Hollywood’s Jewish Phallocrats
Some of the abuse depicted in this article may be too shocking for sensitive readers. They, and children, should not read it.
by Thomas Müller
LONG BEFORE HARVEY Weinstein sullied the reputations of “White men,” Hollywood Jews in positions of power coldly used women as sexual receptacles. They ruined the lives of countless girls and women who refused, or fought back, and they emotionally damaged those who submitted out of fear or a moment of weakness. The cynical and ambitious White females formed a sick, symbiotic relationship with their abusers.
Upton Sinclair once remarked, “Jewish traders sold Christian girls into concubinage and into prostitution, and even today they display the same activity in the same field in southern California where I live.”
F. Scott Fitzgerald summed up the Hollywood scene of his era: “A Jewish holiday, a Gentile tragedy.” (Gabler, 2)
In the 1940s, the novelist Raymond Chandler was in Hollywood, and assigned to work with Jewish writer and director Billy Wilder. Chandler was appalled by the way the married man would constantly and openly “chat up” young starlets with whom he had innumerable sexual trysts, evidently regarding them as mere entertainment and simply his “due” for being a man of his position (or as one of the “chosen”).
Chandler said he was disgusted by Hollywood’s Jewish elite and later wrote to a friend: “Los Angeles has nothing for me anymore. It’s only a question of time until a Gentile has to wear an armband there.”
Jewish film producer Arthur Freed
When child star Shirley Temple was 11 years old, she was asked to come — alone — into the office of Jewish film producer Arthur Freed to “talk about her upcoming films.” Temple was already one of the most popular stars in Hollywood. She was hardly of an age to even understand the meaning of the term “casting couch,” nor did she particularly need Freed’s favor. But Freed simply couldn’t restrain himself.
According to Temple herself, Freed had only uttered a few sentences about her films when he suddenly exclaimed, “I have something made for just you,” while taking down his pants. As he exposed himself to her, he proclaimed, “You’ll be my new star!”
White child actress Shirley Temple (1928-2014)
Temple was protected by her very real innocence of such things, and could only laugh. Her laughter enraged Freed to the point of forgetting all about his sick lust. Temple said that Freed yelled at her, “Get out!” He then shouted, unmindful of his disarray, imperiously pointing to the closed door, “Go on, get out!” (Wall Street Journal)
Harry Cohn (1891–1958), the founder of Columbia Pictures Corporation, was part of the Eastern European Jewish mogulocracy that came from nowhere. Cohn was a tyrant. His temper was his chosen tool for getting his way. Listening devices throughout his studio helped him eavesdrop on subordinates and a sound system allowed him to blast anyone who annoyed him.
Cohn filled his shelves with silk stockings and expensive perfumes. He helped entrench the Jewish systemic abuse of WHites in the movie industry during his four decades in film. From the start, Cohn used his aggression to exert control over female stars. Not only did he force them to change their names and their appearances, but he regularly forced them to trade sex for employment, then scrutinized and even spied on them. He relentlessly demanded that the actress Rita Hayworth in particular “sleep with” him, bugged her dressing rooms, and imposed financial penalties for “insubordination.”
In the words of E.J. Fleming — whose book The Fixers focused on how Hollywood studios controlled their stars’ images — Cohn “was said to have verbally or physically raped every woman that ever worked for his studio.” (emphasis ours)
Early in Marilyn Monroe’s career as a struggling actress, Harry Cohn invited her to an “overnight cruise” on his yacht. Monroe was required to strip naked for Cohn in his office. As she bent over, at his direction, he approached her, penis in hand. When she declined his advances, said Monroe, “I had never seen a man so angry” (Jordan, 91; Wolfe, 211-212). Cohn then “banned her from the [Columbia] lot after she refused to accompany him on a yacht to Catalina Island.” (Leaming, 8)
“You know,” Monroe once said, “that when a producer calls an actress into his office to discuss a script that isn’t all he has in mind…. I’ve slept with producers. I’d be a liar if I said I didn’t.” (Summers, 34-35). In 1955, 20th Century Fox awarded Monroe the richest per-film contract of any actress. “It means,” remarked Monroe, “I’ll never have to suck another Jewish cock again!” (McDougal, 217).
“By 1953,” Ted Jordan reports, “Monroe could be virulently ‘anti-Semitic’ (a sentiment that grew as she got older). To my discomfort, she would…
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https://nationalvanguard.org/2022/01/hollywoods-jewish-phallocrats/
