The Guessing Game is the ninth full-length album by the British doom metal band Cathedral. It was released on 26 March 2010. It is the first double-album from the band.

It was voted the eighth best album of the year in the Metal Hammer magazine critics poll of 2010.

1. Immaculate Misconception
2. Funeral of Dreams
3. Painting in the Dark
4. Death of an Anarchist
5. The Guessing Game
6. Edwige's Eyes
7. Cats, Incense, Candles and Wine
8. One Dimensional People
9. The Casket Chasers
10. La Noche del Buque Maldito (aka Ghost Ship of the Blind Dead)
11. The Running Man
12. Requiem for the Voiceless
13. Journey into Jade

Setlist:

01. The Ides of March (0:00:00)
02. Murders in the Rue Morgue (0:01:45)
03. Another Life (0:05:12)
04. Prowler (0:08:50)
05. The Trooper (0:13:13)
06. Remember Tomorrow (0:19:01)
07. Where Eagles Dare (0:24:47)
08. Run to the Hills (0:30:26)
09. Revelations (0:34:40)
10. Wrathchild (0:40:49)
11. Die With Your Boots On (0:43:44)
12. Phantom of the Opera (0:52:01)
13. The Number of the Beast (0:59:45)
14. Hallowed Be Thy Name (1:04:43)
15. Iron Maiden (1:12:24)

Encore:

16. Running Free (1:23:09)
17. Drifter (1:30:18)
18. Sanctuary (01:35:01)

*Fanfare video
"(Don't Fear) The Reaper" is a song by American rock band Blue Öyster Cult from the band's 1976 album Agents of Fortune. The song, written and sung by lead guitarist Donald "Buck Dharma" Roeser, deals with eternal love and the inevitability of death. Dharma wrote the song while picturing an early death for himself.

Shades of Deep Purple is the debut album by the English rock band Deep Purple, released in July 1968 on Tetragrammaton in the United States and in September 1968 on Parlophone in the United Kingdom. The band, initially called Roundabout, was the idea of former Searchers drummer Chris Curtis, who recruited Jon Lord and Ritchie Blackmore before leaving the project. The Mk. I line-up of the band was completed by vocalist/frontman Rod Evans, along with bassist Nick Simper and drummer Ian Paice, in March 1968.

After about two months of rehearsals, Shades of Deep Purple was recorded in only three days in May 1968 and contains four original songs and four covers, thoroughly rearranged to include classical interludes and sound more psychedelic. Stylistically, the music is close to psychedelic rock and progressive rock, two genres with an ever-growing audience in the late 1960s.

The album was not well received in the UK, where it sold very few copies and did not chart. In the US, on the other hand, it was a success and the single "Hush", an energetic rock track written by Joe South and originally recorded by Billy Joe Royal, became very popular at the time, reaching number 4 on the US Billboard Hot 100 chart. The good sales of the album and the intense radio play of the single contributed largely to the attention Deep Purple would get in their early US tours and also during the 1970s. Modern reviews of the album are generally positive and consider Shades of Deep Purple an important piece in the history of Deep Purple.
Tracks
1. And the Address (instrumental) 00:00
2. Hush 04:38
3. One More Rainy Day 09:04
4. Prelude: Happiness/I'm So Glad 12:44
5. Mandrake Root 20:03
6. Help! 26:13
7. Love Help Me 32:14
8. Hey Joe 36:03
Remastered CD edition bonus tracks
9. Shadows (album outtake) 43:31
10. Love Help Me (instrumental version) 47:13
11. Help (alternate take) 50:45
12. Hey Joe (BBC Top Gear session, 14 January 1969) 56:07
13. Hush (live US TV, Playboy After Dark,1968) 1:00:14

Few music lovers will forget the first time they heard Dread Zeppelin. Whether they were amused, appalled, speechless or disgusted, none could deny that Dread Zeppelin was the finest Elvis-impersonator-fronted reggae-driven Led Zeppelin cover band in existence at that time. Even now, almost 20 years after their auspicious debut, Dread Zeppelin still do what they do better than anyone, and while Bar Coda might (?) signal the end of this intrepid band, their daring contributions to music will live on forever.

1- Celebration Day 00:00
2- The Lemon Song 03:03
3- No Woman No Cry 06:48
4- The Ocean 10:36
5- The Rover 15:00
6- Suspicious Minds 18:32
7- Out On The Tiles 22:26
8- That's Alright Mama 25:23
9- Thank You 28:26
10- Bar Coda 32:53

The Man from Utopia is an album by American musician Frank Zappa, released in March 1983 by Barking Pumpkin Records. The album is named after a 1950s song, written by Donald and Doris Woods, which Zappa covers as part of "The Man from Utopia Meets Mary Lou".
"The Dangerous Kitchen", "Mōggio" and "The Jazz Discharge Party Hats" were all prepared for Zappa's unreleased album Chalk Pie.
The album was the second of two to credit Steve Vai with "impossible guitar parts", the first album being the preceding Ship Arriving Too Late to Save a Drowning Witch (1982).
The sleeve art features the work of Tanino Liberatore. It portrays Zappa on stage trying to kill mosquitoes. That is a reference to a concert held in Italy in 1982, the year before the release of the album, on 7 July at Parco Redecesio (which is also referred in a street sign on the album cover) in Segrate, near Milan. While Zappa was playing, a huge number of mosquitoes began flying on stage and gave the band a hard time. The back cover shows the audience as seen from the stage during the 1982 concert in Palermo, which ended in a riot.
The sleeve art is also a reference to Liberatore's comic character RanXerox.
1. Cocaine Decisions 00:00
2. SEX 03:53
3. Tink Walks Amok 07:37
4. The Radio Is Broken 11:16
5. We Are Not Alone 17:07
6. The Dangerous Kitchen 20:35
7. The Man from Utopia Meets Mary Lou 23:27
8. Stick Together 26:45
9. The Jazz Discharge Party Hats 30:25
10. Luigi & the Wise Guys 34:53
11. Mōggio 38:18

Aoxomoxoa is the third studio album by the Grateful Dead. It was one of the first rock albums to be recorded using 16-track technology.
The title of the album is a palindrome created by cover artist Rick Griffin and lyricist Robert Hunter. According to Living with the Dead, the audio memoir of band manager Rock Scully, the title is pronounced "ox-oh-mox-oh-ah".
One fan legend considers the words "Grateful Dead" on the front of the album, written in large, flowing capital letters, to be an ambigram that can also be read "we ate the acid". Kreutzmann states, "Aoxomoxoa...doesn’t mean anything — it’s just a cool palindrome. People have surmised over the years that you could read the Grateful Dead lettering on the front cover as We Ate the Acid which, I suppose, is true enough, if you look at it just right."
The artwork is adapted from a painting that was originally created as a concert poster for the band. The bottom portion depicts death, rebirth and the cycle of life, with fertility symbols and Egyptian-based imagery. The top depicts a sun which doubles as an egg being fertilized. Both sides feature stylized censers.

1. St. Stephen
2. Dupree's Diamond Blues
3. Rosemary
4. Doin' That Rag
5. Mountains of the Moon
6. China Cat Sunflower
7. What's Become of the Baby?
8. Cosmic Charlie

Filmed at a sold out Riviera Theatre in Chicago in March 2010.
Bass – Robert DeLeo
Drums – Eric Kretz
Guitar – Dean DeLeo
Vocals – Scott Weiland

1 Vasoline
2 Crackerman
3 Wicked Garden
4 Hollywood Bitch
5 Between The Lines
6 Hickory Dichotomy
7 Big Empty
8 Sour Girl
9 Creep
10 Plush
11 Interstate Love Song
12 Bagman
13 Huckleberry Crumble
14 Sex Type Thing
15 Dead And Bloated
16 Lounge Fly
17 Piece Of Pie
18 Trippin' On A Hole In A Paper Heart

London 1969

Fresh Cream is the debut studio album by the British rock band Cream, consisting of bassist Jack Bruce, guitarist Eric Clapton and drummer Ginger Baker. The album was released in the UK on 9 December 1966, as the first LP on the Reaction Records label, owned by producer Robert Stigwood. It was released in both mono and stereo versions, at the same time as the release of the single "I Feel Free". The album peaked at No. 6 on the UK Albums Chart. The album was released in a slightly different form in January 1967 by Atco Records in the US, also in mono and stereo versions.
The mono versions were deleted not long after release and for many years only the stereo recordings were available. The UK mono album was reissued on CD for the first time in Japan, by Universal Music, in late 2013 as part of a deluxe SHM-CD and SHM-SACD sets (both editions also contain the UK stereo counterpart).
In January 2017, the album was again reissued, by Polydor, in a 4-CD box-set containing mono and stereo versions of the original UK and US release along with singles and B-sides.

1. I Feel Free
2. N.S.U.
3. Sleepy Time Time
4. Dreaming
5. Sweet Wine
6. Cat's Squirrel
7. Four Until Late
8. Rollin' and Tumblin'
9. I'm So Glad [Mono Version]
10. Toad
11. Spoonful [*]
12. Wrapping Paper [*]
13. The Coffee Song [*]

9012Live is a 1985 concert film featuring the English rock band Yes, recorded at the Northlands Coliseum in Edmonton, Alberta, Canada on 28 and 29 September 1984 on the band's tour in support of their eleventh studio album, 90125 (1983). The film features a line-up of singer Jon Anderson, guitarist Trevor Rabin, keyboardist Tony Kaye, bassist Chris Squire, and drummer Alan White. In addition to the concert performance, the film includes special effects by Charlex and a colourised version of the short film Young Man's Fancy (1952), produced by Edison Electric.

9012Live was released on VHS and aired on MTV in November 1985 as a companion release to the live album 9012Live: The Solos. It was released on DVD in 2006 with bonus footage and a director's cut without the effects and stock footage. The film was directed by future Academy Award-winner Steven Soderbergh; he and the group were nominated for a Grammy Award for Best Music Video, Long Form for the release. The film's ending features the quote "The rhythm of big generators", which inspired the name of Yes' next album, Big Generator (1987).

Jazzin' for Blue Jean is a 21-minute short film featuring David Bowie and directed by Julien Temple. It was created to promote Bowie's single "Blue Jean" in 1984 and released as a video single.
The film won the 1985 Grammy Award for "Best Video, Short Form" (later renamed "Best Music Video"), which proved to be Bowie's only competitive Grammy Award during his lifetime.

The funk rock band Red Hot Chili Peppers released a cover as the first single from their fourth studio album Mother's Milk.
It has been featured in films, TV shows and video games, including Mighty Morphin Power Rangers: The Movie, Beavis and Butthead, Center Stage, The Fresh Prince of Bel-Air, Walking Tall, The Longest Yard, The Karate Kid, The Change-Up, Rocksmith and Guitar Hero Live.
A remixed version by the X-Ecutioners was featured in the video game SSX 3 while a cover version appeared in Guitar Hero.
FX used the song to promote The Ultimate Fighter: Live and it also serves as the show's theme song.
As part of the "Year of a Million Dreams" Celebration, Space Mountain at Disneyland in Anaheim, California was transformed into Rockin' Space Mountain. The song was used as its soundtrack for 16 weeks, from January 3, 2007, to April 26, 2007.
In 2000 British magazine Total Guitar named it the second greatest cover ever [wankers].
Red Hot Chili Peppers performed the song with other musicians as part of the all-star jam during the band's induction into the 2012 Rock and Roll Hall of Fame Induction Ceremony.
The music video for this version was directed by Drew Carolan and Bill Stobaugh, and was nominated for Breakthrough Video at the 1990 MTV Video Music Awards.

Circa 1981

Excerpt from The Wall

The Lost Tape: Swedish prog rockers Opeth have unearthed a previously 'lost' video of the band performing Windowpane.
The track is taken form the band's seventh studio album Damnation, originally released in 2003, and which was reissued on vinyl through Music For Nations Records on December 15, 2023 to celebrate the album's 20th anniversary.
According to the band, the video, directed by Fredrik Odefjärd, has been "digitized from the original video tape sent to MTV in 2003, a long lost artefact of a much loved fan favourite from from the Damnation vaults."

Relayer is the seventh studio album by the English progressive rock band Yes, released in November 1974 by Atlantic Records. After keyboardist Rick Wakeman left the group in May 1974 over disagreements with the band's direction following their double concept album Tales from Topographic Oceans (1973), Yes entered rehearsals as a four-piece in Buckinghamshire. They auditioned several musicians, including Greek keyboardist and composer Vangelis, before settling with Swiss musician Patrick Moraz of Refugee who incorporated elements of funk and jazz fusion to the album. Relayer is formed of three tracks, with "The Gates of Delirium" on side one and "Sound Chaser" and "To Be Over" on side two.

1. The Gates of Delirium 00:00
2. Sound Chaser 21:49
3. To Be Over 31:22
4. Soon (single edit) 40:29
5. Sound Chaser (single edit) 44:58
6. The Gates of Delirium (studio run-through) 48:10

Our history has been fabricated. The official timeline of our recent past, does not match our reality. Our Rockefeller "his-story" books are pure fabrication. There has been a massive cover-up.

March of the Saint

Live performance circa 1983

Ex Wiki: Albert Bourla (Greek: Άλμπερτ Μπουρλά; born October 21, 1961) is an American-Greek veterinarian and the chairman and chief executive officer of Pfizer, an American pharmaceutical company. He joined the company in 1993 and has held several executive roles across Pfizer's divisions

TV performance

Spiritual Healing is the third studio album by American death metal band Death, released on February 16, 1990, by Combat Records. It is the band's only album to feature both guitarist James Murphy and bassist Terry Butler and the last to feature drummer Bill Andrews.

1. Living Monstrosity 00:00
2. Altering the Future 05:08
3. Defensive Personalities 10:43
4. Within the Mind 15:29
5. Spiritual Healing 21:03
6. Low Life 28:48
7. Genetic Reconstruction 34:11
8. Killing Spree 39:04

"Obsession" is a 1983 song by Holly Knight and Michael Des Barres, covered in 1984 by American synth-pop band Animotion. The song hit number six in the United States, and number five in the United Kingdom in June 1985, helped by a distinctive video that MTV played frequently. "Obsession" also hit the top 40 on the US dance chart, twice: once in 1984 (the single reached No. 35 the week ending November 24); then in 1986, as a double-sided hit, along with the track "I Engineer".