ruudtes' rolling stones & sixties music - 2
stereo remixes and processed 'stereo' edits of music of the sixties & the one and only... Rolling Stones
Edit 1b for headphones. This is a heavy one... download the video and play it with VLC mediaplayer from VIDEOLAN.ORG and use your mousewheel to pump up the volume...
Recorded on November 17, 1968. Released in 1975 on the "Metamorphosis" album. The lineup below is not the one heard on the "Performance" movie soundtrack, nor on "The London Year"s, which was recorded earlier as a solo Mick Jagger song and only features Mick, and has slightly different lyrics. There is a question about who is playing drums on the "Metamorphosis" cut. One thing for sure is that Keith Richards didn't play guitar on any of the session's tracks. Ry Cooder plays lead guitar on the "London Years"/"Performance" cut.
Source file of the edit: "Singles collection - The London years" (3 cd) Japanese mini lp remastered - uicy-93035-37.
Ry Cooder: slide guitar. Russ Titelman: guitar. Randy Newman: piano. Jerry Scheff: bass. Gene Parsons (drums).
Some sources mention Steve Winwood as one of the guitar players, but that is contradicted by Steve Winwood by some source.
MEMO FROM TURNER (Metamorphosis version)
(Jagger/Richards)
Didn't I see you down in San Antone on a hot and dusty night
Weren't you eating eggs in Sammy's there when the black man drew the knife
Didn't you drown the Jew in Rampton when he washed his sleeveless shirt
With a Spanish speaking gentleman, the one that we call Kirk
Come now, gentlemen, there must be some mistake
How forgetful I'm becoming now, you fixed your business straight
Weren't you at the Convacoby back in 1956
You're a faggot, little leather boy with a smaller piece of stick
You're a lashing, smashing hunk of man, your sweat shines sweet and strong
Your organ's working perfectly but there's a part that's screwed on wrong
Ah weren't you at the Coke convention back in 1965
You're the misbred, gray executive that I've seen heavily advertised
You're the man that's a careful baby man and can only be so clean
You're the man who squats behind the man who works the soft machine
Come now, gentlemen, your love is all I crave
You'll still be in the circus when I'm laughing, laughing in my grave
Yeah when the old men do the fighting and the young men all look on
And the young girls eat their mommy's' meat from tubes of plasticon
So be wary, please, my gentle friend of all the skins you breed
They have a nasty habit, that is they bite the hand that feeds
So remember who you say you are and keep your trousers clean
Boys will be boys and play with toys so be strong with your beast
So Rosie dear, don't you think it's queer, so stop me if you please
The baby's dead, my lady said "You schmucks all work for me"
MEMO FROM TURNER (London Years/Performance version)
(Jagger/Richards)
Didn't I see you down in San Antone on a hot and dusty night?
We were eating eggs in Sammy's when the black man there drew his knife.
Aw, you drowned that Jew in Rampton as he washed his sleeveless shirt,
You
Edit for headphones, July 2021. A bonus song from the 2006 release of the remastered expanded version of the 1968 album "Truth". "Hi Ho Silver Lining" charted nr.14 (for three weeks!) in the UK in 1967 (and remained fourteen weeks in the charts). In 1972 it charted again in the UK, reaching nr.17 (again for three weeks), remaining eleven weeks in the charts.
Jeff Beck played guitars and did the vocals. And i.m.o. that was a wise decision, because for some strange reason I just can't stand the voice of Rod Stewart who later on became the lead singer of the Jeff Beck group. And that's why you won't find much Jeff Beck Group songs on this channel... and it is probably also why they never charted this high again afterwards...
John Paul Jones - bass guitar
Clem Cattini - drums
Rod Stewart - backing vocals
HI HO SILVER LINING
(Scott English and Larry Weiss)
you're everywhere and nowhere baby
that's where you're at
going down a bumpy hillside
in your hippy hat
flying across the country
and getting fat
saying everything is groovy
when your tyres are flat
and it's hi ho silver lining
and away you go now baby
I see your sun is shining
but I won't make a fuss
though it's obvious
flies are in your pea soup baby
they're waving at me
anything you want is yours now
only nothing's for free
lies are gonna get you some day
just wait and see
so open up your beach umbrella
while you're watching tv
and it's hi ho silver lining
and away you go well baby
I see your sun is shining
but I won't make a fuss
though it's obvious
and it's hi ho silver lining
and away you go well baby
I see your sun is shining
but I won't make a fuss
though it's obvious
and it's hi ho silver lining
and away you go well baby
I see your sun is shining
but I won't make a fuss
though it's obvious
®© SME on behalf of Sony Music Entertainment
®© therock&rollingsixties
Edit for headphones. Lead vocals: Mick Jagger. Guitars: Mick Taylor (lead) & Keith Richards. Bass: Bill Wyman. Drums: Charlie Watts. Piano: Ian Stewart.
Source file is the song of the album "Metamorphosis", a very interesting album, with a lot of beautiful songs. Buy it, you will make tons of people happy.
I DON'T KNOW WHY
(Stevie Wonder)(his mother, Lula Mae Hardaway, helped him write it, along with Motown songwriters Don Hunter and Paul Riser)
I don't know why I love you babe
I don't know why I love you
I don't know why I love you, baby
but I love you darling yes I do
you always treat me like a fool
you kick me when I'm down that's you're rule
I don't know why I love you baby
but I love you
when are you gonna stop your cheatin ways
with another guy you laugh in my face
just how long must I be in this disgrace
'cause I love you baby
I don't know I don't know why babe
I don't know I don't know why baby now
I don't know why I love you baby
but I love you baby
when are you gonna stop your cheating ways
with another guy you laugh in my face
just how long must I be in this disgrace
'cause I, I love you baby
I don't know I don't know why babe
I don't know I don't know why baby now
I don't know why I love you baby
®© UMG
®© ABKCO Music and Records, Inc.
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
Not an edit. A song from the 1974 album "7-tease"
WHAT THE SOUL DESIRES
(Donovan Leitch)
there is a rapture that my soul desires
there is a something that I cannot name
I know not after what my soul aspires
nor guess from whence the restless longing came
but ever from my childhood have I felt it
in all things beautiful in all things gay
and ever has its gentle unseen presence
falling like a shadow cloud across my way
it is the melody in all sweet music
in all fair forms it is the hidden grace
in all I love a something that escapes me
flies my pursuit and ever veils its face
I see it in the woodlands' summer beauty
I feel it in the breathing of the air
I stretch my hand to grasp for it 'n touch it
but I do well I know it is not there
la la la la la la
la la la la la la
la la la la la
la la la la la
la la la la la
la la la la la la la la la la
but ever from my childhood have I felt it
in all things beautiful in all things gay
and ever has its gentle unseen presence
falling like a shadow cloud across my way
there is a rapture
®© SonoSuite on behalf of Donovan Discs LTD
®© therock&rollingsixties
Edit 3 for headphones, December 2020. A Phelge composition, that is: all members of the Stones.
Recorded February 4, 1964, April 17 released in the UK on "The Rolling Stones" (first album), released May 29 in the US on "England's Newest Hitmakers" (first album).
Source of the edit is the album "The Rolling Stones" (London 820 047-2).
Harmonica: Brian Jones. Guitars: Keith Richards & Phil Spector (!). Bass: Bill Wyman. Drums: Charlie Watts. Tambourine: Mick Jagger. Organ: Ian Stewart. Piano: Gene Pitney.
NOW I'VE GOT A WITNESS (LIKE UNCLE PHIL AND UNCLE GENE)
(Phelge)
®© ABKCO Music and Records, Inc.
®© UMG
®© Eagle Rock
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
Edit 3 for headphones, July 2021. The song is from the 1966 album "Sounds Of Silence" (2007 reissue box set "The Collection")(5 cd's and 1 dvd).
Before he hit it big as a musician, the song was offered to the duo Chad and Jeremy, who turned it down. Simon then recorded it himself for his UK solo album (released in America 1981) "The Paul Simon Songbook", which was released in the UK in August 1965. The single was issued in September but didn't chart despite a performance by Simon on the show "Ready, Steady. Go!"
Finally, in 1966, after the huge success of the single "The Sound Of Silence" this song charted 2 in New Zealand, 3 in the US, 10 in Holland and Sweden, 17 in the UK, 20 in Australia, 35 in Germany.
Session musicians were Ralph Casale (guitar), Al Kooper (organ), Bobby Gregg (drums).
I AM A ROCK
(Paul Simon)
a winter's day
in a deep and dark December
I am alone
gazing from my window to the streets below
on a freshly fallen silent shroud of snow
I am a rock I am an island
I've built walls
a fortress deep and mighty
that none may penetrate
I have no need of friendship friendship causes pains
it's laughter and it's loving I disdain
I am a rock I am an island
don't talk of love
well I've heard the word before
it's sleeping in my memory
I won't disturb the slumber of feelings that have died
if I never loved I never would have cried
I am a rock I am an island
I have my books
and my poetry to protect me
I am shielded in my armor
hiding in my room safe within my womb
I touch no one and no one touches me
I am a rock I am an island
and a rock feels no pain
and an island never cries
®© SME
®© therock&rollingsixties
Edit (early take) for headphones. Source file is from the bootleg "Genuine Black Box" by Scorpio. An early version from spring 1970, where it is "little Lucy" instead of little Susie in the final chorus. This version is more relaxed than the official release from the album "Sticky Fingers" and less 'pumped up'. Origine of the title: someone who sent flowers to Keith Richards, arriving too late at the place he then stayed. (Others think this is recorded December 9, 1969 in Olympic Sound Studios.)
Mick Jagger - lead vocals, acoustic guitar
Keith Richards - lead guitar, harmony vocals
Mick Taylor - co-lead guitar, guitar solo
Charlie Watts - drums
Bill Wyman - bass guitar
Ian Stewart - piano
DEAD FLOWERS
(Jagger/ichards)
Well when you're sitting there
In your silk upholstered chair
Talking to some rich folk that you know
Well I hope you won't see me
In my ragged company
You know I could never be alone
Take me down little Susie, take me down
I know you think you're the Queen of the Underground
And you can send me dead flowers every morning
Send me dead flowers by the mail
Send me dead flowers to my wedding
And I won't forget to put roses on your grave
Well when you're sitting back
In your rose pink cadillac
Making bets on Kentucky Derby Day
I'll be in my basement room
With a needle and a spoon
And another girl can take my pain away
Take me down little Susie, take me down
I know you think you're the Queen of the Underground
And you can send me dead flowers every morning
Send me dead flowers by the mail
Send me dead flowers to my wedding
And I won't forget to put roses on your grave
Take me down little Susie, take me down
I know you think you're the Queen of the Underground
And you can send me dead flowers every morning
Send me dead flowers by the US mail
Say it with dead flowers at my wedding
And I won't forget to put roses on your grave
No I won't forget to put roses on your grave
®© UMG
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
Disclaimer
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infr
Not an edit. Very interesting cover by the band "1212". Interesting fade out too...
A song from the album "standing in the shadows - a tribute to the golden days of the rolling stones 1963 - 1967" (2002).
This is more than just a cover!
®© UMG
®© ABKCO Music, Inc.
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG/ABKCO. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Edit 2 for headphones for "a home stereo equipment effect". Lousy video, sorry. Recorded in August of 1966. Released on the UK version of the album "Between the Buttons" on January 20, 1967. Released in the US on the album "Flowers" on July 15, 1967.
Source file of the edit is the 2010 Pbthal rip of the vinyl album "Flowers".
Mellotron, theramin & percussion: Brian Jones. Electric guitars: Brian Jones & Keith Richards. Bass: Bill Wyman. Drums: Charlie Watts. Lead vocals & maracas: Mick Jagger. Background vocals: Mick Jagger, Keith Richards.
PLEASE GO HOME
(Jagger/Richards)
please go home
please go home
well maybe I'm talkin to fast
but I won't be the first or the last
in the sea of the thousand you cast
c'mon please go home
I don't have to ask what you do
I just have to look to get you
means nothing to me to get through
please go home
I don't want to be on my own
cause I can't talk much better alone
but I don't have to ring like a phone
won't you please go home
please go home
in some early part of your days
you were told of the devious ways
that you thought you could get without pay
won't you please go home
you reach a state of your mind
where it's madness to look and to find
your false affections so kind
please go home
won't you please go home
®© UMG
®© ABKCO Music and Records, Inc.
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG/Abkco. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Edit for headphones. Source file is from the 1969 album "Second Winter" (2004 remastered legacy edition). Just to change the 'not that good' channel changes of the guitar solos and to give a little boost here and there. The album was released as a "three-sided" LP, with a blank fourth side on the original vinyl. The legacy edition has an April 17, 1970 live recording at the Royal Albert Hall London on cd 2. Cd 1 has the lps and two previously unreleased bonus songs.
Personnel on the album:
Johnny Winter: guitar, mandolin, vocals
Edgar Winter: keyboards, alto saxophone, vocals
Uncle John Turner: percussion
Tommy Shannon: bass
Dennis Collins: bass
I LOVE EVERYBODY
(Johnny Winter)
well, I'm going to the city
just to see what I can find
got to get me somebody
I got the same thing on my mind
got the same thing on my mind
oh yeah, I do
I ain't tired, no I ain't hungry
but I'm horny as I can be
been a long time comin' baby
better come and get some of me
better unto unto some of me, now
no I can't stay in the East, man
and I sure don't like the West
I can't stand the North and South boys
but I sure love all the West
no I'm on the West now
yeah, I dig it man
I got women in California
man, in New York and between
it's a fulltime operation
trying to keep my business clean
trying to keep my business clean now
I'm about to get straight though
I'm workin' on it out man
®© UMG
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Edit for headphones. Source file is from "The Kinks Remastered" (1995 Castle cd # 268). A 1966 # 1 hit in Holland, # 1 in New Zealand, # 4 in the UK, # 36 in the US; # 36 in Australia, # 11 in Canada, # 11 in Germany.
Ray Davies once explained the song is actually an attack on a dandy who made fun of his trousers...
DEDICATED FOLLOWER OF FASHION
(Raymond Douglas Davies)
They seek him here, they seek him there
His clothes are loud, but never square
It will make or break him so he's got to buy the best
'Cause he's a dedicated follower of fashion
And when he does his little rounds
'Round the boutiques of London Town
Eagerly pursuing all the latest fads and trends
'Cause he's a dedicated follower of fashion
Oh yes he is (oh yes he is), oh yes he is (oh yes he is)
He thinks he is a flower to be looked at
And when he pulls his frilly nylon panties right up tight
He feels a dedicated follower of fashion
Oh yes he is (oh yes he is), oh yes he is (oh yes he is)
There's one thing that he loves and that is flattery
One week he's in polka-dots, the next week he is in stripes
'Cause he's a dedicated follower of fashion
They seek him here, they seek him there
In Regent Street and Leicester Square
Everywhere the Carnabetian army marches on
Each one an dedicated follower of fashion
Oh yes he is (oh yes he is), oh yes he is (oh yes he is)
His world is built 'round discotheques and parties
This pleasure-seeking individual always looks his best
'Cause he's a dedicated follower of fashion
Oh yes he is (oh yes he is), oh yes he is (oh yes he is)
He flits from shop to shop just like a butterfly
In matters of the cloth he is as fickle as can be
'Cause he's a dedicated follower of fashion
He's a dedicated follower of fashion
He's a dedicated follower of fashion
®© UMG
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
Disclaimer
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
Edit 2 for headphones. Dubbed video. Edit for headphones to create "a stereo wall of sound". Buy expensive Sennheiser headphones (read my channel's "About" for more information) and press them tight to your ears!!! I managed to get some extra bass. Enjoy! No sounds were added, it's the Stones alone you hear!
Sitar & tamboura: Brian Jones. Vocals: Mick Jagger. Acoustic guitars: Keith Richards. Bass: Keith Richards. Drums: Charlie Watts. Piano: Nicky Hopkins. Shehani: Dave Mason. Backing vocals: Mick Jagger & Keith Richards.
STREET FIGHTING MAN
(Jagger/Richards)
ev'rywhere I hear the sound of marching, charging feet, boy
'cause summer's here and the time is right for fighting in the street, boy
well then what can a poor boy do
except to sing for a rock 'n' roll band
'cause in sleepy London town
there's just no place for a street fighting man, no!
hey! Think the time is right for a palace revolution
'cauce where I live the game to play is compromise solution
well then what can a poor boy do
except to sing for a rock 'n' roll band
'cause in sleepy London town
there's no place for a street fighting man, no!
get down
hey! Said my name is called disturbance
I'll shout and scream, I'll kill the king, I'll rail at all his servants
well, what can a poor boy do
except to sing for a rock 'n' roll band
'cause in sleepy London town
there's no place for a street fighting man, no!
get down!
®© ABKCO Music and Records, Inc.
®© UMG
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
Edit for headphones. A sugar sweet lovely Monkees song (the guitar intro is an exact copy of The Rolling Stones "Tell Me" intro!)(thank you Claudette for noticing) from the album "More Of The Monkees" 2006 deluxe remaster.
THE DAY WE WILL FALL IN LOVE
(Denny Randell/Sandy Linzer)
there'll be birds singin' everywhere
and the wind will be blowin' through your hair
I'll look in your eyes
and wait for the prize
your lips kissing mine
with a love that is real
and you'll look so young and fair
on the day we fall in love
you and me
on the day we fall in love
you'll see
there'll be rainbows reachin' cross the sky
and we'll both be so happy we will cry
we'll walk hand in hand
in snow or in sand
whether roses are blooming
or snowmen stand by
time will stop, for you and I
on the day we fall in love
it will be on the day we fall in love
you'll see
and if the lines that I say fall apart
it's because I won't know where to start
but you'll understand when I say them to you
'cause they'll come straight from my heart
on the day we fall in love
you and me
on the day we fall in love
you'll see
you'll see
®© UMG
®© WMG
®© ABKCO Music, Inc.
®© EMI Music Publishing
®© SOLAR Music Rights Management
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email or comment and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The music/song and photos remain copyright of their respective owners and are strictly used here for educational, comparison and discussion reasons.
Edit for headphones. Original title was "little greenback", referring to a US paper dollar.
The 1969 debut single of the Dutch band George Baker Selection, written by Dutch musicians Jan Visser and George Baker.
The song reached # 9 in Holland and # 16 on the Cash Box magazine chart. In 1992 the song reached # 1 in Japan due to a Japanese whiskey commercial,
you know, the kind of drink that tastes like after shave...
Now the whole song is about a lost dollar, well, I admit, in 1969 a dollar was worth far more than nowadays, but, to drag on about it troughout the entire song? Bit strange. Still, the song has a nice rythm & a great bass. Oh, in 1999 Tom Jones had a # 1 hit in the UK with his cover of it!
LITTLE GREEN BAG
(Jan Visser/Hans Bouwens)
Lookin' back on the track for a little greenback
Got to find just the kind for losin' my mind
Outta sight in the night, outta sight in the day
Lookin' back on the track, gonna do it my way
Outta sight in the night, outta sight in the day
Lookin' back on the track, gonna do it my way
Look back
Lookin' for some happiness but there is only loneliness to find
Jump to the left, turn to the right
Lookin' up stairs, lookin' behind
Lookin' for some happiness but there is only loneliness to find
Jump to the left, turn to the right
Lookin' upstairs, lookin' behind
Yeah
Lookin' back on the track for a little greenback
Got to find just the kind for losin' my mind
Outta sight in the night, outta sight in the day
Lookin' back on the track, gonna do it my way
Lookin' back on the track for a little, little greenback
Got to find just the kind for losin' my mind
Alright
Lookin' for some happiness but there is only loneliness to find
Jump to the left, turn to the right
Lookin' upstairs, lookin' behind
© EMI Music Publishing
®© UMG
®© SME
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG/SME. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
Edit 2 or headphones. Recorded November 2, 1964. Released on Januari 15, 1965 on the UK album "The Rolling Stones no. 2" and on February 12, 1965 on the US album "The Rolling Stones, Now!" (source of the edit is the Japanese mini lp version of the album).
Electric guitar & piano: Brian Jones. Vocals: Mick Jagger. Electric guitar: Keith Richards. Six-string bass: Bill Wyman. Drums: Charlie Watts. Nitzsche-phone: Jack Nitzsche (just a regular piano - or maybe an organ - miked differently).
PAIN IN MY HEART
(Naomi Neville, real name Allen R. Toussaint. Original title "Ruler of My Heart")
pain in my heart, treatin' me poor
where can my baby be, Lord, no one knows
pain in my heart, Won't let me sleep
where can my baby be, Lord, where is she
and one day, my days are gettin' tough
won't you come back, come back, come back, baby
Lord
pain in my heart, won't let me be
oh, oh, oh, oh, I wake up restless nights in misery
Lord
won't somebody stop this pain
Lord one day, my days are gettin' tough
won't you love me, love me, love me, baby
pain in my heart, pain in my heart
somebody stop this pain in my heart
It's killin' me baby, this pain in my heart
oh, oh, oh, oh
pain in my heart
this pain in my heart
®© ABKCO Music and Records, Inc.
®© UMG
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
Edit 2 for headphones, December 2021. The source of this edit is the one on cd 4 of the 2009 release of "Neil Young Archives Vol. 1 (1963-1972)" - an eight hdcd box set of remastered songs. Cd 4 is entitled "Topanga 2 (1969-1970)". (Topanga, California, is the place where Neil Young lived from autumn 1969 to 1970.) ("Oh Lonesome Me" is mono on the 1970 Neil Young album "After The Gold Rush", also mono on the 2009 remaster and on the 2014 Pono remaster of "After The Goldrush".) Stephen Stills sings backing vocals on the bridge and at the end of verse three.
"Oh Lonesome Me" is a song written and recorded in December 1957 by Don Gibson ("The Jordanairs" were the backing vocals). In 1958 the song topped the country chart for eight non-consecutive weeks in addition to reaching no. 7 on the Billboard Hot 100.
"After The Goldrush" album personnel was:
Neil Young: guitar, piano, harmonica, vibes, lead vocals.
Danny Whitten: guitar, vocals (died in 1972, drugs & alcohol overdose).
Nils Lofgren: guitar, piano, vocals.
Jack Nitzsche: piano.
Billy Talbot: bass.
Greg Reeves: bass.
Ralph Molina: drums, vocals.
Stephen Stills: vocals.
Bill Peterson: flugelhorn.
OH LONESOME ME
(Don Gibson)
everybody's going out and having fun
I'm a fool for staying home and having none
I can't get over how she set me free
oh lonesome me
there must be some way that I can lose these lonesome blues
forget about my past and find someone new
I've thought of everything from a to z
oh lonesome me
I'll bet she's not like me
she's out and fancy free
flirting with the boys with all her charms
but I still love her so
and brother don't you know
I'd welcome her right back here in my arms
®© Sony ATV Publishing, LatinAutor - SonyATV, SOLAR Music Rights Management, LatinAutorPerf, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM
Edit for headphones of the mono single.
October 1966, seventh single from - at that time - The Moody Blues.
Released on the re-release of the album "The Magnificent Moodies".
In Holland released on the compilation album "On Boulevard de la Madeleine".
Singer: Denny Laine. Denny Laine had left before the single was released. It was supposed to be on the group's 2nd album, but the album was rejected.
BOULEVARD DE LA MADELEINE
(Denny Laine/Mike Pinder)
she said she'd come, she didn't
I'm the one in love, she isn't
there's no girl standing there
and there's no one who cares
and the trees are so bare
on the Boulevard de la Madeleine
it's a sad day in Paris
with no girl by my side
got to feeling so badly
like a part of me died
it would have been so good to see her
I never thought she wouldn't be there
there's no girl standing there
and there's no one who cares
and the trees are so bare
on the Boulevard de la Madeleine
there's no girl standing there
and there's no one who cares
and the trees are so bare
oh I wish I knew her better
it's not easy to forget her
there's no girl standing there
and there's no one who cares
and the trees are so bare
on the Boulevard de la Madeleine
®© UMG
®© SME
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
Edit (2 vers. mix) for headphones. This is a mix of the "regular" stereo version and the extended stereo version of their 1967 album "Procol Harum" 2015 deluxe expanded remaster (eclec 22497). I managed to get both version's drums synchronised, vocals and all other instruments vary (as these are two different studio takes), which makes this - to me - an interesting edit. Hope you like it. I do. At 3.25 the "regular" version fades out and the extended stereo version goes on for another two minutes and ten seconds.
In 1967 "Homburg" was the follow-up of their big hit "A whiter shade of pale". Homburg was a number one hit in The Netherlands, Australia, South Africa. #6 in the UK, # 15 in Canada, # 34 in the US.
HOMBURG
(Gary Brooker & Keith Reid)
your multilingual business friend
has packed her bags and fled
leaving only ash-filled ashtrays
and the lipsticked unmade bed
the mirror on reflection
has climbed back upon the wall
for the floor she found descended
and the ceiling was too tall
your trouser cuffs are dirty
and your shoes 're laced up wrong
you'd better take off your homburg
'cause your overcoat is too long
the town clock in the market square
stands waiting for the hour
when its hands they both turn backwards
and on meeting will devour
both themselves and also any fool
who dares to tell the time
and the sun and moon will shatter
and the signposts cease to sign
your trouser cuffs are dirty
and your shoes 're laced up wrong
you'd better take off your homburg
'cause your overcoat is too long
your trouser cuffs are dirty
and your shoes 're laced up wrong
you'd better take off your homburg
'cause your overcoat is too long
ah your trouser cuffs are dirty
and your shoes 're laced up wrong
you'd better take off your homburg
'cause your overcoat is too long
(here is where the extended version takes over)
ah your trouser cuffs are dirty
and your shoes 're laced up wrong
you'd better take off your homburg
'cause your overcoat is too long
your trouser cuffs are dirty
and your shoes 're laced up wrong
you'd better take off your homburg
'cause your overcoat is too long
®© UMG
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
Edit (live ya ya) for headphones. Yes, indeed, crazy, crappy video! From the live album "Get Yer Ya-Ya's Out!" released 4 September 1970 on Decca Records in the UK and on London Records in the US. This album sounds fabulous on your home stereo equipment. Recorded on 27–28 November 1969 at New York City's Madison Square Garden, ("Love in Vain" was recorded in Baltimore, Maryland on 26 November 1969). On some tracks (backing) vocals have been added at the London Olympic studios.
Ian Stewart: piano. Mick Jagger: vocals. Bill Wyman: bass. Charlie Watts: drums. Mick Taylor: lead, rhythm and slide guitar. Keith Richards: lead, rhythm guitar & backing vocals.
CAROL
(Chuck Berry)
Oh, Carol
Don't let him steal your heart away
I'm gonna learn to dance
If it takes me all night and day
Climb into my machine so we can groove on out
I know some swinging little joint where we can jump and shout
It's not too far back on the highway not so long a ride
You park the car out in the open you can walk inside
A little cutie takes your hat and you can thank her ma'am
'Cause every time you make the scene you find the joint is jammed
Oh, Carol
Don't let him steal your heart away
I'm gonna learn to dance
If it takes me all night and day
Now, if you want to hear some music like the boys are playing
Hold tight, bang your foot don't let it carry you away
Don't let the heat overcome you when they play so loud
Won't the music intrigue you when they get a crowd
Well you can't dance I know you would you could
I got my eyes on you, baby, cause you dance so good
Oh, Carol
Don't let him steal your heart away
I'm gonna learn to dance
If it takes me all night and day
Oh, Carol
Don't let him steal your heart away
I've got to learn to dance
If it takes me all night and day
®© UMG
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
Edit for headphones. In 1968 Johnny Nashs got involved in reggae in 1968 (his girlfriend had family in Jamaica). "Hold me tight" was a big 1968 hit, #1 in Canada, #4 in Australia, #5 in the US, #5 in the UK, #12 in Holland (b-side "Cupid" was released in 1969 with "Hold me tight" as b-side).
HOLD ME TIGHT
(Johnny Nash)
I don't want to hear it
no more fussin' and a fightin'
baby, hold me tight
thus let's let bygones be bygones
let's think about tomorrow girl
our future's bright
well I know I was wrong
but I was just a fool
too blind to see
you were the only girl for me
ah but now I see the light
everything's gonna be all right
baby, hold me tight
papapa...
well I know I was wrong
but I was just a fool
too blind to see
you were the only girl for me
oh but now I see the light
everything's gonna be all right
baby, hold me tight
girl, you know I love you
oh you know I need you
I don't mean maybe
you will always be my baby
papapa...
®© UMG
All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG/ABKCO. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Edit 1 (bbc '65) for headphones. This version is recorded live for BBC-TV in "Top Of The Pops", London, March 4, 1965. Another one from the bootleg cd "Get Satisfaction... If You Want!" by The Swingin' Pig Records (TSP-CD-003).
Official release was recorded January 11 & 12, 1965. Released as a US single on March 13, 1965. Also released on "Out Of Our Heads" in 1965.
Lead electric guitar: Brian Jones. Lead vocals: Mick Jagger. Rhythm guitar (& solo): Keith Richards. Bass: Bill Wyman. Drums: Charlie Watts. Backing vocals: Keith Richards & Bill Wyman.
THE LAST TIME *
(Jagger/Richards)
well I told you once and I told you twice
but you never listen to my advice
you don't try very hard to please me
with what you know it should be easy
well this could be the last time
this could be the last time
maybe the last time I don't know
oh no, oh no
well, I'm sorry girl but I can't stay
feelin' like I do today
there's too much pain and too much sorrow
cause I'll feel the same tomorrow
well this could be the last time
this could be the last time
maybe the last time I don't know
oh no, oh no
well this could be the last time
this could be the last time
maybe the last time I don't know
oh no, oh no
well I told you once and I told you twice
a'someone have to pay the price
a'here's a chance to change your mind
'cause I'll be gone a long long time
well this could be the last time
this could be the last time
maybe the last time I don't know
oh no, oh no
last time baby
I see you no more, well a'not no more
well a'not no more, well a'not no more
no, no no more
no, no no more
no, no no more
®© ABKCO Music and Records, Inc.
®© UMG
(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG/ABKCO Music and Records, Inc. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.
* kpax45 wrote: I think he is telling his girl that he will take her back, but it could be the last time that he does, or something to that effect.
Edit for headphones, April 2022. A song from the Dutch band Bintangs' 1969 album "Blues On The Ceiling".
Bintangs is Indonesian for stars (the founders - in 1961 - were the brothers Kraayeveld, of Indonesian origine). The band is the eldest Dutch band still active.
Personnel on the album:
Gus Pleines - guitar, vocals;
Frank Kraayeveld - bass, vocals;
Aad Hoft - drums;
Jan Wijte - harmonica, flute, guitar.
BLUES ON THE CEILING
(Fred Neil) *
blues on the ceiling
over my head
running down the walls
across the floor
and over my bed
blue lights across the street
blinkin' off and on
it's so lonely now she's gone
I'll never get out of these blues alive
I'll never get out of this crazy blues alive
love had been a dirty
five letter word to me
I was into the blues over my head
blue was all that I could see
up to my neck in misery
I'll never get out of these blues alive
I'll never get out of this crazy blues alive
blues keep on fooling
with my weary head
cocaine couldn't numb the pain
I'd be better off dead
blue lights gone out at last I sleep
the bitter the blues the bitter they keep
I'll never get out of these blues alive
I'll never get out of this crazy blues alive
®© UMG on behalf of Universal Music, a division of Universal International Music BV
®© therock&rollingsixties
* Fred Neil was an American folk singer-songwriter, active in the 1960s and early 1970s. He did not achieve commercial success as a performer and is mainly known through other people's recordings of his material – particularly "Everybody's Talkin'", which became a hit for Harry Nilsson after it was used in the film Midnight Cowboy in 1969. Though highly regarded by contemporary folk singers, he was reluctant to tour and spent much of the last 30 years of his life assisting with the preservation of dolphins.
He was born Frederick Ralph Morlock Jr., he took his stage name from his grandmother, Addie Neill, the family member of whom he was fondest.
So, dear grandmothers: if you want your name to get famous, treat your grandchildren well...