my pain
I said just to ease my pain
oh, I got troubles, oh, oh
I got worries, oh, oh
I came home again
but I woke up this morning
you were on my mind
you were on my mind
oh, I got troubles, oh, oh
I got worries, oh, oh
I got wounds to bind
but I've got a feeling
yeah, down in my shoes
I said way down in my shoes
well, I gotta ramble, oh, oh
I gotta move on, oh, oh
I gotta walk away my blues
when I woke up this morning
you were on my mind
I said you were on my mind
well, I got troubles, oh, oh
I got worries, oh, oh
I got wounds to bind, yeah
®© BR Music Copyrights on behalf of Fuel Records
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Edit 2 for headphones, December 2020. An edit to make the song a bit less "sixties channel separated".
Recorded June 12 and also on July 7 - 12, 1967. The first Bill Wyman song to be released. Besides the original album it was also released on "The Rolling Stones singles collection: The London years", August 1989. In 1967 it was a nr 87 hit in the US, nr 21 in Canada.
Mellotron: Brian Jones. Lead vocals and bass: Bill Wyman. Drums: Charlie Watts. Harpsichord: Nicky Hopkins. Piano: Bill Wyman. Guitar: Keith Richards. 12-string acoustic guitar: Steve Marriott. Organ: Ian Stewart or Brian Jones or Nicky Hopkins. Background vocals: Brian Jones, Mick Jagger, Keith Richards, Steve Marriott & Ronnie Lane (both of the Small Faces).
The song was recorded on a night when Bill Wyman had shown up at the studio and found that the session had been cancelled. Feeling frustrated that he had potentially wasted time in driving there, engineer Glyn Johns asked him if he had anything that he'd like to record. "I'd been messing with this song. It was a bit... what I thought was kind of spacy, you know... a bit kind of Satanic Majesties-like. And psychedelic in a way."
Lyrically, Wyman stated that "The idea for the song is about this guy who wakes up from a dream and finds himself in another dream."
The song describes events that transpire in a dreamlike state:
We walked across the sand
And the sea and the sky and the castles were blue
I stood and held your hand
And the spray flew high and the feathers floated by
I stood and held your hand
Glyn Johns showed the song to Mick Jagger, Keith Richards, and Brian Jones, who all liked it and decided to include it on the record.
The musicians on the song are Bill Wyman on lead vocals, with both Ronnie Lane and Steve Marriott of the Small Faces on guitar and backing vocals, Nicky Hopkins on keyboards, Charlie Watts on drums, and Jagger adding backing vocals.
At the conclusion of the track as heard on the album, Wyman himself can be heard snoring. He was unaware this had been tagged onto his song until he first played the completed album. He learned later that one night when he had fallen asleep in the studio, Jagger and Richards miked him up and recorded him snoring, and stuck it onto his track as a joke. This does not appear on the single.
IN ANOTHER LAND
(William George Perks a.k.a. Bill Wyman)
in another land
where the breeze and the trees and flowers were blue
I stood and held your hand
and the grass grew high and the feathers floated by
I stood and held your hand
and nobody else's hand will ever do
nobody else will do
then I awoke
was this some kind of joke
much to my surprise
I opened my eyes
we walked across the sand and the sea and
the sky and the castles were blue
I stood and held your hand
and the spray flew high and the feathers floated by
I stood and held your hand
and nobody else's hand will ever do
nobody else will do
then I awoke
was this some kind
edit for headphones, just to enjoy it more intensely, well, supposed to... the song was an early 1969 neil young & crazy horse song, but csn&y decided to release it on their 1970 album "déjà vu". this is an edit from the one of the album "carry on". my wife hates its wailing, I love my wife.
about the town in the first verse Neil Young said: "Well, it's not literally a specific town so much as a feeling. Actually, it's a couple of towns. Omemee, Ontario, is one of them. It's where I first went to school and spent my 'formative' years. Actually I was born in Toronto..."
More so than any other song, "Helpless" touches on Young's earliest childhood memories. Young came down with polio by age six, prompting his parents to spend a year in Florida hoping the warmer weather would speed his cure. Ten years after this came the Young's divorce, from which Neil stayed with his mother while his father kept his brother Bob and later remarried. So, typical for Neil Young, the memories represented here are bittersweet.
HELPLESS
(Neil Young)
there is a town in north Ontario
with dream comfort memory to spare
and in my mind I still need a place to go
all my changes were there
blue, blue windows behind the stars
yellow moon on the rise
big birds flying across the sky
throwing shadows on our eyes
leave us helpless, helpless, helpless
baby can you hear me now
the chains are locked and tied across the door
baby, sing with me somehow
blue, blue windows behind the stars
yellow moon on the rise
big birds flying across the sky
throwing shadows on our eyes
leave us helpless, helpless, helpless
helpless, helpless, helpless
helpless, helpless, helpless
helpless, helpless, helpless
helpless, helpless
®© UMG
®© WMG
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Edit for headphones. Source of the remaster is the song of the album "Barabajagal"(2005 EMI remaster). In 1969 it charted #1 for three weeks in hurray for Holland, #23 in the UK, #7 in the US (where "Atlantis" was the b-side to "To Susan On The West Coast, Waiting").
At 3.33 is a picture of Donovan with Brian Jones' biological son Julian and Donovan's girlfriend Linda Lawrence. Donovan married Linda and raised Brian's son as his own.
ATLANTIS
(Donovan Leitch)
the continent of Atlantis was an island
which lay before the great flood
in the area we now call the Atlantic Ocean
so great an area of land, that from her western shores
those beautiful sailors journeyed
to the South and the North Americas with ease
in their ships with painted sails
to the east, Africa was a neighbor
across a short strait of sea miles
the great Egyptian age is but a remnant of The Atlantian culture
the antediluvian kings colonized the world
all the gods who play in the mythological dramas
in all legends from all lands were from fair Atlantis
knowing her fate, Atlantis sent out ships to all corners of the Earth
on board were the Twelve
the poet, the physician, the farmer, the scientist
the magician and the other so-called gods of our legends
though gods they were
and as the elders of our time choose to remain blind
let us rejoice and let us sing and dance and ring in the new
hail Atlantis!
way down below the ocean
where I wanna be, she may be
way down below the ocean
where I wanna be, she may be
way down below the ocean
where I wanna be, she may be
way down below the ocean
where I wanna be, she may be
way down below the ocean
where I wanna be, she may be
my antediluvian baby, oh yeah yeah, yeah yeah yeah
I want to see you some day
my antediluvian baby, oh yeah yeah, yeah yeah yeah
my antediluvian baby
my antediluvian baby, I love you, girl
I want to see you some day
my antediluvian baby, oh yeah
I want to see you some day, oh
my antediluvian baby
my antediluvian baby, I want to see you
my antediluvian baby, gotta tell me where she gone
I want to see you some day
wake up, wake up, wake up, wake up, oh yeah
oh glub glub, down down, yeah
my antediluvian baby