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Timeline of European Art and Music - The Fourteenth Century
The whole works can be found here - https://archive.org/details/timeline-of-european-art-and-music
Music
0:00 - 1314 - Philippe de Vitry (French) - Garrit gallus
2:04 - 1324 - Guillaume de Machaut (French) - Bone pastor, Guillerme Bone pastor, qui pastores
4:08 - 1340 - Philippe de Vitry (French) - Cum statua Nabucodonasor - (Medieval)
5:19 - 1340 - Philippe de Vitry (French) - Sequentia - (Medieval)
6:27 - 1340 - Philippe de Vitry (French) - Garison selon nature - (Medieval)
7:50 - 1340 - Philippe de Vitry (French) - Floret - (Medieval)
9:09 - 1342 – Philippe de Vitry (French) - Petre Clemens Lugentium siccenturNon est inventus (motet for three voices), written at Christmas for Pope Clement VI
10:13 - 1346 - Jacopo da Bologna (Italian) - O in Italia felice Liguria - Madrigal with a text celebrating the birth on 4 August of twin sons to the Milanese ruler Luchino Visconti
11:02 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - KYRIE - (Medieval)
12:17 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - GLORIA - (Medieval)
13:39 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - CREDO - (Medieval)
14:57 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - SANCTUS - (Medieval)
16:02 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - Agnus Dei - (Medieval)
17:07 - 1350 - Guillaume de Machaut (French) - Messe de Nostre Dame - Ite Misa Est - (Medieval)
18:17 - 1356 - Guillaume de Machaut (French) - En demantant et lamentant - Lamenting the capture by Edward, the Black Prince of King Jean II and his son Philippe
19:33 - 1360 - Francesco Landini (Italian) - Che pena e quest al cor - (Medieval)
20:38 - 1360 - Francesco Landini (Italian) - De! dimmi tu, che se' cosi fregiato - (Medieval)
21:37 - 1360 - Francesco Landini (Italian) - I' priego Amor e la vostra biltate - (Medieval)
22:34 - 1360 - Francesco Landini (Italian) - Ecco la primavera - (Medieval)
24:27 - 1378 - Matheus de Sancto Johanne (French) - Inclite flos orti Gebenensis - Ballade for three voices, dedicated to Pope Clement VII, who bestowed a canonicate in Laon upon the composer in this year
26:52 - 1382 - Jacob de Senleches (Franco-Flemish) - Fuions de ci (Ballade) - with text referring to the recent death of Eleanor of Aragon, Queen of Castile
27:47 - 1390-1395 - Jacob Senleches (Franco-Flemish) - La harpe de melodie
28:38 - 1399 - Johannes Ciconia (Flemish) - Una panthera in compagnia de Marte - madrigal for three voices, written for the diplomatic visit by Lazzaro Guinigi of Lucca to Gian Galeazzo Visconti in Pavia
Art
1300 - Duccio (Italian) - Madonna with Child - The word Madonna is derived from the Italian 'ma donna,' or 'my lady' and is used to describe Mary, the mother of Christ.
1300 - Giotto (Italian) - The Badia Polyptych - This painting was originally on the high altar of the Badia in Florence. It is characterized by a language completely renewed in the 14th-century direction, which was to be at the basis of subsequent developments in Florentine and Italian painting.
1303 - Giotto (Italian) - The Marriage at Cana - The transformation of water into wine at the Marriage at Cana or Wedding at Cana is the first miracle attributed to Jesus in the Gospel of John
1304-1306 - Giotto di Bondone (Italian) - The incident in the Gospel of Matthew (2.16–18) in which Herod the Great, king of Judea, orders the execution of all male children under 2 year in the vicinity of Bethlehem.
1304-1306 - Giotto di Bondone (Italian) - Marriage of the Virgin - The high priest carefully moves the Virgins hand towards Joseph, who would like to place the ring on her finger. Mary's gaze is lowered. She rests one hand on her stomach, alluding to her impending pregnancy.
1308 - Duccio (Italian) - The Maesta (detail of Madonna and Child on throne) - Commissioned by the city of Siena in 1308. Installed in the Siena Cathedral in 1312 after a procession of the work in a loop around the city.
One witnesses wrote of this account
And on that day when it was brought into the cathedral, all workshops remained closed, and the bishop commanded a great host of devoted priests and monks to file past in solemn procession. This was accompanied by all the high officers of the Commune and by all the people; all honorable citizens of Siena surrounded said panel with candles held in their hands, and women and children followed humbly behind. They accompanied the panel amidst the glorious pealing of bells after a solemn procession on the Piazza del Campo into the very cathedral; and all this out of reverence for the costly panel… The poor received many alms, and we prayed to the Holy Mother of God, our patron saint, that she might in her infinite mercy preserve this our city of Siena from every misfortune, traitor or enemy.
1308-1311 - Duccio (Italian) - The Calling of the Apostles Peter and Andrew (from the Maestà) - Jesus calling his first disciples
Category | Education |
Sensitivity | Normal - Content that is suitable for ages 16 and over |
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