60s - stereo remixes & processed 'stereo' by ruudtes - 3

Edit 1 (alt.vers.) for headphones of one of the studio takes, from the bootleg "Genuine Black Box" by Scorpio.
Official version was recorded March 25, 1968. Released on "Beggars Banquet" in 1968.
Harmonica: Brian Jones. Guitars: Brian Jones & Keith Richards. Lead vocals: Mick Jagger. Bass: Bill Wyman. Drums: Charlie Watts.

PARACHUTE WOMAN
(Jagger/Richards)

parachute woman, land on me tonight
parachute woman, land on me tonight
I'll break big in New Orleans
and I'll overspill in Caroline

parachute woman, join me for a ride
parachute woman, join me for a ride
I'll make my blow in Dallas
and get hot again in half the time

parachute woman, will you blow me out?
parachute woman, will you blow me out?
well, my heavy throbbers itchin'
just to lay a solorhy rhythm down

®© ABKCO Music and Records, Inc.
®© UMG

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Performance of March 14, 1964 in the NBC Television Studios, Burbank, California. Beach Boys were Mike Love, Dennis Wilson, Al Jardine, Brian Wilson, Carl Wilson. Setlist that day was:
1. Fun, Fun, Fun 0:50
2. Long Tall Texan 03:04
introducing the band 05:18
3. Little Deuce Coupe 06:59
4. Surfer Girl 08:01
5. Monster Mash (not released on dvd)
6. Surfin' USA 10:30
7. Shut Down 12:47
8. In My Room 14:28
9. Papa-Oom-Mow-Mow 16:46
10. Hawaii 19:11

®© Mercury Studios (UMG)

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.

Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Not an edit. This is the (shorter) single version of the song. The song is a portrait of a poor-born girl who becomes a member of the European jet set. The song topped the charts in 14 countries. #60 in the USA. It was also awarded the 1970 Ivor Novello Award for Best Song Musically and Lyrically.

The song was not originally intended to be a single. Peter: "I wanted to write a long, extended piece because I was working in folk clubs and universities, and Al Stewart had something that was half an hour long and Bob Dylan's "Sad Eyed Lady Of The Lowlands" took a whole side of an album. "Where Do You Go To My Lovely" was my first attempt at writing something longer than my normal three minutes. It was amazingly easy to write, but I knew what I wanted to say. I wanted to say something about this particular person, although it wasn't about anyone specific."

WHERE DO YOU GO TO (MY LOVELY)
(Peter Sarstedt)

you talk like Marlene Dietrich and you dance like Zizi Jeanmaire
your clothes are all made by Balmain
and there's diamonds and pearls in your hair, yes there are

you live in a fancy apartment off the Boulevard St. Michel
where you keep your Rolling Stones records
and a friend of Sacha Distel, 'yes you do

»  not on the single version:
»  (you go to the embassy parties where you talk in Russian and Greek
»  and the young men who move in your circles
»  they hang on every word you speak, yes they do)

but where do you go to my lovely, when you're alone in your bed
tell me the thoughts that surround you I want to look inside your head, yes I do

I've seen all your qualifications, you got from the Sorbonne
and the painting you stole from Picasso
your loveliness goes on and on, yes it does

'when you go on your summer vacation, you go to Juan-les-Pines
with your carefully designed topless swimsuit
you get an even suntan on your back and on your legs

and when the snow falls, you're found in St. Moritz 'with the others of the jet-set
and you sip your Napoleon Brandy but you never get your lips wet, no you don't

but where do you go to my lovely, when you're alone in your bed
'won't you tell me the thoughts that surround you, I want to look inside your head, yes I do

»  not on the single version:
»  (you're in between 20 and 30, a very desirable age
»  your body is firm and inviting, 'but you live on a glittering stage, yes you do, yes you do)

your name, it is heard in high places, you know the Aga Khan
he sent you a racehorse for Christmas and you keep it, just for fun, for a laugh aha-ha-ha

they say that when you get married, it'll be to a millionaire
'but they don't realize where you came from
and I wonder if they really care, or give a damn

where do you go to my lovely, when you're alone in your bed?
tell me the thoughts that surround you, I want to look inside your head, yes I do

I remember the back streets of Naples, two children begging in rags
both touched with a burning ambition, to

Edit 2 for headphones, December 2020. Source of this edit is the song on the album "Between The Buttons" (US version)(Japanese mini lp remaster 2006)(uicy-93023).
Recorded August 3 - 11, 1966, released on "Between the Buttons" in February of 1967. The album cover photo was taken in the misty dawn of Primrose hill, London, winter 1966.
Electric guitars: Brian Jones & Keith Richards. Lead vocals: Mick Jagger. Bass: Bill Wyman. Piano: Ian Stewart. Drums: Charlie Watts. Backing vocals: Keith Richards. Mellotron/organ: probably Brian Jones (clearly audible at the left, especially starting at 2:29 and also earlier and later)(this was handed to me by a guy from Callampa Producciones with an excellent hearing: https://www.youtube.com/channel/UCNR2zEHFmMl_iITp8FGMlKw ).

MY OBSESSION
(Jagger/Richards)

my obsession
your possessions
every piece that I can get
my obsessions are
your possessions
my mouth is soaking wet
I think I blew it now, confession

can't dodge it, it's simple logic
you'd be better off with me and you'll know it
when you lost it, lonely

my obsession are
your possesion
are you smiling on my way
my obsession are
your possession
one that you should give away
give it to me now i've no objection

I don't mind if it's unkind
and it's not my property
but I want it just to be mine, exclusively

oooh baby, ooh baby
oooh baby, oooh baby
oooh baby, oooh baby
oooh baby, oooh baby

aaahhhh

you need teaching you're a girl
there are things in this world
that need teaching with discretion, my profession

my obsessions are
your possessions
are you used to the idea
my obsessions are
your possessions
do you feel at home right here
you should relax it's my impression

didn't see you were so young
I could almost be your son
please turn in my direction, no objection

®© UMG
®© ABKCO Music and Records, Inc.

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Edit for headphones. This is my attempt to get the stereo album version sound single-ish by means of a phase effect. From the album "Picturesque Matchstickable Messages From The Status Quo" (deluxe edition)(remaster). The single was released in November 1968, but withdrawn in the UK. Though for several weeks in the Dutch tip parade (a pre charts thing) it didn't reach the charts in Holland, nor anywhere on earth. Strange, for I like it very very much.

Here is real great - dubbed - "live" video with my edit in it, on the channel of Omegaman69:
https://youtu.be/WJSttZS4iEM

Status Quo are a British rock group who are best known in home country for their heads-down twelve-bar boogie rock which they have played since the 1970s. They enjoyed 22 Top 10 hits in the UK between 1968 and 1990, including one chart-topper in 1974's "Down Down." Their biggest American hit was the psychedelic "Pictures Of Matchstick Men," which reached #12 in 1968.

TECHNICOLOR DREAMS
(Anthony King)*

I see your face at the dawn of the day, gold as the sun begins to shine
I see your face now at the end of the day, purple shadows dancing in your eyes.

Technicolour dreams are all I see
Technicolour dreams of you and me

I see your shadow tripping through a silver glade, tiptoeing over crimson sand
Luring me onwards into a sea of jade, leading me gently by the hand

Technicolour dreams are all I see
Technicolour dreams of you and me

If I could escape through the windows of my mind
I would fly to your magic mountain land
There we would stay 'til the world had passed away
With a love only we could understand

Technicolour dreams are all I see
Technicolour dreams of you and me

I see your face at the dawn of the day, gold as the sun begins to shine
I see your face now at the end of the day, purple shadows dancing in your eyes

®© UMG

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

* Anthony King (real name Anthony Frederick Lilly), a British songwriter and arranger, active since ca. 1960s. Aliases: Ian Langley.

Edit for headphones. Enjoy. Play it loud!
First recorded on September 23, 1963, never released officially.
Source file of the edit is from the bootleg cd "Genuine Blackbox".
Electric guitars: Brian Jones & Keith Richards. Lead vocals: Mick Jagger. Bass: Bill Wyman. Drums: Charlie Watts.

If you're interested in bootlegs then here is an extensive list
(COPY and PASTE this into your browser's address bar & hit enter):

iorr.org/talk/read.php?2,1718165

(if that line ↑↑↑ appears as a link, then clicking leads to the wrong web page; you MUST copy & paste.)

When it comes to downloading at Filefactory.com: FIRST sign up for a (free) account.
For downloads at Filefactory.com go much faster after you are signed in.
You can download without signing up for an account too, but that is much slower.

ROLL OVER BEETHOVEN
(Chuck Berry - 1956 hit single)

I'm gonna write a little letter,
gonna mail it to my local DJ.
It's a rockin' rhythm record
I want my jockey to play.
Roll Over Beethoven, I gotta hear it again today.

You know, my temperature's risin'
and the jukebox blows a fuse.
My heart's beatin' rhythm
and my soul keeps on singin' the blues.
Roll Over Beethoven and tell Tschaikowsky the news.

I got the rockin' pneumonia,
I need a shot of rhythm and blues.
I think I'm rollin' arthiritis
sittin' down by the rhythm review.
Roll Over Beethoven rockin' in two by two.

Well, if you feel you like it
go get your lover, then reel and rock it.
Roll it over and move on up just
a trifle further and reel and rock it,
roll it over,
Roll Over Beethoven rockin' in two by two.

Well, early in the mornin' I'm a-givin' you a warnin'
don't you step on my blue suede shoes.
Hey diddle diddle, I am playin' my fiddle,
ain't got nothin' to lose.
Roll Over Beethoven and tell Tschaikowsky the news.

You know she wiggles like a glow worm,
dance like a spinnin' top.
She got a crazy partner,
oughta see 'em reel and rock.
Long as she got a dime the music will never stop.

Roll Over Beethoven,
Roll Over Beethoven,
Roll Over Beethoven,
Roll Over Beethoven,
Roll Over Beethoven and dig these rhythm and blues!

®© ABKCO Music and Records, Inc.
®© UMG

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Edit for headphones, December 2021. I know three versions of this song. I like this version the best, I call it the delicate version; it is on cd two — entitled "Topanga 1 (1968-1969)" — of the eight cd box set "Neil Young Archives Vol. 1 (1963-1972)". A mono version of "Birds" is on cd four, entitled "Topanga 2 (1969-1970)". The best known version probably is the one on the album "After The Gold Rush".

I especially like Neil's tender voice & the change in rhythm during the lines "and show you the way to go" that is not or hardly noticable on the "Gold Rush" version.

I think this song very much relates to the John Sebastian song "You Go Your Way And I'll Go Mine", another song — I think — about divorce. Neil Young's mono version on cd four is much shorter (99 seconds), it ends after the first two verses with the lines "it's over" "it's over", emphasizing the feeling of loneliness...

BIRDS
(Neil Young)

lover there will be another one
who'll hover over you beneath the sun
tomorrow see the things that never come
today

when you see me
fly away without you
shadow on the things you know
feathers fall around you
and show you the way to go

it's over
it's over

nestled in your wings my little one
is special morning brings another sun
tomorrow see the things that never come
today

when you see me
fly away without you
shadow on the things you know
feathers fall around you
and show you the way to go

it's over
it's over

®©
®© therock&rollingsixties

Edit (live rsg) for headphones. Live on British music tv show "Ready, Steady, Go!" Friday, September 2, 1965. The first and the last verse were omitted to please the retarded British studio suits, with their impatient narrow minded empty heads... for if a song that lasts 129 seconds is considered too long, then you definitely have lost contact with reality... *
The song was recorded November 2 & 3, 1964 and released in the US on February 12, 1965 on the album "The Rolling Stones, Now!" In the UK September 24, 1965 on "Out Of Our Heads".

Electric guitar & piano: Brian Jones. Vocals: Mick Jagger. Electric guitar: Keith Richards. Bass: Bill Wyman. Drums: Charlie Watts.

OH BABY (WE GOT A GOOD THING GOIN')(short tv version)
(Barbara Lynn Ozen) **

they may talk all about me
and scandalize my name, oh no
but deep down inside me, baby
I know I'm the only man
so don't worry 'bout me baby
'cause I'm right here at home
oh baby, oh baby, we got a good thing goin'

so maybe I knew her, once upon a time
but that's all in the past babe
baby let me know you're mine, all mine, all mine

no matter how she wants me
I'm not going nowhere, oh no
I'm gonna stick right here, babe
I know how much you care
so don't worry 'bout me baby
'cause I'm right here at home
oh baby, oh baby, we got a good thing goin'

®© ABKCO Music and Records, Inc.
®© UMG
®© WMG
®© ABKCO Music, Inc.
®© EMI Music Publishing
®© SOLAR Music Rights Management

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email or comment and I will remove it immediately, after verification of the claim.

Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

The music/song and photos remain copyright of their respective owners and are strictly used here for educational, comparison and discussion reasons.

* British tv has - up to this day - a history of evil... there's that mass rapist Jimmy Savile, who, undisturbed by his fellow British tv buddies (and it is officially acknowledged by British police) could live a

Edit for headphones of the mono single version. Wider sound, more bass.
The edit is made from the mono single version of the cd "The Fortunes - The Singles" (1999) which holds a far better version than the mellow slimy stereo remake that is all over the web.

This song was their seventh single and a 1966 UK no 15 hit and a Dutch no 8 hit.

Sung by The Fortunes, music by session musicians...

THIS GOLDEN RING
(Roger Greenaway and Roger Cook)

This golden ring's gonna buy me
A place in my baby's heart
This golden ring's gonna make
Quite sure that we never part

It's so funny what a ring can do
Make a girl just like you
Take a ride downtown
Searching for a wedding gown
So I got a ring for my baby
And I think that very soon that maybe
That girl will be mine
Gonna have an angel divine
And everything is gonna be fine, so fine

This golden ring is all I have
To give to you
But given time and love
I'll make your dreams come true

I've been a-sitting on my money
I've been a-working hard girl
Only with you on my mind
We got more than money
We got a love that's gonna last us

It's so funny what a ring can do
Make a girl just like you
Take a ride downtown
Searching for a wedding gown
So I got a ring for my baby
And I think that very soon that maybe
That girl will be mine
Gonna have an angel divine
And everything is gonna be fine, so fine
Fine...

®© The Orchard Music
®© UMG

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

This sound recording is administered by The Orchard Music/UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

edit (hyde park) for headphones. more of Bill's bass. and "stereo-ish"...
the hyde park concert of 1969, that I then recorded with a microphone straight from Dutch television, while my parents were watching too... old folks, ahead of their time... or just tolerant... (bad humming noise from tv by the way, I lost the tape years ago)

Edit for headphones, July 2021, an edit to show how bass distortion sounds... sorry, couldn't resist messing this song up with a lot of bass. A real great song from the 1967 album "Buffalo Springfield Again" that didn't need any editing, it is a very well done mix, so: sorry.
A "real huge" charts hit in 1968: wow, #98 on the USA Billboard Hot 100. Did you ever get YOUR song that high? Producer Jack Nitzsche (who also contributed to the album "Harvest") played electric piano and also provided the orchestral arrangement featuring a string section plus an oboe. So it is a true Jack Nitzsche work of art too. I think this song is a masterpiece.

By the time Buffalo Springfield came to record their second album "Buffalo Springfield Again" they were less a group than a collection of individuals. Neil Young wrote and recorded this song with the 'Wrecking Crew': Carol Kaye on bass, Russ Tillman on rhythm, Hal Blaine on drums and Don Randi on piano.

EXPECTING TO FLY
(Neil Young)

there you stood on the edge of your feather
expecting to fly
while I laughed, I wondered whether
I could wave goodbye
knowin' that you'd gone

by the summer it was healing
we had said goodbye
all the years we'd spent with feeling
ended with a cry
babe, ended with a cry
babe, ended with a cry

I tried so hard to stand
as I stumbled and fell to the ground
so hard to laugh as I fumbled
and reached for the love I found
knowin' it was gone

if I ever lived without you
now you know I'd die
if I ever said I loved you
now you know I'd try
babe, now you know I'd try
babe, now you know I'd try
babe

®© therock&rollingsixties
®© WMG on behalf of Reprise

Edit 1b for headphones. A song from the beautiful album "Flowers". Harpsichord: Brian Jones. Guitars: Brian Jones (lead) & Keith Richards (rhythm). Percussion: Charlie Watts & Brian Jones. Lead vocals: Mick Jagger. Bass: Bill Wyman. Backing vocals: Keith Richards. An "Aftermath" sessions' song that was released on the album "Flowers". Source file of the edit is a Japanese cd, the 2006 remastered mini lp "Flowers" [uicy-93025].

SITTIN' ON A FENCE
(Jagger/Richards)

since I was young I've been very hard to please
and I don't know wrong from right
but there is one thing I could never understand
some of the sick things that a girl does to a man, so

I'm just sittin' on a fence
a'you can say I got no sense
trying to make up my mind really is too horrifying
so I'm sittin on a fence

all of my friends at school grew up and settled down
and they mortgaged up their lives
one thing's not said too much, but I think it's true
they just get married cause there's nothing else to do, so

I'm just sittin' on a fence
a'you can say I got no sense
trying to make up my mind really is too horrifying
so I'm sittin on a fence

I'm just sittin' on a fence
a'you can say I got no sense
trying to make up my mind really is too horrifying
so I'm sittin on a fence

the day can come when you get old and sick and tired of life
you just never realize
maybe the choice you made wasn't really right
but you go out and you don't come back at night, so

I'm just sittin' on a fence
a'you can say I got no sense
trying to make up my mind really is too horrifying
so I'm sittin on a fence

®© UMG
®© ABKCO Music and Records, Inc.

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Edit for headphones. Source of the edit is the song on the 1969 album "Barabajagal" (2005 EMI Remaster).
This song was the a-side to "Atlantis" in the USA, where it charted #7 most likely because of all that was going on concerning the Vietnam war.

TO SUSAN ON THE WEST COAST WAITING
(Donovan Leitch)

dear Susan,I know, you love me so
but I want to hear, it in my ear
you know I'd be there, working at my craft
had it not been, for the draft
dry up your tear, and feel no fear
you're here with me, like I'm there with you

to Susan on the West Coast waiting
from Andy in Vietnam fighting
to Susan on the West Coast waiting
from Andy in Vietnam fighting

I'm writing a note, beneath a tree
the smell of the rain, on the greenery
our fathers have painfully lost their way
that's why my love, I'm here today
hear me when I say, there will come a day
when Kings will know and love can grow

to Susan on the West Coast waiting
from Andy in Vietnam fighting
to Susan on the West Coast waiting
from Andy in Vietnam fighting

to Susan on the West Coast waiting
from Andy in Vietnam fighting
to Susan on the West Coast waiting
from Andy in Vietnam fighting

Susan, I know, you love me so
but I'd like to hear, it in my ear
you know I'd be there, working at my craft
had it not been, for the draft
dry up your tear, and feel no fear
you're here with me like I'm there with you

to Susan on the West Coast waiting
from Andy in Vietnam fighting
to Susan on the West Coast waiting
from Andy in Vietnam fighting
to Susan on the West Coast waiting
from Andy supposedly hating
to Susan on the West Coast waiting
from Andy in Vietnam fighting

Note:
Now we're on Vietnam:
I saw a documentary about Indonesia and the Japan nuclear bombing.
Between 129,000 and 226,000 people were killed, says Wikipedia.
In the documentary it was stated that the Japanese emperial command had decided to give the order to kill all prisoners in the concentration camps.
In Indonesia over a hundred thousand people would have been murdered if this command would have reached the Japanese army there.
Due to the nuclear bombing this horrible war crime was never committed...
The command never reached the forces abroad...
Gives a different insight...

Edit (count in) for headphones. Dubbed video. This is a recording with an "Alright" by Mick Jagger and a count in by Brian Jones.
Source cd of the edit is the bootleg "Time Trip no. 5" by Scorpio.
Recorded in Regent Sound Studio, London, Feb. 5th 1964.
Released in the US on "12x5" in 1964 and in the UK on "Rolling Stones no.2" in 1965.

Guitars: Brian Jones & Keith Richards. Drums: Charlie Watts. Bass: Bill Wyman. Vocals: Mick Jagger.

SUSIE Q
(Dale Hawkins)

oh, Susie Q
oh, Susie Q
oh, Susie Q
I love you
my Susie Q

I love the way you walk
I love the way you talk
love the way you walk
I love the way you talk
my Susie Q

say that you'll be true
say that you'll be true
say that you'll be true
and never leave me blue
my Susie Q

woh Susie Q
woh Susie Q
woh Susie Q
honey I love you
my Susie Q

®© ABKCO Music and Records, Inc.
®© UMG
®© BMG_Rights_Management
®© PRS CS
®© STIM CS
®© UMPI

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG/ABKCO Music and Records, Inc. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit for headphones, March 2021. Source file of this edit is on cd 3 of the 3 cd set "The Kinks Remastered" (cat.nr. ESB CD 268). In 1970 "Apeman" charted nr.5 in the UK, Germany, Australia and New Zealand. Nr.9 in Holland, nr.10 in Ireland, nr.19 in Canada. And nr.45 in the US.

A pssible reason why it charted so low in the US: in the lyrics "...the air pollution is a-foggin' up my eyes...", the word "a-foggin'" sounded too much like "a-fucking'". Ray Davies had to fly back to London to re-record this line, dubbing over with a more clear "a-foggin'" prior to its single release, in turn causing a delay in the US single release of the song. The original lyric remains intact on the album, and is heard at 2:21.

How sick can one American be?

APEMAN
(Ray Davies)

I think I'm sophisticated
'Cause I'm living my life
Like a good homo sapiens
But all around me
Everybody's multiplying
And they're walking round like flies, man
So I'm no better than the animals
Sitting in the cages in the zoo, man
'Cause compared to the flowers
And the birds and the trees
I am an apeman

I think I'm so educated
And I'm so civilized
'Cause I'm a strict vegetarian
And with the over population
And inflation and starvation
And the crazy politicians
I don't feel safe in this world no more
I don't want to die in a nuclear war
I want to sail away to a distant shore
And make like an apeman

I'm an apeman
I'm an ape, apeman
Oh, I'm an apeman
I'm a king-kong man
I'm a voodoo man
Oh, I'm an apeman

'Cause compared to the sun that sits in the sky
Compared to the clouds as they roll by
Compared to the bugs and the spiders and flies
I am an apeman

La la la la la la la

In man's evolution
He's created the city
And the motor traffic rumble
But give me half a chance
And I'd be taking off my clothes
And living in the jungle

'Cause the only time that I feel at ease
Is swinging up and down in a coconut tree
Oh what a life of luxury
To be like an apeman

I'm an apeman
I'm an ape, apeman
Oh, I'm an apeman
I'm a king-kong man
I'm a voodoo man
Oh, I'm an apeman
I look out the window
But I can't see the sky
The air pollution is a-fogging up my eyes
I want to get out of this city alive
And make like an apeman

La la la la la la la

Come on and love me
Be my apeman girl
And we'd be so happy
In my apeman world

I'm an apeman
I'm an ape, apeman
Oh, I'm an apeman
I'm a king-kong man
I'm a voodoo man
Oh, I'm an apeman

I'll be your Tarzan and you'll be my Jane
I'll keep you warm and you'll keep me sane
We'll sit in the trees and eat bananas all day
Just like an apeman

I'm an apeman
I'm an ape, apeman
Oh, I'm an apeman
I'm a king-kong man
I'm a voodoo man
Oh, I'm an apeman

I don't feel safe in this world no more
I don't want to die in a nuclear war
I want to sail away to a distant shore
And make like an apeman
La la la la la la la

®© WMG, UMG, SME on behalf of Sanctuary Records

Edit for headphones. Source file of this edit is on cd 2 of the 4 cd album "The Rolling Stones - The First Decade" by Ghostrider14 (2015). This video has the same photos as the "My Obsession" video.

Song's recording date of the official release: December 3 - 8 1965. First release: single, February 4, 1966, album "Big hits (high tide and green grass)", US April 2 1966, UK November 4 1966.

Electric guitar: Brian Jones. Lead vocals: Mick Jagger. Electric guitar & background vocals: Keith Richards. Bass: Bill Wyman. Drums: Charlie Watts.

19TH NERVOUS BREAKDOWN
(Jagger/Richards)

you're the kind of person
you meet at certain dismal dull affairs.
center of a crowd, talking much too loud
running up and down the stairs.
well, it seems to me that you have seen too much in too few years.
and though you've tried you just can't hide
your eyes are edged with tears.

you better stop
look around
here it comes, here it comes, here it comes, here it comes
here comes your nine-teenth nervous breakdown.

when you were a child
you were treated kind
but you were never brought up right.
you were always spoiled with a thousand toys
but still you cried all night.
your mother who neglected you
owes a million dollars tax.
and your father's still perfecting ways of making sealing wax.

you better stop, look around
here it comes, here it comes, here it comes, here it comes
here comes your nilne-teenth nervous breakdown.

oh, who's to blame, that girl's just insane.
well nothing I do don't seem to work,
it only seems to make matters worse. Oh please.

you were still in school
when you had that fool
who really messed your mind.
and after that you turned your back
on treating people kind.
on our first trip
I tried so hard to rearrange your mind.
but after while I realized you were disarranging mine.

you better stop, look around
here it comes, here it comes, here it comes, here it comes
here comes your nine-teenth nervous breakdown.
here comes your nine-teenth nervous breakdown
here comes your nine-teenth nervous breakdown

Edit for headphones. Bee Gees 1997 concert in the MGM Grand in Las Vegas featuring Céline Dion.
Boy oh girl, what a performance... if you have any chance, buy this dvd, it is beautiful.
"Immortality" was composed especially for Céline Dion by Barry, Robin and Maurice Gibb.

The Bee Gees brothers Gibb were born on the Isle of Man, emigrated to Australia in 1958, moved back to England in 1967 when they had their first big hit "Spicks And Specks" in New Zealand (nr.1), Australia (nr.5), Germany (nr.28) and that lovely little big country of mine called the Netherlands (nr.2).

About this song: this song has a lot of layers in it; usually, in the major part of this world's songs, there are one or more layers that are not a hundred percent beautiful... in this song all layers are perfect. A true Bee Gees masterpiece, Nobel prize worthy !

It is a pity that some backward loudmouth girls decided to screw up the song by cheering too early near the end, killing its grande finale... a typical case of blonde stupidity, emptyheaded who probably even didn't know which band they were attending...

IMMORTALITY
(Barry, Maurice & Robin Gibb)

so this is who I am
and this is all I know
and I must choose to live
for all that I can give
the spark that makes the power grow

and I will stand for my dream if I can
a symbol of my faith in who I am
but you are my only

and I will follow on the road that lies ahead
and I won't let my heart control my head
but you are my only

we don't say goodbye
we don't say goodbye
and I know what I've got to be

immortality
I make my journey through eternity
I keep the memory of you and me, inside

fulfill your destiny
it's there within the child
my storm will never end
my fate is on the wind
the king of the hearts, the jokers wild

we don't say goodbye
we don't say goodbye
I make them all remember me

'cause I have found a dream that must come true
every ounce of me must see it through
but you are my only

I'm sorry I don't have a role for love to play
hang over my heart; I'll find my way
and I will make them give to me

immortality
there is a vision and a fire in me
to keep the memory of you and me, inside

we don't say goodbye
we don't say goodbye
with all my love for you
and what else we may do
we don't say... goodbye

®© eagle rock
®© WMG
®© UMG

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit 1b for headphones. Dubbed video. No synchro, sorry.
Recorded on January 10, 1964, released in the UK on the first album, "The Rolling Stones" April 17, 1964. Released in the US on "England's Newest Hit Makers" May 29, 1964. Source file of the edit: "The Rolling Stones [London 820 047-2].

Electric slide guitar: Brian Jones. Vocal & harmonica: Mick Jagger. Bass: Bill Wyman. Rhythm acoustic guitar: Keith Richards. Drums: Charlie Watts.

I'M A KING BEE
(James Moore a.k.a. Slim Harpo) *

well I'm a king bee
buzzing around your hive
well I'm a king bee, baby
buzzing around your hive
yeah I can make honey baby
let me come inside

well I'm a king bee
want you to be my queen
well I'm a king bee, baby
want you to be my queen
together we can make honey
the world has never seen

well... buzz a while...
sting it then...

well I'm a king bee
can buzz all night long
well I'm a king bee, baby
can buzz all night long
yeah I can buzz better baby
when your man is gone

®© UMG
®© Eagle Rock

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

* Written and first recorded by Slim Harpo, the song was released in 1957 as the B-side to his debut single, "I got love if you want it", but went on to become better known than the A-side. So now we know what inspired the Rolling Stones to name their first live album "Got live if you want it"...

edit for headphones. source file is from the 1965 album "the paul butterfield blues band". the idea of this edit was to get this song scream much more, much louder and much heavier...
Guitar: Mike Bloomfield and Elvin Bishop.

video with permission of docludi2, here's his channel:
https://www.youtube.com/user/docludi2/videos?view=0&flow=grid&sort=p

SCREAMIN'
(composed by Michael Bloomfield)

Personnel on the album:

Paul Butterfield: lead vocals (all but 5), harmonica
Mike Bloomfield: guitars
Elvin Bishop: guitars
Mark Naftalin: organ (3, 4, 7-10)
Jerome Arnold: bass
Sam Lay: drums, lead vocals (5)

®© UMG

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.

Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

edit, for headphones. dubbed video.
the shirelles, "live" performance of 1964, with added stereo version of the song
featuring Shirley Alston Reeves, Beverly Lee, Addie "Micki" Harris, and Doris Kenner

sorry, couldn't resist adding the stereo version of the song into an existing mono live performance...

®© The Orchard Music
®© Made in Etaly

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Edit 2 for headphones. For crispiness and clearness...
Source file of the edit is on the cd "Around And Around" from Invasion Unlimited (IU9531-1).
Recorded in September and December of 1965. Was supposed to be included on the album "Could You Walk On The Water", in 1966, but after that album was censored by Decca, this one song was the only one from that album never to be released officially. The song was recorded at the end of the sessions for "Out of Our Heads" at RCA Studios in Hollywood on September 6, 1965.

Piano: Brian Jones. Acoustic guitars: Brian Jones & Keith Richards. Vocals: Mick Jagger. Bass: Bill Wyman. Drums: Charlie Watts.

ultimateclassicrock.com says: "The song was recorded at the end of the sessions for 'Out of Our Heads' at RCA Studios in Hollywood. Prime Keith licks abound while Charlie and Bill lay down a solid, trad rhythm, as Ian Stewart adds a nice jazzy piano. While it may have been seen at the time as a paint-by-numbers blues romp, it holds up remarkably well nearly 50 years on."

LOOKING TIRED
(Jagger/Richards)

lookin' tired babe, sittin' there on the side
you're gettin' tired babe, sittin' there on the side
ain't in the right place, to try and change the tide

you sit and read, but all you do is moan
you sit and read, but all you do is moan
ain't no wonder, you're sittin' there on your own

you're readin' the cover of a pseudo paperback
you're readin' the cover of a pseudo paperback
displays about writers, chaucer to steinbeck

you're lookin' tired babe, sittin' there on the side
you're lookin' tired babe, sittin' there on the side
it's only yourself, you're takin' for a ride

you say you won't change, but do you really care
you say you won't change, but do you really care
you can't do much just sittin' there in your chair

i said, hey babe, hey where you been all night?
i said, hey babe, hey where you been all night?
your clothes all tangled, sure ain't talkin' right

you're lookin' tired babe, sittin' there on the side
you're lookin' tired babe, sittin' there on the side
you ain't in the right place, to try and change the tide

®© ruudtes

Edit for headphones, May 24, 2021.
According to Gaudio, he was dozing off while watching the John Payne/Rhonda Fleming/Ronald Reagan movie "Tennessee's Partner" when he heard Payne's character slap Rhonda Fleming in the face. After the slap, Fleming's character replied, "Big girls don't cry." Gaudio wrote the line on a scrap of paper, fell asleep, and wrote the song the next morning. However, the line does not appear in that film. According to Bob Crewe, he was dozing off in his Manhattan home with the television on when he awoke to see Payne manhandling Fleming in "Slightly Scarlet", a 1956 film noir based on a James M. Cain story. The line is heard in that film.

Like "Sherry", the lead in "Big Girls Don't Cry" is sung mostly in falsetto. With this song The Four Seasons became the first rock-era act to hit the top spot on the Hot 100 with their first two chart entries (their first single, "Bermuda"/"Spanish Lace", did not appear on any Billboard chart in 1961).

Frankie Valli – lead vocals, handclaps
Tommy DeVito – harmony and backing vocals, guitar, handclaps
Nick Massi – harmony and backing vocals, bass, handclaps
Bob Gaudio – harmony and backing vocals, piano, handclaps
Panama Francis – drums
Bob Crewe – producer
Bruce Swedien – engineer

New Zealand: 1
UK: 13
U.S. Billboard Hot 100: 1
U.S. Billboard R&B: 1

BIG GIRLS DON'T CRY
(Bob Crewe and Bob Gaudio)

big girls don't cry
big girls don't cry

big girls don't cry-yi-yi (they don't cry)
big girls don't cry (who said they don't cry?)
my girl said goodbye-yi-yi (my oh my)
my girl didn't cry (I wonder why)

(silly boy) told my girl we had to break up
(silly boy) hoped that she would call my bluff
(silly boy) when she said to my surprise
"big girls don't cry"

big girls don't cry-yi-yi (they don't cry)
big girls don't cry (who said they don't cry?)

(maybe) I was cru-woo-uel (I was cruel)
baby I'm a fool (I'm such a fool)

(silly girl) "Shame on you" your mama said
(silly girl) "Shame on you, you're cryin' in bed"
(silly girl) "Shame on you, you told a lie"
big girls do cry

big girls don't cr-yi-yi (they don't cry)
big girls don't cry (that's just an alibi)

big girls don't cry
big girls don't cry
big girls don't cry
big girls don't cry
big girls don't cry

®© WMG, UMG (on behalf of Rhino (Pure); BMG Rights Management (US), LLC, Sony ATV Publishing, Abramus Digital, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, CMRRA, UMPG Publishing, Kobalt Music Publishing, Reservoir Media (Publishing), LatinAutor - SonyATV, ASCAP, BMI - Broadcast Music Inc., ARESA, Warner Chappell, LatinAutorPerf, LatinAutor - PeerMusic, EMI Music Publishing, SOLAR Music Rights Management.

Edit (live ya ya) for headphones. Dubbed video. A song from the album "Get Yer Ya-Ya's Out!". This one however is not on the 1970 release, but it is on the 40th anniversary deluxe remastered edition (4 cd's and 1 dvd), released in 2009. The album was recorded November 1969 in New York City's Madison Square Garden and in the Baltimore Civic Center, Maryland. The album was a big success and is often cited as one of the greatest live albums of all time. It was the first live album to reach number 1 in the UK. #2 in Holland and Australia, #3 in Canada and Norway, #6 in Germany and the US. In the US over a million copies were sold.

Mick Jagger: vocals. Keith Richards: guitars, backing vocals. Mick Taylor: guitars. Bill Wyman: bass. Charlie Watts: drums. Ian Stewart: piano on "Carol," "Little Queenie," and "Honky Tonk Women".
Recording and mixing engineer: Glyn Johns.

UNDER MY THUMB
(Jagger/Richards)

under my thumb, is the woman who once had me down
under my thumb, there's the girl who once pushed me around

it's down to me, oh yeah, the way she talks when she's spoken to
down to me, the change has come, she's under my thumb

under my thumb, there's the squirmin' dog she's just had her day
under my thumb, is the woman who has just changed her way

it's down to me, oh yeah, the way she talks when she's spoken to
Down to me, the change has come, s's under my thumb

ah, ah, say it's alright

it's down to me, oh yeah, the way she talks when she's spoken to
down to me, the change has come, she's under my bum

say it's alright

under my thumb, there's a Siamese cat of a girl
under my thumb, she's the sweetest, shit in the world

it's down to me, oh yeah, the way she does just a what she told
down to me, this girl, she's under my thumb

ah yeah, say it's alright, say it's alright (etc.)

®© UMG
®© ABKCO Music and Records, Inc.
®© Decca Music Group Ltd.

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG/ABKCO Music and Records, Inc. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.