A Passage to India is a 1984 epic historical drama film written, directed and edited by David Lean. The screenplay is based on the 1960 play of the same name by Santha Rama Rau, which was in turn based on the 1924 novel of the same name by E. M. Forster.
Set in the 1920s during the period of the British Raj, the film tells the story of the interactions of several characters in the fictional city of Chandrapore, namely Dr Aziz, Mrs Moore, Adela Quested, and Cyril Fielding. When newcomer to India, Adela, accuses Aziz of an attempted rape within the famed Marabar Caves, the city is split between the British elite and the native underclass as the budding friendship between Aziz and Fielding is tested. The film explores themes of racism, imperialism, religion, and the nature of relationships both friendly and marital.
This was the final film of Lean's prestigious career, and the first feature film he had directed in fourteen years, since Ryan's Daughter in 1970. Receiving praise as Lean's finest since Lawrence of Arabia, A Passage to India received eleven nominations at the 57th Academy Awards, including Best Picture, Best Director for Lean, and Best Actress for Judy Davis for her portrayal as Adela Quested. Peggy Ashcroft won the Academy Award for Best Supporting Actress for her portrayal as Mrs Moore, making her, at 77, the oldest actress to win the award, and Maurice Jarre won his third Academy Award for Best Original Score.
E. M. Forster began writing A Passage to India during a stay in India from late 1912 to early 1913 (he was drawn there by a young Indian Muslim, Syed Ross Masood, whom he had tutored in Latin), completing it only after he returned to India as secretary to a maharajah in 1921. The novel was published on 6 June 1924.[4] It differs from Forster's other major works in the overt political content, as opposed to the lighter tone and more subdued political subtext in works such as Howards End and A Room With a View.
A Passage to India deals with the delicate balance between the English and the Indians during the British Raj.[5] The question of what actually happened in the caves remains unanswered in the novel. A Passage to India sold well and was widely praised in literary circles. It is generally regarded as Forster's best novel, quickly becoming a classic of English literature.[6]
Over many years several film directors were interested in adapting the novel to the big screen, but Forster, who was criticised when the novel was published, rejected every offer for the film rights, believing that any film of his novel would be a travesty. He feared that whoever made it would come down on the side of the English or the Indians, and he wanted balance. However he did allow Indian author Santha Rama Rau to adapt it for the theatre in 1957.[7]
David Lean had read the novel and saw the play in London in 1960, and, impressed, attempted to purchase the rights at that time, but Forster, who rejected Santha Rama Rau's suggestion to allow Indian film director Satyajit Ray to make a film, said no.[8]
Following Forster's death in 1970, the governing board of fellows of King's College at Cambridge inherited the rights to his books. However, Donald Parry, his executor, turned down all approaches, including those of Joseph Losey, Ismail Merchant and James Ivory, and Waris Hussein, who after adapting Santha Rama Rau's play for the BBC in the 1960s now wanted to make a feature film. Ten years later, when Professor Bernard Williams, a film enthusiast, became chief executor, the rights for a film adaptation became available.
