The Lover (French: L'Amant) is a 1992 erotic romantic drama film produced by Claude Berri and directed by Jean-Jacques Annaud. Based on the semi-autobiographical 1984 novel of the same name by Marguerite Duras, the film details the illicit affair between a teenage French girl and a wealthy Chinese man in 1929 French Indochina. The protagonist is portrayed by Jane March and her lover is portrayed by Tony Leung Ka-fai. The film also features Jeanne Moreau as a narrator.
Development began in 1989, with principal photography commencing in 1991. The film made its theatrical debut on 22 January 1992 in France, on 19 June in the United Kingdom, and in the United States on 30 October of the same year. The film was nominated for the 1992 Academy Award for Best Cinematography and won the Motion Picture Sound Editors' 1993 Golden Reel Award for "Best Sound Editing — Foreign Feature". It was nominated for seven César Awards in France, winning the Award for Best Original Music. The film was a box office success in France and received generally positive reviews in Europe, while reviews from American critics were more mixed.
Synopsis
The primary characters are known only as The Young Girl and The Chinese Man. The events take place in Vietnam. The daughter of a bitter, fearful, poverty-stricken French family, living in a rural area, she wears an old linen dress and a fedora, and paints her lips bright red when out of her mother's sight. Her weak-willed, widowed mother is a schoolteacher to local children. There is a violent, opium-smoking older brother, and a timid younger brother. The girl is a loner but an excellent student, who dreams of being a writer.
The girl meets the Chinese Man when crossing the river on the ferry to return to the city after a school holiday. He is the son of a businessman whose fortune was made in real estate, and has recently returned from Paris after finishing his business studies. He has the look but lacks the self-assurance of the playboy he fancies himself to be, and he is mesmerized the first time he sees her standing by the rail on a crowded ferry crossing the Mekong River. After some awkward conversation, she accepts a lift to Saigon in his chauffeur-driven limousine. In voice-over at the beginning of the film she says she is 15, but she tells him she is 17; he is 32. During the drive he tremulously takes her hand; at the end, his hand is in her lap. The following day, he waits for her outside her boarding school and takes her to the room in the Chinese quarter that he uses for entertaining mistresses.
They realize that "a future together is unthinkable" because she is scheduled to return to Paris soon, and he is to make an arranged marriage with a Chinese heiress. Aware of the limited time they have together, they fall into a relationship in which they shed all responsibilities that come with commitment. Every day after school, the girl goes to his room, where they have passionate sex.
The girl's family discovers the affair, and though at first furious, they condone it because the man is wealthy and can pay off some of their debts. Despite his wealth and their poverty, the family treats him with contempt as he is not European. The affair continues passionately and the man even goes so far as to beg his father for permission to marry her instead of entering into his arranged marriage, but his father would rather see him dead than with a white girl. Though devastated, the man marries his arranged bride, and the girl boards a ship days later to return to France.
Decades later, she has become a successful writer. In the final scene, she tells us that the Chinese Man is visiting France with his wife and has telephoned her. He tells her that he has never stopped loving her, and never will until his death.
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Love Your Race 2024
American Dissident Voices broadcast of 10 February, 2024
by Kevin Alfred Strom
Listen to Broadcast
https://nationalvanguard.org/2024/02/love-your-race-2024/
BEFORE I TELL YOU about this year’s Love Your Race campaign, let me quickly mention two important books that have just been added to our Cosmotheist Church book store.
The first is the Holocaust Encyclopedia — a full-color hardback volume produced by Germar Rudolf.
This encyclopedia gives you an uncensored and unconstrained look at all the pertinent evidence that upholds the orthodox Holocaust narrative: the true, the false, and the mendacious. It also exposes the various forces and influences that have dictated how this narrative was formed, and how it is protected from skeptical prying eyes. If you ever wanted to understand the post-World War 2 world we live in, this is a good starting point. Learn about the biggest propaganda...
Read More:
https://nationalvanguard.org/2024/02/love-your-race-2024/
