Comedy Film Classics

Classic Comedy Films https://www.bitchute.com/playlist/VfdZs2A6Ie3H/

Must see comedy of the 1960s! The Great Race is a 1965 American Technicolor slapstick comedy film starring Jack Lemmon, Tony Curtis, and Natalie Wood, directed by Blake Edwards, written by Arthur A. Ross (from a story by Edwards and Ross), and with music by Henry Mancini and cinematography by Russell Harlan. The supporting cast includes Peter Falk, Keenan Wynn, Arthur O'Connell and Vivian Vance. The movie cost US$12 million (equivalent to $98.36 million in 2020), making it the most expensive comedy film at the time. The story was inspired by the actual 1908 New York to Paris Race.

The Great Leslie and Professor Fate are competing daredevils at the turn of the 20th century. Leslie is the classic hero – always dressed in white, handsome, ever-courteous, enormously talented and successful. Leslie's nemesis, Fate, is the traditional melodramatic villain – usually dressed in black, sporting a black moustache and top hat, glowering at most everyone, possessing a maniacal evil laugh, filled with grandiose plans to thwart the hero, and dogged by failure. Leslie proposes an automobile race from New York City to Paris and offers the Webber Motor Car Company the opportunity to build an automobile to make the journey. They design and build a new car named "The Leslie Special". Fate builds his own race vehicle, "The Hannibal Twin-8", complete with hidden devices of sabotage. Other car owners enter the race, including one owned by New York City's most prominent newspaper. Driving the newspaper's car is beautiful photojournalist Maggie DuBois, a vocal suffragist.

Slap Shot is a 1977 American sports comedy film directed by George Roy Hill, written by Nancy Dowd and starring Paul Newman and Michael Ontkean. It depicts a minor league ice hockey team that resorts to violent play to gain popularity in a declining factory town.

In the fictional small town of Charlestown, Pennsylvania, the local steel mill is about to close permanently and lay off 10,000 workers, indirectly threatening the existence of the town's minor league hockey team, the Charlestown Chiefs, who are also struggling with a losing season and an increasingly hostile crowd. After discovering the hometown fans responding positively to an on-ice brawl with the opposing goalie, player-coach Reggie Dunlop goads his own team into a violent style of play, eventually letting the overly-aggressive Hanson Brothers, the club's recent acquisitions, loose on their opponents. The brothers' actively violent and thuggish style of play excites the fans, which increases revenue, potentially saving the team.

The team's new style produces unintended consequences that affect not only Dunlop, but the Chiefs' star player, Ned Braden, along with the rest of the team. Braden refuses to take part in the violent antics, as Dunlop attempts to exploit Braden's marital troubles in his efforts to get him to take part in the team's brawling, but to no avail. Several games degenerate into bench-clearing brawls, including one that takes place before the opening face-off, and another that brings the local police into the locker room to arrest the Hanson Brothers after they attack the opposing fans in the stands. Nonetheless, the Chiefs rise up the ranks to become contenders for the championship, and a rumor (started by Dunlop himself to further motivate his teammates) spreads that the team's success could possibly lead them to be sold to a buyer in Florida.

Eventually Dunlop meets team owner Anita McCambridge, and discovers his efforts to increase the team's popularity (and value) through violence have been for naught, as McCambridge's better option is to fold the team as a tax write-off. By the time Dunlop decides to abandon the new strategy of violence over skill, the Chiefs' main rivals in Syracuse have already upped the ante by stocking their team full of violent "goons" (many of whom were previously suspended from the league for flagrant violations) in preparation for the league's championship game. After being crushed during the first period while playing a non-violent style of "old time hockey," the disgusted general manager tells them that various National Hockey League scouts accepted his invitation to the game, as he was hoping that the Chiefs' habitual escapades would get the players signed to the major leagues.

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We're No Angels is a 1955 Christmas comedy film directed by Michael Curtiz, starring Humphrey Bogart, Peter Ustinov, Aldo Ray, Joan Bennett, Basil Rathbone, Leo G. Carroll, and Gloria Talbott.

Three convicts – Joseph, Albert and Jules – escape from prison on Devil's Island in French Guiana just before Christmas and arrive at the nearby French colonial town of Cayenne on Christmas Eve. Joseph is a thief, the other two are murderers.

They go to a store managed by Felix Ducotel. The store is in a very poor financial position as it is the only one to give supplies on credit. While there, they notice its roof is leaking, and offer to fix it for nothing. They get involved in selling things in the shop and have a knack for it, selling a brush set to a bald man, and getting the first cash income in a long time. They offer to make Christmas dinner for the family and the meal is very successful.

They do not actually intend to, but decide to remain there until nightfall, when they will steal clothes and supplies and escape on a ship waiting in the harbor. As they wait, they find that the small family of Felix, Amelie, and daughter Isabelle, is in financial distress and offer their services to hide the trio's all-too-sinister ruse. Joseph even gets to work conning people and falsifying records to make the store prosperous. However, the three felons begin to have a change of heart after they fix a delicious Christmas dinner for the Ducotels made mostly of stolen items.

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48 Hrs. is a 1982 American buddy cop action comedy film directed by Walter Hill. It is Joel Silver's first film as a film producer. The screenplay was written by Hill, Roger Spottiswoode, Larry Gross and Steven E. de Souza.

The film stars Nick Nolte and Eddie Murphy (in his film debut and Golden Globe Award-nominated role) as a cop and convict, respectively, who team up to catch two cop-killers, Albert Ganz and Billy Bear, played respectively by James Remar and Sonny Landham. The title refers to the amount of time they have to solve the crime.

While convicted career criminal Albert Ganz is working as part of a road gang in California, a tall Native American man named Billy Bear drives up in a pickup truck and asks for water to cool off his truck's overheating radiator. Ganz and Billy exchange insults and proceed to stage a fight with each other, wrestling in a river, and when the guards try to break up the fight, Billy gives a gun to Ganz, and the pair kill two of the three guards and flee the scene. Two days later, Ganz and Billy kill Henry Wong (John Hauk), their associate. Later that same day, Inspector Jack Cates of the San Francisco Police Department's criminal investigation bureau joins two of his friends and co-workers Detective Algren and Detective Van Zant at the Walden Hotel to check out a man named G.P. Polson, who is in room 27. Jack waits downstairs while Algren and Van Zant head to room 27, where it turns out that G.P. Polson is Ganz. In the ensuing shootout, Ganz kills Algren and Van Zant, and escapes with Billy, taking Jack's revolver.

Jack is issued a replacement service M1911 pistol and fellow cop Ben Kehoe tells Jack about Ganz's former partner Reggie Hammond, who is in prison with six months to go on a three-year sentence for armed robbery. After a memorable first meeting in prison, Jack manages to get Reggie a 48-hour release in to his custody so that Reggie can help Jack find Ganz and Billy. Reggie leads Jack to an apartment where Ganz's last remaining associate Luther Kelly lives. When Jack looks around, Luther shoots at him and refuses to be interrogated, so Jack arrests Luther. That night, Reggie leads Jack to Torchy's, a redneck hangout where Billy used to be a bartender. Reggie, on a challenge from Jack, shakes the bar down, single-handedly bringing the crowd under his control. They get a lead on Billy's old girlfriend, but get nothing out of her, as the girlfriend says she threw Billy out. Reggie confesses that he, Ganz, Billy Bear, Luther and Wong had robbed a drug dealer of $500,000 some years earlier and that the money was (and remains) stashed in the trunk of Reggie's car in a downtown parking garage. Instead of splitting the cash, Ganz sold Reggie out, resulting in his incarceration. It was also the reason why Ganz and Billy took Luther's girlfriend Rosalie: they wanted Luther to get Reggie's money in exchange for her safe return.

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Classic War Films https://www.bitchute.com/playlist/RvzWpVZXQluU/

What Did You Do in the War, Daddy? is a 1966 comedy DeLuxe Color film written by William Peter Blatty and directed by Blake Edwards for the Mirisch Company in Panavision. It stars James Coburn and Dick Shawn.

During the Allied invasion of Sicily, an outfit of U.S. soldiers is assigned to capture the small town of "Valerno", but upon arrival, they discover that the townsfolk have been expecting them and will willingly turn themselves over to the Americans' rule, provided they are permitted to complete a soccer match and a wine festival.

Romance and frivolity ensue, as a reluctant, by-the-book Capt. Cash (Dick Shawn) is persuaded by easy-going Lt. Christian (James Coburn) to go along with the locals' wishes. Mistaking the festival for an attack, the town's local German garrison come to the Italians' aid, but the Americans accidentally end up conquering all.

The Devil's Disciple is a 1959 British-American film adaptation of the 1897 George Bernard Shaw play The Devil's Disciple. The Anglo-American film was directed by Guy Hamilton, who replaced Alexander Mackendrick, and starred Burt Lancaster, Kirk Douglas and Laurence Olivier. Mary Grant designed the film's costumes.

Richard "Dick" Dudgeon (Kirk Douglas) is apostate and outcast from his family in colonial Websterbridge, New Hampshire, who returns their hatred with scorn. After the death of his father, who was mistakenly hanged by the British as a rebel in nearby Springtown, Dick rescues his body from the gallows, where it had been left as an example to others, and has it buried in the parish graveyard in Websterbridge. He then returns to his childhood home to hear the reading of his father's will, much to his family's dismay.

Local minister Rev. Anthony Anderson (Burt Lancaster), who was almost arrested for trying to talk the British into taking the body down, treats him with courtesy, despite Dick's self-proclaimed apostasy, but Dick's "wickedness" appalls Anderson's wife Judith (Janette Scott). To everyone's surprise, it is revealed that Dick's father secretly changed his will just before he died, leaving the bulk of his estate to Dick. Much to his shock, Dick's mother (Eva Le Gallienne) refuses to stay with him (a change from the stage play, wherein he promptly evicts his mother from her home). Dick proclaims himself a rebel against the British and scorns his family as cowards when they flee his home. In the meantime, the British discover the father's grave.

While Dick is visiting the Andersons' home at the Reverend's invitation to take tea, Rev. Anderson is called out to Mrs. Dudgeon's deathbed. With Anderson's permission, Dick is left alone with Judith. She has been instructed to keep him at the house for his safety, and to serve tea while Anderson is gone. Perceiving Judith's distaste for him, Dick attempts to leave, but Judith insists he stay until Anderson returns, lest her husband think she has disobeyed him.

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Road to Bali is a 1952 American comedy film directed by Hal Walker and starring Bing Crosby, Bob Hope, and Dorothy Lamour. Released by Paramount Pictures on November 19, 1952, the film is the sixth of the seven Road to … movies.

George and Harold, American song-and-dance men performing in Melbourne, Australia, leave in a hurry to avoid various marriage proposals. They end up in Darwin, where they take jobs as deep sea divers for a prince. They are taken by boat to an idyllic island on the way to Bali, Indonesia. They vie for the favors of exotic (and half-Scottish) Princess Lala, a cousin of the Prince. A hazardous dive produces a chest of priceless jewels, which the Prince plans to claim as his own.

After escaping from the Prince and his henchmen, the three are shipwrecked and washed up on another island. Lala is now in love with both of the boys and can't decide which to choose. However, once the natives find them, she learns that in their society, a woman may take multiple husbands, and declares she will marry them both. While the boys are prepared for the ceremony, both thinking the other man lost, plans are changed. She's being unwillingly wed to the already much-married King, while the boys end up married to each other.

Displeased with the arrangement, a volcano god initiates a massive eruption. After fleeing, the three end up on yet another beach where Lala chooses George over Harold. An undaunted Harold conjures up Jane Russell from a basket by playing a flute. Alas, she, too, rejects Harold, which means George walks off with both Lala and Jane. A lonesome Harold is left on the beach, demanding that the film shouldn't finish and asking the audience to stick around to see what's going to happen next.

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Funny Girl is a 1968 American biographical musical comedy-drama film directed by William Wyler. The screenplay by Isobel Lennart was adapted from her book for the stage musical of the same title. It is loosely based on the life and career of Broadway and film star and comedian Fanny Brice and her stormy relationship with entrepreneur and gambler Nicky Arnstein.

Produced by Brice's son-in-law, Ray Stark, with music and lyrics by Jule Styne and Bob Merrill, the film stars Barbra Streisand (in her film debut reprising her Broadway role) as Brice and Omar Sharif as Arnstein, with a supporting cast featuring Kay Medford, Anne Francis, Walter Pidgeon, Lee Allen, and Mae Questel. It was the first film by Stark's company Rastar.

Set in and around New York City just prior to and following World War I, the story opens with Ziegfeld Follies star Fanny Brice awaiting the return of husband Nicky Arnstein from prison, and then moves into an extended flashback focusing on their meeting and marriage.

Fanny is a stage-struck teen who gets her first job in vaudeville. Her mother and her friend Mrs. Strakosh try to dissuade her from show business because Fanny is not the typical beauty ("If a Girl Isn't Pretty"). While rehearsing at a vaudeville theater, boss complains about Fanny's unsynchronized performance and her marking appearance. Upon his decision to sack her, she perseveres ("I'm the Greatest Star"). With Kevin's help and encouragement, Fanny gets a part in a roller-skating act despite lacking roller-skating skills. Although the act turns into a big mess, the audience find it to be hilarious and cheer her up ("Rollerskate Rag"). That is also when Fanny has her first performance "I'd Rather Be Blue Over You (Than Happy With Somebody Else)". Six months later, Fanny gets hired to become a member of the Ziegfeld Follies – something she has always dreamt of. In the debut performance, she put a comic twist to the supposedly romantic number, ending the number as a pregnant bride ("His Love Makes Me Beautiful"). Following the debut, she meets the suave Arnstein, who accompanies her to the celebration at her home on Henry Street ("People").

One year later, Fanny is now the rising star of Broadway. She and Arnstein meet again when she goes to Baltimore as a part of her tour. After having a romantic dinner at a swanky restaurant and declaring their feelings ("You Are Woman, I Am Man"), the pair become romantically involved. Instead of going to Chicago with the Follies, Fanny decides to take another train to New York in order to be with Arnstein ("Don't Rain On My Parade"). While traveling aboard the RMS Berengaria, Nicky promises that if he could win a fortune by playing poker then they could get married, which eventually comes true. They move into a mansion and have a daughter ("Sadie, Sadie"), meanwhile Fanny also returns to Ziegfeld and the Follies.

Lolita is a 1962 psychological comedy-drama film directed by Stanley Kubrick and based on the 1955 novel of the same title by Vladimir Nabokov, who is also credited with writing the screenplay. The film follows Humbert Humbert, a middle-aged literature lecturer who becomes sexually infatuated with Dolores Haze (nicknamed "Lolita"), a young adolescent girl. It stars James Mason, Shelley Winters, Peter Sellers and, as the titular character, Sue Lyon.

In a remote mansion, Clare Quilty, drunk and incoherent, plays Frédéric Chopin's Polonaise in A major, Op. 40, No. 1 on the piano before being shot to death by Humbert "Hum" Humbert, a middle-aged British professor of French literature.

Four years earlier, Humbert arrives in Ramsdale, New Hampshire, intending to spend the summer before his professorship begins at Beardsley College, Ohio. He searches for a room to rent, and Charlotte Haze, a cloying, sexually frustrated widow, invites him to stay at her house. He declines until seeing her 14-year-old daughter, Dolores, affectionately nicknamed "Lolita", with whom he becomes infatuated.

To be close to Lolita, Humbert accepts Charlotte's offer and becomes a lodger in the Haze household. However, Charlotte wants all of Humbert's time for herself and tells him that she will be sending Lolita to an all-girl sleepaway camp for the summer. After the Hazes depart for camp, the maid gives Humbert a letter from Charlotte, confessing her love for him and demanding he vacate at once unless he feels the same way. The letter says that if Humbert is still in the house when she returns, Charlotte will know her love is requited, and he must marry her. Though he roars with laughter while reading the sadly heartfelt yet characteristically overblown letter, Humbert marries Charlotte.

Things turn sour for the couple in the absence of the child: glum Humbert becomes more withdrawn, and Charlotte grows increasingly unfulfilled and upset. Charlotte discovers Humbert's diary entries detailing his passion for Lolita and describing Charlotte as "obnoxious" and "brainless". In an outburst, she runs outside, but is hit by a car and dies.

Classic Comedy Films https://www.bitchute.com/playlist/VfdZs2A6Ie3H/

The Fortune Cookie is a 1966 American black comedy film directed, produced and co-written by Billy Wilder. It was the first film in which Jack Lemmon collaborated with Walter Matthau (who won an Academy Award for Best Supporting Actor for this film).

CBS cameraman Harry Hinkle is injured, when football player Luther "Boom Boom" Jackson of the Cleveland Browns runs into him during a home game at Municipal Stadium. Harry's injuries are minor, but his conniving lawyer brother-in-law William H. "Whiplash Willie" Gingrich convinces him to pretend that his leg and hand have been partially paralyzed, so they can receive a huge indemnity from the insurance company.

Harry reluctantly goes along with the scheme because he is still in love with his ex-wife, Sandy, and being injured might bring her back. The insurance company's lawyers at O'Brien, Thompson and Kincaid suspect that the paralysis is a fake, but all but one of their medical experts say that it is real. The experts are convinced by the remnants of a compressed vertebra (in fact, Hinkle suffered the injury as a child), and Hinkle's responses, helped by the numbing shots of novocaine Gingrich has had a paroled dentist give him. The one holdout, Swiss Professor Winterhalter, is convinced that Hinkle is a fake. With no medical evidence to base their case on, O'Brien, Thompson and Kincaid hire Cleveland's best private detective, Chester Purkey, to keep Hinkle under constant surveillance. However, Gingrich sees Purkey entering the apartment building across the street and lets Hinkle know they are being watched and recorded - and after Sandy arrives, warns him not to indulge in any hanky panky with her. He proceeds to feed misinformation to Purkey; he incorporates the "Harry Hinkle Foundation", a non-profit charity to which all the proceeds of any settlement are to go, above and beyond the medical expenses. When Sandy questions Gingrich about this in private, he tells her that it is just a scam to put pressure on the insurance company to settle, and that there will be enough money in the settlement for everyone. Hinkle begins to enjoy having Sandy back again, but he feels bad when he sees that Boom-Boom is so guilt-ridden, his performance on the field suffers; he is booed by the fans and then grounded by the team for getting drunk and involved in a bar fight.

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Going My Way is a 1944 American musical comedy-drama film directed by Leo McCarey and starring Bing Crosby and Barry Fitzgerald. Written by Frank Butler and Frank Cavett based on a story by McCarey, the film is about a new young priest taking over a parish from an established old veteran.

Father Charles “Chuck” O’Malley (Bing Crosby), an incoming priest from East St. Louis, is transferred to St. Dominic's Church in New York City.

On his first day, his unconventional style gets him into a series of mishaps; his informal appearance and attitude make a poor impression with the elder pastor, Father Fitzgibbon (Barry Fitzgerald). The very traditional Fitzgibbon is further put off by O’Malley's recreational habits – particularly his golf-playing – and his friendship with the even more casual Father Timmy O’Dowd (Frank McHugh). O'Malley privately informs O'Dowd that he was sent by the bishop to take charge of the affairs of the parish, but that Fitzgibbon is to remain as pastor. To spare Fitzgibbon's feelings, O’Malley acts as if he is simply an assistant.

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The Quiet Man is a 1952 American romantic comedy-drama film directed by John Ford. It stars John Wayne, Maureen O'Hara, Barry Fitzgerald, Ward Bond and Victor McLaglen. The screenplay by Frank S. Nugent was based on a 1933 Saturday Evening Post short story of the same name by Maurice Walsh, later published as part of a collection titled The Green Rushes. The film is notable for Winton Hoch's lush photography of the Irish countryside and a long, climactic, semi-comic fist fight. It was an official selection of the 1952 Venice Film Festival.

John Ford won the Academy Award for Best Director, his fourth, and Winton Hoch won for Best Cinematography.

In the 1920s, Sean "Trooper Thorn" Thornton, an Irish-born retired boxer from Pittsburgh, travels to his birthplace of Inisfree to purchase the old family farm.[a] Shortly after arriving, he meets and falls in love with fiery, red-headed Mary Kate Danaher, the sister of bullying Squire "Red" Will Danaher. Will also wants to buy the Thornton family's old cottage and land, and is angered when the property's current owner, the wealthy Widow Tillane, accepts Sean's bid instead of his offer. Will then retaliates by refusing consent for Sean to marry his sister.

Some village residents—including Father Peter Lonergan and local matchmaker-cum-bookmaker Michaeleen Óge Flynn—trick Will Danaher into believing that Widow Tillane will marry him if Mary Kate is no longer under his roof. He gleefully allows the marriage, but he refuses to give Mary Kate her dowry when he finds he was deceived.[b] Sean, unschooled in Irish customs, professes no interest in obtaining the dowry; but to Mary Kate, the dowry represents her personal value to the community and her freedom. She insists that the dowry must be received to validate their marriage, causing an estrangement between her and Sean. The morning after their wedding, villagers arrive at the couple's cottage with Mary Kate's furniture, having persuaded Will to release it, but they could not convince him to pay the dower-money.

Sean's refusal to fight her brother is attributed to cowardice by Mary Kate. However, Sean reveals to the local Protestant Minister, Rev. Cyril Playfair, who also is a former boxer, that he once accidentally killed an opponent in the ring. Sean had sworn to give up fighting out of fear and guilt over the manslaughter, since the other man had a wife and children and was younger than him. Mary Kate also confesses her part in the quarrel to Father Lonergan, who berates her for her selfishness. She and Sean partially reconcile that night, and they share the bedroom for the first time since their marriage.

Classic Comedy Films https://www.bitchute.com/playlist/VfdZs2A6Ie3H/

High Society is a 1956 American musical romantic comedy film directed by Charles Walters and starring Bing Crosby, Grace Kelly, and Frank Sinatra. The film was produced by Sol C. Siegel for Metro-Goldwyn-Mayer, and shot in VistaVision and Technicolor, with music and lyrics by Cole Porter.

Successful singer-composer C.K. Dexter-Haven (the grandson of a Newport "robber baron") is divorced from wealthy Newport, Rhode Island socialite Tracy Samantha Lord. Dexter, who lives next door to the Lord estate, remains in love with her but she is now engaged to socially prominent and snobbish George Kittredge. As Tracy prepares for her upcoming wedding, Dexter is busily organizing elements of the Newport Jazz Festival.

Meanwhile, Spy, a fictional tabloid newspaper, possesses embarrassing information about Tracy's errant father, Seth Lord, and has coerced the family into allowing reporter Mike Connor and photographer Liz Imbrie to cover the nuptials. Tracy, resenting their forced presence, begins an elaborate charade, including introducing her Uncle Willy as her father, while Seth is passed off as "wicked" Uncle Willy.

The Odd Couple is a 1968 American comedy film directed by Gene Saks, produced by Howard W. Koch and written by Neil Simon, based on his 1965 play. It stars Jack Lemmon and Walter Matthau as two divorced men, neurotic neat-freak Felix Ungar and fun-loving slob Oscar Madison, who decide to live together.

Newly separated Felix Unger wanders New York City in a daze with vague ideas of committing suicide.

Divorced sports writer Oscar Madison and his card-playing cronies Murray, Speed, Roy and Vinnie have assembled in Madison's Upper West Side apartment for their Friday night poker game. Murray is concerned because their mutual friend Felix Unger is unusually late for the game. Murray's wife calls and informs them that Felix is missing. Oscar then calls Felix's wife Frances, who tells him that she and Felix have broken up. Felix arrives not knowing that everyone has already heard that he and his wife have separated. The group attempts to pretend nothing is wrong, but Felix eventually breaks down crying and his friends attempt to console him. After everyone leaves, Oscar suggests that Felix move in with him, since Oscar has lived alone since he split up with his own wife, Blanche, some time earlier. Felix agrees and urges Oscar to not be shy about letting him know if he gets on Oscar's nerves.

Within only a week, the two men discover they are incompatible. Felix runs around the apartment cleaning, picking up after Oscar, and berating him for being so sloppy. Felix refuses to have any fun, spending most of his time thinking about Frances. While at a tavern, Oscar tells Felix about two English sisters he recently met who live in their building: Cecily and Gwendolyn Pigeon. Oscar telephones the girls and arranges a double date for the following evening.

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Some Like It Hot is a 1959 American romantic comedy film directed, produced and co-written by Billy Wilder. It stars Marilyn Monroe, Tony Curtis and Jack Lemmon, with George Raft, Pat O'Brien, Joe E. Brown, Joan Shawlee, Grace Lee Whitney and Nehemiah Persoff in supporting roles. The screenplay by Wilder and I. A. L. Diamond is based on a screenplay by Robert Thoeren and Michael Logan from the 1935 French film Fanfare of Love. The film is about two musicians who disguise themselves by dressing as women in order to escape from mafia gangsters whom they witnessed committing a crime.

In February 1929, in Prohibition-era Chicago, Joe is a jazz saxophone player and an irresponsible, impulsive ladies' man; his anxious friend Jerry is a jazz double bass player. They work in a speakeasy owned by gangster "Spats" Colombo. Tipped off by informant "Toothpick" Charlie, the police raid the joint. Joe and Jerry escape, but later accidentally witness Spats and his henchmen gunning down "Toothpick" and his gang in revenge (inspired by the real-life Saint Valentine's Day Massacre). Spats and his gang see them as they flee. Broke, terrified, and desperate to get out of town, Joe and Jerry disguise themselves as women named Josephine and Daphne so they can join Sweet Sue and her Society Syncopators, an all-female band headed (by train) to Miami. On the train Joe and Jerry befriend Sugar Kane, the band's vocalist and ukulele player.

Joe and Jerry become obsessed with Sugar and compete for her affection while maintaining their disguises. Sugar confides to "Josephine" that she has sworn off male saxophone players, who have taken advantage of her in the past. She hopes to find a gentle, bespectacled millionaire in Florida. During the forbidden drinking and partying on the train, "Josephine" and "Daphne" become close friends with Sugar, and struggle to remember that they are supposed to be girls and cannot make passes at her.

Once in Miami, Joe woos Sugar by assuming a second disguise as millionaire Junior, the heir to Shell Oil, while feigning indifference to her. An actual millionaire, the much-married, aging, mama's-boy Osgood Fielding III, persistently pursues "Daphne", whose refusals only increase his appetite. He invites "her" for a champagne supper on his yacht, New Caledonia. Joe convinces Jerry to keep Osgood occupied onshore so that "Junior" can take Sugar to Osgood's yacht, and pass it off as his own. Once on the yacht, "Junior" tells Sugar that psychological trauma has left him impotent and frigid, but that he would marry anyone who could cure him. Sugar tries to arouse him, with considerable success. Meanwhile, "Daphne" and Osgood dance the tango ("La Cumparsita") till dawn. When Joe and Jerry get back to the hotel, Jerry announces that Osgood has proposed marriage to "Daphne" and that he, as Daphne, has accepted, anticipating an instant divorce and huge cash settlement when his ruse is revealed. Joe convinces Jerry that he cannot actually marry Osgood.

The hotel hosts a conference for "Friends of Italian Opera", which is in fact a major meeting of the national crime syndicate, presided over by "Little Bonaparte". Spats and his gang recognize Joe and Jerry as the witnesses they have been looking for. Joe and Jerry, fearing for their lives, realize they must quit the band and leave the hotel. Joe conceals his deception from Sugar by telling her, over the telephone, that he, Junior, must marry a woman of his father's choosing and move to Venezuela for financial reasons. Sugar is distressed and heartbroken. Joe and Jerry evade Spats' men by hiding under a table at the syndicate banquet. "Little Bonaparte" has Spats and his men killed at the banquet; again, Joe and Jerry are witnesses and they flee through the hotel. Joe, dressed as Josephine, sees Sugar onstage singing a lament to lost love. He runs onto the platform and kisses her, causing Sugar to realize that Josephine and Junior are the same person.

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The Thin Man is a 1934 American pre-Code comedy-mystery directed by W. S. Van Dyke and based on the 1934 novel of the same name by Dashiell Hammett. The film stars William Powell and Myrna Loy as Nick and Nora Charles, a leisure-class couple who enjoy copious drinking and flirtatious banter. Nick is a retired private detective who left his very successful career when he married Nora, a wealthy heiress accustomed to high society. Their wire-haired fox terrier Asta was played by canine actor Skippy.

Nick Charles, a retired detective, and his wealthy wife, Nora, live in San Francisco, but are visiting New York City for Christmas, staying in a glamorous apartment-like suite at the Hotel Normandie. While in New York, Nick is pressed back into service by Dorothy Wynant, a young woman whose father, Clyde, was an old client of Nick's. Clyde, the "Thin Man" of the movie title, was supposed to have left on a secret business trip with a promise to return home before his daughter's wedding, but he has mysteriously disappeared. She convinces Nick to take the case, with the assistance of his socialite wife, who is eager to see him in action again. What appears to be a missing persons situation rapidly turns into a murder case, when Julia Wolf, Clyde's former secretary and girlfriend, is found dead, and evidence points to Clyde as the prime suspect. Dorothy refuses to believe that her father is guilty. Nick and Police Lieutenant Gil visit Nunheim, a frequent source for the lieutenant. After being pressed for information, Nunheim excuses himself momentarily, only to slip away down the fire escape. He arranges a meeting with the yet-unidentified murderer (someone whose face is not yet shown) to collect $5,000 from him. When Nunheim arrives, however, he is immediately shot four times and killed.

On a hunch, Nick soon visits Wynant's closed shop in the dead of night and unearths a skeletonized, but fully dressed, body, buried under the floor. In the dark shop, Wynant's bookkeeper, Tanner, suddenly appears. After that, the police—whom Nick had called once he found the body—arrive and conclude that Wynant committed the murders of Julia and now this newly discovered body. They assume that the remains belong to the "Fat Man"—a long-ago enemy of Wynant's—because of its oversized clothing with a belt buckle bearing an "R," that notorious figure's first initial. But Nick has already all but solved the case—and soon invites the full cast of suspects to an elegant dinner party.

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Father Goose is a 1964 American Technicolor romantic comedy film set in World War II, starring Cary Grant, Leslie Caron and Trevor Howard. The title derives from "Mother Goose," the code name assigned to Grant's character. Based on a story A Place of Dragons by Sanford Barnett. The film won an Oscar for Best Original Screenplay.

While the Royal Australian Navy evacuates Salamaua in February 1942[4] ahead of a Japanese invasion, Commander Frank Houghton coerces an old friend, American beachcomber Walter Eckland, into becoming a coast watcher for the Allies. Houghton escorts Eckland to deserted Matalava Island to watch for Japanese airplanes. To ensure Eckland stays put, Houghton sees to it that his own ship "accidentally" knocks a hole in Eckland's launch while departing, so his only boat is a utility dinghy. To motivate Eckland, Houghton has his crew hide bottles of whisky around the island, rewarding each aircraft sighting (once it is confirmed) with directions to one of the bottles.

Eventually, Houghton offers Eckland a replacement (actually another coast watcher in need of rescue), but Eckland has to retrieve him from nearby Bundy Island by dinghy. He instead finds eight civilians stranded there who escaped from Rabaul: Frenchwoman Catherine Freneau and seven young schoolgirls (four British, two French and an Australian) under her care. She informs him that the man he came for was killed in an air raid. Eckland reluctantly takes the party back to Matalava with him, but there is no safe way to evacuate them.

The fastidious Freneau clashes repeatedly with the slovenly, uncouth Eckland; they call each other "Miss Goody Two Shoes" and "a rude, foul-mouthed, drunken, filthy beast," respectively. In the end, though, he adjusts to her and the girls, with Eckland getting one of the traumatised girls to speak again. Freneau learns that Eckland had been a history teacher before he became fed up and chose life in the South Pacific. Afterwards, Eckland cares for Freneau after they mistakenly believe she has been bitten by a deadly snake. With nothing else to do, he gives her whiskey; she gets drunk and speaks freely.

Now in love, the couple arrange to be married by a military chaplain over the radio, but strafing by a Japanese airplane interrupts the ceremony.

Classic Comedy Films https://www.bitchute.com/playlist/VfdZs2A6Ie3H/

Only the Lonely is a 1991 American romantic comedy-drama film written and directed by Chris Columbus, produced by John Hughes, and stars John Candy, Maureen O'Hara (in her final film role), Ally Sheedy and Anthony Quinn.

Danny Muldoon, a 38-year-old Chicago policeman, lives with his overbearing Irish mother, Rose Muldoon. A lonely bachelor, he falls in love with Theresa Luna, an introverted girl who works in her father's funeral home. On their first date, they have a picnic on Comiskey Park field. Dating becomes difficult as Rose fears Theresa is trying to steal her son away.

Danny's brother Patrick tries to convince him to remain unmarried and move to Florida with their mother to take care of her; Salvatore "Sal" Buonarte, one of Danny's married friends and a fellow officer, advises him not to settle down just yet, as he did. Danny begins to feel guilty about his relationship, especially towards his mother. This leads to his interrupting dates with Theresa to check on her.

When Theresa finally meets Rose at a fancy dinner, Rose immediately begins to put her down, mocking her Sicilian and Polish heritage. Theresa stands up to her, then berates Danny for not doing so himself. After Theresa leaves, Danny scolds his mother for being so cruel, saying that her way of "telling it like it is" hurts people. He reminds her she lost a $450,000 account for his late father's company by making anti-Semitic remarks. He then tells Rose he will propose to Theresa, whether she approves or not.

Danny apologizes to Theresa, proposing to her from the bucket of a Chicago fire truck. She says yes and they are set to be married. However, even though Rose finally approves, Danny calls to check on his mother in front of Theresa on the night before the wedding. Angered that they might never be alone, she walks off. Neither of them show up for the wedding. A few weeks later, Danny's friends ask why they called off the wedding, but he gives no answer. When a friend named Doyle suddenly passes away, alone with no wife or children, Danny realizes he doesn't want to end up that way.

Mr. Deeds Goes to Town is a 1936 American comedy-drama romance film directed by Frank Capra and starring Gary Cooper and Jean Arthur in her first featured role. Based on the 1935 short story Opera Hat by Clarence Budington Kelland, which appeared in serial form in The American Magazine, the screenplay was written by Robert Riskin in his fifth collaboration with Frank Capra.

During the Great Depression, Longfellow Deeds (Gary Cooper), the co-owner of a tallow works, part-time greeting card poet, and tuba-playing inhabitant of the hamlet of Mandrake Falls, Vermont, inherits 20 million dollars from his late uncle, Martin Semple. Semple's scheming attorney, John Cedar (Douglass Dumbrille), locates Deeds and takes him to New York City. Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from Deeds. Cobb is outfoxed by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from exhaustion after "walking all day to find a job" and worms her way into his confidence. Bennett proceeds to write a series of enormously popular articles on Longfellow, portraying him as a yokel who has suddenly inherited riches, and giving him the nickname "Cinderella Man".

Cedar tries to get Deeds' power of attorney in order to keep his own financial misdeeds secret. Deeds, however, proves to be a shrewd judge of character, easily fending off Cedar and other greedy opportunists. He wins Cobb's wholehearted respect and eventually Babe's love. She quits her job in shame, but before she can tell Deeds the truth about herself, Cobb finds it out and tells Deeds. Deeds is left heartbroken and decides to return to Mandrake Falls. After he has packed and is about to leave, a dispossessed farmer (John Wray) stomps into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra-rich man, who will not lift a finger to help the multitudes of desperate poor. After the intruder comes to his senses, Deeds realizes what he can do with his troublesome fortune. He decides to provide fully equipped 10-acre (4-hectare) farms free to thousands of homeless families if they will work the land for three years.

Cedar joins forces with Deeds' only other relative, Semple, and his domineering wife, in an attempt to have Deeds declared mentally incompetent. A sanity hearing is scheduled to determine who should control the fortune. During the hearing, Cedar calls an expert who diagnoses Deeds with manic depression based on Babe's articles and witnesses to his recent behavior. Though Deeds has pledged to defend himself, he refuses to speak. Babe speaks up passionately on his behalf, castigating herself for what she did to him. When he realizes that she truly loves him, he begins speaking, systematically punching holes in Cedar's case and then landing one in his face. The judge declares him to be not only sane, but "the sanest man who ever walked into this courtroom". Victorious, Deeds and Babe kiss.

The Sting is a 1973 American caper film set in September 1936, involving a complicated plot by two professional grifters (Paul Newman and Robert Redford) to con a mob boss (Robert Shaw). The film was directed by George Roy Hill, who had directed Newman and Redford in the western Butch Cassidy and the Sundance Kid. Created by screenwriter David S. Ward, the story was inspired by real-life cons perpetrated by brothers Fred and Charley Gondorff and documented by David Maurer in his 1940 book The Big Con: The Story of the Confidence Man.

In 1936, during the Great Depression, Johnny Hooker, a grifter in Joliet, Illinois, cons $11,000 in cash in a pigeon drop from an unsuspecting victim with the aid of his partners Luther Coleman and Joe Erie. Buoyed by the windfall, Luther announces his retirement and advises Hooker to seek out an old friend, Henry Gondorff, in Chicago to learn "the big con". Unfortunately, the reason their victim had so much cash was that he was a numbers racket courier for vicious crime boss Doyle Lonnegan. Corrupt Joliet police Lieutenant William Snyder confronts Hooker, revealing Lonnegan's involvement and demanding part of Hooker's cut. Having already blown his share on a single roulette spin, Hooker pays Snyder in counterfeit bills. Lonnegan's men murder both the courier and Luther, and Hooker flees for his life to Chicago.

Hooker finds Henry Gondorff, a once-great con-man now hiding from the FBI, and asks for his help in taking on the dangerous Lonnegan. Gondorff is initially reluctant, but he relents and recruits a core team of experienced con men to dupe Lonnegan. They decide to resurrect an elaborate obsolete scam known as "the wire", using a larger crew of con artists to create a phony off-track betting parlor. Aboard the opulent 20th Century Limited, Gondorff, posing as boorish Chicago bookie Shaw, buys into Lonnegan's private, high-stakes poker game. He infuriates Lonnegan with obnoxious behavior, then out-cheats him to win $15,000. Hooker, posing as Shaw's disgruntled employee Kelly, is sent to collect the winnings and instead convinces Lonnegan that he wants to take over Shaw's operation. Kelly reveals that he has a partner named Les Harmon (actually con man Kid Twist) in the Chicago Western Union office, who will allow them to win bets on horse races by past-posting.

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The Flim-Flam Man (titled One Born Every Minute in some countries) is a 1967 American comedy film directed by Irvin Kershner, featuring George C. Scott, Michael Sarrazin, and Sue Lyon, based on the 1965 novel The Ballad of the Flim-Flam Man by Guy Owen. The movie has well-known character actors in supporting roles, including Jack Albertson, Slim Pickens, Strother Martin, Harry Morgan, and Albert Salmi.

Mordecai C. Jones (Scott) – a self-styled "M.B.S., C.S., D.D. – Master of Back-Stabbing, Cork-Screwing and Dirty-Dealing!" – is a drifting confidence trickster who makes his living defrauding people in the Southern United States using tricks such as rigged punchboards, playing cards, and found wallets. He befriends a young man named Curley (Sarrazin), a deserter from the United States Army, and the two form a team to make money. In their escapades, they wreck a town during a hair-raising chase in their stolen car, steal a truck loaded with moonshine whiskey that they sell, break out of a sheriff's office, and discover a riverboat brothel. In the ending scene, Mordecai explains how he sees himself.